William Stout Art

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, in this case a pilot chart of the Northern Atlantic Ocean from 1945, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Boy of the North Atlantic sumi ink and colored pencil on mulberry paper 23h x 37w in 58.42h x 93.98w cm JEC111 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

Beautiful Art Deco illustration by unknown artist. Ink and gouache on faux wood grain illustration board. Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...

Miniature Painting of Cattle Grazing in Ireland Countryside by 20th Century Irish Artist - Presented in an ornate vintage gold frame Art measures 7 x 5 inches Frame measures 11 x ...

This is a Gyotaku method painting of two fish on a mulberry paper background. This fish impression using minimal color is akin to a fossil. The mulberry paper has a soft hue and slightly wavy texture adding the overall feel of the artwork. The artwork is framed and matted. The framed dimensions are 25 x 36.5 inches. Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression. It is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing was used by fishermen to record their catches, but has also become an art form of its own. Gyotaku is a Japanese method of printmaking that traditionally utilizes fish, sea creatures or similar subjects as printing "plates" in its process. The literal translation of the word is "fish stone rubbing...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...

Idyllic Rural Cottage with Lady feeding Chickens in the Countryside of Ireland Art measures 12 x 10 inches Frame measures 17 x 14 inches This charming oil painting captures the ess...

This drawing by Nils Kreuger, a Swedish artist born on October 11, 1858, in Kalmar and who passed away on May 11, 1930, in Stockholm, showcases a quintess...

Portrait of a Monkey with Wine Jug Zacharias Noterman (Belgium & France 1824-1890) Initialed "Z N" l.r. Oil on board 8 x 6 inches PROVENANCE: Galerie Tamenaga, Paris (label verso); Louvre des Antiquaires, Paris; Berman Swarttz, Los Angeles, California, Marcella Swarttz, Beverly Hills, California     8 x 6 inches Zacharias Notermann (1820 in Ghent – 1890 in Paris) was a Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs. He also produced images and scenes of traveling circuses. Zacharias Noterman was born in Ghent in the family as the son of an artist-decorator. He was originally trained by his older brother Emmanuel Noterman, genre and animal painter active in Antwerp. Noterman continued his art education at the Academy of fine arts Antwerp. Zacharie Noterman...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. 31x34.75, 23.5x27.5 without frame. Hungary, b. 1923, d. 1992 Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923. He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest. Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy intercepted the ship and declared Stern and all those aboard illegal immigrants. Stern was sent to a prison camp where he remained incarcerated by the British for six months. In 1943, having spent a few years doing agricultural work, Stern was encouraged by close friends who recognized his artistic talent to enroll in the prestigious Bezalel School of the Arts in Jerusalem. An outstanding student, he eventually became a highly respected teacher of Graphic Arts at Bezalel. Stern is recognized in Israel as having been one of the country's premier artists...