William Tarr Furniture

4 Neru stackable TOTEM Utility sculpture: 1 Neru, functions as a stool/table Create your own TOTEM by stacking 3 or 4 Nerus! Material: Ra...

Four panel wall sculpture that measures 48" x 30". Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton and tencel fringe detailing in white, grey and tan. Ha...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates Abstract Sculptures -and- Utility S...

The word "ARIA" comes from the word air. Air, over time, sculpts the surface of the earth to create what we call mountains. ARIA seeks to be a timeless object by mimicking what is co...

Tan stone horse sculpture on clear acrylic base, 1980s.

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Five panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware. Pictured with cotton fringe detailing in white, grey and tan. Hanging wire is included on each pane...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

A great handmade ceramic tan horse sculpture by Dorothy Kindell, circa 1940s. This rare piece is quite large, in good vintage condition some minor crazing is...

I. About Rebeca Cors Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...