Zhou Peng Figurative Photography

Edition of 15 Signed, titled, dated, print date, and numbered. Paper size: 36 x 54 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

"Geometry of Color N7" Photography 40" x 30" inch Edition of 10 by Lika Brutyan "Geometry of Color N 7" Original photography by Lika Brutyan from the ""Geometry of Color" series ...

No title (No 90) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko No title (No 90) Photography Edition of 25 32 x 32 inch Year photo was taken: 2019 This picture i...

St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...

"Rise" Photography Edition 2/28 32" x 32" inch by Yevgeniy Repiashenko "Rise" Photography Edition of 28 Year photo was taken: 2017 This picture is a part of Spirit series. The pic...

"Submission" Photography 40" x 40" inch Edition 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 24" inch Edition of 7 30" x 30" inch Edition...

Rookery Study #3 by Keith Carter presents an ethereal scene. Barren trees stand in the murky swamp, emerging from the hazy atmosphere. White egrets and black cormorants rest in the b...

"Inside" Black & White Photography 47" x 47" in Ed of 25 by Yevgeniy Repiashenko Photography Year photo was taken: 2016 Works are hand signed and numbered by the artist on verso ...

Edition of 25 Signed, titled, dated and numbered in pencil by Keith Carter. Archival pigment print Paper size: 22 x 17 in. Image size: 16 x 16 in. Keith Carter is an American photog...

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes. Whether standing in a state of intent tranquility in the foreground of a forest, or captured mid‐action during diving or archery, John imparts a sense of security through his physique and determined mien. Also conveyed is an air of intrigue stemming from his body, which is often concealed by shadow or wreathed in haze. Examples of masterful composition, Churilla's black‐and‐white images fully demonstrate the pacifying effect of nature on the male figure. The invitational piece, Silence represents Churilla's overall vision for this exhibition, featuring John facing away from the camera while standing in the shallows in a mist covered lake. Staring into the distance with his body in graceful repose, he appears lost in and enveloped by his surroundings, eliciting the romantic feeling of limitlessness and a sense of peace. The style in which Churilla captures John is reminiscent of the figurative nudes produced by photographers like Jock Sturges or Sally Mann. This exhibition is composed of eleven large-format pieces which range from 30" x 40" to 60" x 40". Eight photographs centered on John are accompanied by three abstract landscape pieces that capture the Adirondacks in all its otherworldly beauty. In one of these, White Mist, one stumbles into a world of beautifully muted color tones­, in which a nearly impenetrable mist surrounds a lake. This photograph serves to highlight stillness of water, which Churilla herself regards as healing and thought inducing. Churilla first gained her appreciation of the Adirondacks while working as an assistant to the legendary photographer Bruce Weber in his 1990 series Bear Pond. Since studying as Weber's protégé for nearly a decade, Churilla's own work has been acclaimed by such publications as American Photo and Harper's Bazaar, in which she has been lauded as a promising female photographer. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

Nesting Tree Study #2 by Keith Carter presents a group of white egrets perched in a grove of bald cypress trees. The branches hold nests for the birds, creating a habitat in the swampy landscape of the Big Thicket. Edition 8 of 25 Archival pigment print Paper size: 17 x 22 in., Image size: 16 x 20 in. Signed, titled, dated, and numbered in pencil on print verso by Keith Carter Series: Ghostlight Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

"Flame" Ballet Photography 32" x 32" in Edition of 25 by Yevgeniy Repiashenko Flame Photography Edition of 25 32 x 32 inch Year photo was taken: 2018 This picture is a part of Sp...