Cerbera Gallery

ON-DEMAND-PRINT LEAD TIME UP TO 1 (ONE) WEEK - USUALLY FASTER David Pugh Disco Concrete & Disco Atlas Archival Pigment Print on Hahnemühle Photo Rag Baryta (or equivalent) Year: 2...

Anthony Canham Untitled XXI From Folio "Endlich allein - endlich zu zwein" Color Lithograph 1976 Edition: 150 Not individually signed or numbered Size: 11.8 x 8.25 inches (30.0 × 21....

Josep Guinovart Untitled Composition - De Luxe Edition (Poligrafa, Redfern, Spanish, Abstract) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithogr...

Jim Bird Untitled Composition - De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph on Fine Paper with Deckled Edges Year: 1979...

Shepard Fairey Bee Geometric 2 Screen print on thick Cream Speckletone Paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 275 Signed by Shepard Fairey, dated and numbe...

Katherine Bello Is That So Oil on Canvas 2023 Size: 40 x 30 x 1.5 inches (101.6 cm × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gallery-wra...

Annieo Klaas Golden Honey Evening 2023 Oil on Canvas Size: 30 x 40 inches (76.20 × 101.60 cm) Signed, titled and dated verso COA included *On stretcher frame, gallery-wrapped - read...

Annieo Klaas Floating on a Dream 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA included *On stretcher frame, gallery-wrapped - ready to hang In When ...

Vladimir Veličković Untitled Composition De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Size: 14.75 x 10.75 inc...

Herve Telemaque Untitled Composition (Poligrafa, Redfern, French Modern Art) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Siz...

Jan-Frederic Frey Death Paradise (Street Art, Satire, Pop Surrealism, Skeleton, Palm Angels) Giclée / Iris Print on Hahnemuehle Velvet 2020 Size: 23.25 x 23.25 inches (59 cm x 59 cm)...

Katherine Bello Stroke of Midnight Oil on Canvas 2022 Size: 40 x 30 x 1.5 inches (101.6 cm × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gall...

Annieo Klaas Catching Clouds (Catching Fireflies in the Daytime) 2023 Oil on Canvas Size: 30 x 40 inches (76.20 × 101.60 cm) Signed, titled and dated verso COA included *On stretche...

Shepard Fairey Overloading the Grid (David Byrne) Screen print on thick Cream Speckletone Paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fair...

Jan-Frederic Frey Tactical Vest Seen Through Rose-Colored Glasses (Street Art, Satire, Pop Surrealism) Giclée / Iris Print on Hahnemuehle Velvet 2020 Size: 23.25 x 23.25 inches (59 c...

Golfam Jozdani Shadows of Peace XV 2026 Oil Pastel on Fine Paper Size: 11 x 8.5 inches (22 x 28cm) Signed and dated in pencil COA provided *Framing Options available - Please Inquir...

Annieo Klaas Catching Clouds (Catching Fireflies in the Daytime) 2023 Oil on Canvas Size: 30 x 40 inches (76.20 × 101.60 cm) Signed, titled and dated verso COA included *On stretche...

Shepard Fairey DEI-TY SET Two (2) Screen prints on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) (each) Edition: 300 Signed by Shepard Fairey, date...

Shepard Fairey DEI-TY (Cream) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 300 Signed by Shepard Fairey, dated and number...

Jose Antonio Suarez Londono Plana Original Five-color Lithograph with hand-coloring and Chine Collé on Thai Kozo / White Arches Cover Year: 2005 Edition: B.A.T of 20 Publisher: Tamar...

Shepard Fairey Bliss at the Cliff’s Edge Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated...

Shepard Fairey Treading Water Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and number...

Jan-Frederic Frey Ginja (Urban, Hipster, Street Art, City View, Sprayer, Berlin Vibe) Ink on premium paper circa 2020 Size: 19.6 x 27.5 inches (49.78 × 69.85 cm) Signed on lower righ...

Otto Greis Untitled Composition IV Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) Fr...

Katherine Bello Summer Rain Oil on Canvas 2023 Size: 30 x 30 x 1.5 inches (76.20 × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gallery-wrappe...

Herve Telemaque Untitled Composition (Poligrafa, Redfern, French Modern Art) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edi...

Eduardo Chillida Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25...

Rufino Tamayo Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 × 18.61 cm) Edition: 82/100 Unsigned and not individually numbered Publisher: La Poligrafa S.A., Barcelona, Spain Printer: La Poligrafa S.A., Barcelona, Spain Copy of the Imprint Page with Edition Number included Gallery-issued COA provided upon request *Could come framed in a simple white/black/natural frame made from composite wood with standard plex for an additional $48. See example images. Please inquire. Rufino Tamayo was among the internationally recognized artists featured in the Ediciones Polígrafa exhibition at the Redfern Gallery, London, held from December 4, 1979 to January 31, 1980. Organized in collaboration with the Barcelona-based publisher Polígrafa, the exhibition highlighted a broad spectrum of modern printmaking, bringing together leading figures whose graphic works expanded the boundaries of contemporary art. Tamayo’s contribution reflects his distinctive synthesis of Mexican cultural identity with international modernist language. Unlike many of his contemporaries in Mexican muralism, Tamayo favored a more universal and poetic visual vocabulary over overt political narrative. His prints—often executed as lithographs—are characterized by bold chromatic contrasts, textured surfaces, and simplified, almost cosmic figuration. Themes such as humanity, mythology, celestial bodies, and existential reflection recur throughout his work, conveyed through a restrained yet powerful formal language. Within the context of the Polígrafa exhibition, Tamayo’s prints underscored the global dialogue between tradition and modernity, situating his work alongside that of artists such as Joan Miró, Antoni Tàpies, and Eduardo Chillida. His inclusion reaffirmed his position as one of the most significant Latin American artists of the 20th century and a key figure in the evolution of modern printmaking. Rufino Tamayo lithograph...

