Wiwen Nilsson Jewelry & Watches

These gilded sterling silver cufflinks are rectangular shaped. The surface is matte and adorned with a monogram in releif. The monogram resembles an "à la grecque" pattern, that allo...

These classic silver bar earrings exude understated elegance with their sleek, straight form. They dangle gracefully from the ear, providing a subtle movement that catches the light....

Important modernist Scandinavian silver ring with flat-cut agate stone by Wiwen Nilsson. Lund, Sweden, 1949. Rare collector's piece. Hallmarks: AN (Wiwen Nilsson continued to use th...

This 18k gold clock link is made out of eleven 18 karat gold square plates which are connected with each other. If you turn the clock link around you can see that each gold plate is stamped with several Swedish marks, for instance Wiwen Nilsson's responsibility mark (AN) and signature mark, the fine content mark and the year mark D9 (which tells us that the link was made 1954). The vintage watch was made by the Swiss company Sandoz that was established in the late 19th century. It has a mechanical clockwork and the rectangular bezel is made of gilded steel whereas the dial is made of enamel. You set the time by pulling out and turning the crown. This is a vintage watch with a rare vintage bracelet...

These sterling silver cufflinks have a rectangular shape and a polished surface. The shape of the cufflinks are classic and their appearance can be described as simple but yet sophis...

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

This sterling silver cuff bracelet has a shiny, vivid surface. It is uniquely wide considering the decade it was made and it looks like something a roman empress would wear. The cuf...

This 18 karat gold and rock crystal ring has a square faceted rock crystal and a stair shaped setting. The ring, with its geometric and stylish forms, shows upon typical Wiwen Nilsso...

This sterling silver bracelet has a ring and bar chain, which is adorned with a silver charm in the shape of a dice. This bracelet fits well in both an everyday environment as well...

Beautiful silver brooch by Wiwen Nilsson, in the form of a blossoming cherry branch. A classic, elegant design with lovely attention to detail.

Striking silver brooch by Wiwen Nilsson, in the form of a fish. Geometric design, meticulously executed. Beautiful movement.

A rare Wiwen Nilsson 18k gold and single faceted citrine ring. Wiwen Nilsson is one of Swedish design history's respected silversmiths who received worldwide acclaim for his innovat...