Zsolnay Sculptures

This is a Faun Woman Bronze Sculpture. It depicts a faun nude woman with goat legs who is lying back over a wreath made of vine branches and wit...

Bisquit Porcelain Sculpture "Cat No. 2" by Edouard-Marcel Sandoz, 1920s

A beautiful porcelain regal dog sitting on fancy pillow, circa mid-20th century. A great decorative object. Piece is matte unglazed porcelain ceramic of a brown and white dog, a red and gold collar, sitting on fluffy blue pillow with yellow...

PAIR of Egyptian (mid 20th Cent) white plaster standing classical figures standing on square bases (att: models fabricated by MGM workshop)

Geometric sculpture made in polished resin in variety of colors. It is a modern and colorful piece that will liven up any space. This sculpture is very versatile and fun! You can ...

A fine mid-century Rosenthal porcelain figurine. In the form of a rooster. Designed by J. Feldtmann in the 1950s for Rosenthal. S...

Geometric sculpture made in polished resin in variety of colors. It is a modern and colorful piece that will liven up any space. This sculpture is very versatile and fun! You can ...

French Art Nouveau sculpture with a clock decorated with a pair of women rejoicing in the season's harvest. In great condition. Sold as is...

Hungarian porcelain eosin glazed small vase, Zsolnay, with factory marks on the base, circa 1900.

Very decorative and heavy cat statue, cat sculpture made of patinated bronze, probably Asian, second half of the 20th century. Simplistic and naive made and shaped, but a nice and d...

With artful and sensuous handling of material, Emile Jacob demonstrates his life-long love of learning with a technical mastery of porcelain and glazes as well as an awareness of current artistic trends such as Japonisme and l’Art Nouveau. From a bird’s-eye view perspective popularized by Japanese wood block prints circulating in Europe, Jacob immediately confronts the viewer with the sea. The variegated blues and greens take on every murky depth, every iridescence produced on a sun-filled water’s surface; while the suggestion of movement created by undulating patterns of water morphs into sand ridges caused by breaking waves as the viewer nears for a closer examination. The effect is remarkable. Upon closer scrutiny, the abstracted ridges create an affect of being even farther away from the sea, as if high in flight. The same captivating qualities are achieved by the opaque and crystalline glazes to suggest the interior of an oyster’s shell. The ultimate pearl, a female nude, is voluptuously modeled; fusing as one with her seascape, her hair spreads out in wavy tendrils and her graceful, long fingers wrap around the plaque’s edge. Literature: Arthur, French Art Nouveau Ceramics: An Illustrated...

An Italian Mid-Century blown art glass "Penguin" sculpture by, Livio Seguso for Seguso Arte Vetro Murano/Oggetti with clear blown body with applied red and black striping throughout ...