By William King (b.1925)
Located in Surfside, FL
Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, his work first offered an alternative to Abstract Expressionism in the 1950s, then to Minimalism and conceptual art in the 1960s and 1970s. Through one radical art historical shift after another, King has maintained his commitment to the figure and social realism. Working with aluminum and vinyl, he arranges his painted figures in configurations that transform various social activities into satirical or fantastic situations. A man in a business suit with hands in his pockets is a recurring figure throughout his work.
King was born in Jacksonville, Florida, in 1925, and grew up in Coconut Grove, Miami. After attending the University of Florida between 1942 and 1944, he came to New York in 1945, enrolling that year at Cooper Union and graduating in 1948. The following year he went to Rome on a Fulbright scholarship. Beginning in 1953, he taught for three years at the Brooklyn Museum Art School. He has also taught at the University of California, Berkeley, and elsewhere. He is a member of the American Academy of Arts and Letters, and was President of the National Academy of Design between 1994 and 1998. He is the father of Eli King and Amy King, and lives with his wife, Connie Fox, in East Hampton, New York. King’s earliest one-person shows were with the Alan Gallery, New York, beginning in 1954. The majority of his subsequent New York exhibitions were with the Terry Dintenfass Gallery. Of note in the writings about the artist are reviews by Fairfield Porter, in 1954 (in Art News) and 1960 (in The Nation), and numerous essays and reviews by Hilton Kramer. The fullest biographical account of the artist is by Gerald Nordland, in a 1994 gallery exhibition catalog entitled William King: Forty Years of Work in Wood. Previous awards include the Guggenheim Foundation Fellowship, National Endowment for the Arts Individual Artist Grant, San Francisco Arts Commission Award for Outstanding Achievement in Sculpture, Honorary Doctorate for Outstanding Achievement in Sculpture from the San Francisco Art Institute, Honorary Doctorate from the California College of Arts and Crafts, and Honorary Doctorate from the Corcoran School of Art, Washington, D.C.
EDUCATION
University of Florida, 1942 – 1944
Cooper Union Art School, New York, 1945 – 1948
Brooklyn Museum Art School, New York, 1949
Academia dei Belle Arti, Rome, 1949 – 1950
Central School, London, England, 1952
AWARDS
Sculpture Prize, Cooper Union Art School, New York, 1948
Fulbright Grant, 1949 – 1950
Margaret Tiffany Blake Fresco Award, 1951
Augustus St. Gaudens Medal, Cooper Union, New York, 1964
Creative Artists Public Service Award and Grant, 1974
Hakone Open-Air Museum, Japan, Distinction Prize, 1980
National Academy of Design, New York, Gold Medal, 1986
American Academy of Arts and Letters, New York, Louise Nevelson Award, 1995
Guild Hall of East Hampton, Lifetime Achievement in the Arts, Visual Arts Award, 1997
SELECTED SOLO EXHIBITIONS
Alan Gallery, New York, 1954, 1955, 1961
San Francisco Museum of Art, San Francisco, California, 1970
Santa Barbara Museum of Art, Santa Barbara, California, 1970
Indianapolis Museum of Art, Indianapolis, Indiana, 1971
Contemporary Arts Center, Cincinnati, Ohio, 1971
Ringling Museum, Sarasota, Florida, 1971
Dag Hammerskjold Plaza, New York, 1971
Alpha Gallery, Boston, Massachusetts, 1971, 1982
Montgomery Museum of Art, Montgomery, Alabama, 1972, 1987
Jacksonville Art Museum, Jacksonville, Florida, 1972
Hopkins Art Center, Dartmouth College, Hanover, New Hampshire, 1972
Worcester Art Museum, Worcester, Massachusetts, 1972
Wadsworth Atheneum, Hartford, Connecticut, 1972
Tennessee Fine Arts Center, Nashville, Tennessee, 1972
University of Nebraska, Lincoln, Nebraska, 1972
Elvehjem Art Center, University of Wisconsin, Eau Claire, 1973
University of Georgia, Athens, Georgia, 1973
William Benton Museum, University of Connecticut, 1973
State Universities of New York (traveling exhibitions), 1974
Benson Gallery, Bridgehampton, New York, 1976
Zabriskie Gallery, New York, 1977
Louise Himmelfarb Gallery, Water Mill New York, 1980
Wingspread Gallery, Northeast Harbor, Maine, 1981
Gallery Paule Anglim, San Francisco, California, 1985, 1987
Hooks-Epstein Gallery, Houston, Texas, 1986
Hunter Museum, Chattanooga, Tennessee, 1987
David Heath...
Category
Late 20th Century American Modern William King (b.1925) Prints and Multiples