Bazaar Sas Boxes

Pretty little Japanese lacquered box. On a golden metal medal inside we can read the royal motto of the Netherlands, adorned with a lion: "Je maintiendrai...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

Antique Napoleon III jewelry box, crafted in France during the mid 19th century. Made of ebonized wood with Boulle marquetry on the lid and finely chiseled gilt bronze ornamentation ...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Japan during the 19th century, early Meiji period. This rectangular shaped papier mâché box has a well fitting hinged lid, with the box base and lid slightly domed. The box was probably originally made as a pocket box but could easily sit on a desk or dressing table as required. This is a very decorative box with finely hand painted scenes of three people, one holding a parasol, in a garden setting, with a pagoda type building, large gate...

Napoleon III-period papier-mâché and wood marquetry card box with original key. The lid is richly decorated with a polychromatic bunch of flowers in a central medallion with gilt fra...

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated all over beautifully with intricate designs and images of ancient C...

Nice little black lacquer box from Japan. It is made of black lacquered wood and decorated with flowers and foliage. The inside is covered with red velvet. It is ideal for storing je...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

A 19th century French Napoleon III marquetry double compartment tea caddy, featuring a serpentine silhouette and parquetry pattern edged with a brass molding. Mahogany veneer with a ...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...

A handsome French Napoleon III walnut box, richly decorated with intricate mother-of-pearl, ivory and brass inlay. The rectangular form is beautifully proportioned and showcases the ...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...