Winfield Lukens Art

A plein air oil painting of a summer day on the beach, in Ogunquit, Maine. Sunbathers lay on the sand beside chairs or under colorful, patterned umbrellas. Painted with a palette kni...

An oil painting of a grouping of flowers against a blue background. A mason jar holds water, and soaks the stems of these brown-eyed-susans, and daisys. Negative space is tangible via use of shadows. Tim McGuire...

The Pseudo-Guardi was an unidentified Venetian painter from the 18th or early 19th century who closely imitated the style of Francesco Guardi (1712–1793), one of the great Venetian v...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

William Holbrook Beard Gwine to Eat it All Myself, 1894 Signed and dated lower left Oil on canvas 16 x 24 inches Provenance: Childs Gallery, Boston Cynthia Bowers, New York Estate of the above Exhibited: New York, National Academy of Design, 1895, no. 405 ($500). Literature: American Art Review, January - February, 1975, p. 36, illustrated. Abraham A. Davidson, The Eccentrics and Other American Visionary Painters, Boston, 1978, p. xvii. Born in Painesville, Ohio, William Beard...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Laura Woodward Gloucester Harbor, circa 1880 Signed lower left Oil on canvas 18 x 24 inches Provenance: Private Collection, United Kingdom Priory Fine ...

In "Sunflowers and Stories by the Sea," Luis Fuentes captures a serene moment by the coast, inviting viewers to experience the tranquil beauty of the seaside. This original floral an...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French Blue background with thick use of paint. I...

Victor de Grailly Niagara Falls, circa 1840-45 Oil on canvas 28 7/8 x 21 1/4 inches Provenance: Mark Borghi Fine Art, New York Private Collection, Nyack, New York Little is known a...

Charles Vezin Factories on The River Signed lower right Oil on canvas board 12 x 13 15/16 inches After spending half his years as a partner in a highly profitable wholesale dry-goo...