William Gear Paintings

"For Granted I.", 2024, Paris, France "For Granted I." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green and...

Antonio Gritón (Mexico City, 1953) Lives and works in Mexico City. Antonio Griton is a visual artist and tireless promoter of Mexican culture. He captures a visual discourse that r...

Unframed dimensions: 35 × 27 cm (13.8 × 10.6 in) Framed dimensions: 42 × 34 cm (16.5 × 13.4 in) Choose the black or light wood frame Certificate of authenticity provided In Lisière ...

FAMILY an original oil painting by Rodney E Denne (RED)

Choose the color of the frame: black or wood Framed dimensions: 72 x 88 cm (28.3 x 34.6 in) unframed: 65 x 81 cm (25.6 x 32 in) Signed by the artist and a certificate is delivred. Re...

"Potion as a Place," 2024, Paris, France A deep and bold floral of an abstract, mesmerizing landscape. This original oil painting on linen exudes loose and energetic movement with rich purples, that dances across the surface. Swirls of the floral, rose composition...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...

A recent sojourn to India has provided a very productive creative period for Francesca Owen. Her palette reflects the warmth, spice and amazing colours of the subcontinent. These myr...

This original oil painting on linen by French contemporary artist Sophie Dumont captures the quiet harmony between sea and sky in an abstract, atmospheric composition. Created in 202...

Abstract expressionist recollection of a acrobat at a circus

This original oil painting on linen is by Sophie Dumont, a French contemporary painter whose work is held in both private and museum collections worldwide. Known for her richly layer...

Expressionist Neofigurative Portrait Oil Painting Catalan Taüll Group School Artist: Jaume Muxart Medium: Oil on canvas Dimensions: 61 × 50 cm (24 × 19.7 in) Signature: Signed lower right Frame: Unframed Condition: Very good condition. Stable paint surface with original impasto visible Origin: Spain Period: Mid-20th century DESCRIPTION Expressive neofigurative portrait by Catalan painter Jaume Muxart, a founding member of the influential Taüll Group and a key figure in the renewal of Spanish postwar painting. The composition presents a frontal stylized head structured through bold chromatic contrasts and gestural brushwork. A strong vertical axis divides the face into two emotional registers, creating psychological intensity while reinforcing the structural rhythm of the composition. The interaction between white tonal fields and passages of cobalt blue, magenta and grey reveals the material sensitivity characteristic of Muxart’s mature neofigurative language. The textured surface preserves the physical presence of the brushstroke and reinforces the expressive tension of the figure. Portraits of this type represent one of the most recognizable directions within the artist’s production and reflect the broader evolution of European postwar figurative expression. This work belongs to the Catalan postwar neofigurative movement associated with artists such as Antoni Tàpies, Modest Cuixart and Josep Guinovart, with whom Muxart shared the experimental environment of the Taüll Group. Its expressive treatment of the human figure also connects with the wider European postwar tradition developed by Jean Dubuffet and Karel Appel, where gesture and material structure replace descriptive realism. Jaume Muxart (Martorell, 1922 – Barcelona, 2019) was a Catalan painter and founding member of the Taüll Group, alongside Antoni Tàpies, Modest Cuixart and Josep Guinovart, one of the most influential collectives in the renewal of Spanish postwar painting. He studied at the School of Fine Arts in Barcelona and later worked in Paris during the formative years of his career. He represented Spain at the São Paulo Biennial and developed an important international exhibition trajectory. Muxart also served as professor and dean at the Faculty of Fine Arts of the University of Barcelona and remains recognized as a key figure within Catalan neofigurative painting of the twentieth century. Spanish modern painting...