Sebastian R Matta Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 × 18.61 cm) Edition: 82/100 Unsigned and not individually numbered Publisher: La Poligrafa S.A., Barcelona, Spain Printer: La Poligrafa S.A., Barcelona, Spain Copy of the Imprint Page with Edition Number included Gallery-issued COA provided upon request *Could come framed in a simple white/black/natural frame made from composite wood with standard plex for an additional $45. See example images. Please inquire. Roberto Matta (often referred to as Sebastián R. Matta) was among the major international artists included in the Ediciones Polígrafa exhibition at the Redfern Gallery, London, held from December 4, 1979 to January 31, 1980. Organized in collaboration with the Barcelona-based publisher Polígrafa, the exhibition brought together leading figures in modern and contemporary printmaking, emphasizing the role of graphic works as an extension of avant-garde practice. Matta’s contribution reflects his pivotal role within Surrealism and postwar abstraction. His prints—primarily lithographs—translate his signature visual language of expansive, psychological landscapes into the graphic medium. These compositions are characterized by fluid, biomorphic forms, architectural structures, and spatial distortions that evoke inner mental states, cosmic environments, and metaphysical tensions. Matta’s approach often merges automatism with a heightened sense of structure, creating dynamic fields where figures and environments appear in constant transformation. Within the Polígrafa context, Matta’s works underscored the experimental and international scope of the exhibition, presented alongside artists such as Joan Miró, Antoni Tàpies, and Eduardo Chillida. His inclusion highlights the importance of Surrealist-derived abstraction in shaping late 20th-century printmaking and reinforces his legacy as a key bridge between European Surrealism and later developments in Abstract Expressionism. Roberto Matta lithograph...

Zao Wou-Ki Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 × 18...

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches ...

Shepard Fairey Environmental Justice Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and...

Katherine Bello Keeping it real in Kansas Oil on Canvas 2023 Size: 30 x 30 x 1.5 inches (76.20 × 76.20 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, ...

Shepard Fairey The Long Goodbye Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numb...

Katherine Bello Love Pact Mixed Media on Canvas 2023 Size: 40 x 40 x 1.5 inches (101.6 × 101.6 × 3.81 cm) Signed, dated and titled by hand COA provided *On Stretcher Frame, Gallery-...

Shepard Fairey Fractured Harmony Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered by hand; each COA provided *Edition number may vary from the image shown. The Fractured Harmony print by Shepard Fairey explores the tension between unity and division through the symbolic use of the mandala, a form traditionally associated with balance, wholeness, and spiritual harmony. In Fairey’s interpretation, the mandala appears torn or disrupted, transforming a symbol of collective interconnectedness into a reflection on social fragmentation and environmental neglect. At the center of the composition is a female figure partially obscured behind the fractured form. Her gaze toward the viewer introduces a psychological and emotional dimension, suggesting disappointment and concern over humanity’s continued inability to maintain mutual respect—for one another as well as for the planet that sustains life. The torn mandala functions both literally and metaphorically, representing the breakdown of collective responsibility and shared purpose. Consistent with Fairey’s broader body of socially engaged work, the print challenges ideological polarization and simplistic oppositions. The artist argues against the notion that personal freedom and collective well-being are inherently incompatible, instead proposing that self-determination and environmental or social responsibility can coexist in a balanced and mutually supportive relationship. Visually, the composition combines Fairey’s characteristic graphic clarity with more introspective symbolism, balancing activist messaging with emotional resonance. Fractured Harmony reflects recurring themes in his work: unity, environmental consciousness, social responsibility, and the search for constructive coexistence in an increasingly divided world. Fractured Harmony print, Shepard Fairey mandala...

Otto Greis Untitled Composition III Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) F...

Shepard Fairey The Live Anthology – From The Vaults Vol. 1 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 1000 Numbered by ...

Otto Greis Untitled Composition II Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) Fr...

Shepard Fairey Peace is Power SET (Matching Numbers) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm); each Edition: 500 Signed by Shepard Fairey, dated and numbered by hand; each COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

Shepard Fairey Peace is Power (Cream Dove) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

Shepard Fairey Peace is Power (Blue Dove) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. The Peace is Power print by Shepard Fairey centers on the idea that peace is not passive, but an active and transformative force requiring empathy, diplomacy, creativity, and sustained effort. Rather than defining peace simply as the absence of conflict, Fairey frames it as the ability to resolve disagreement without violence—a process that demands patience, compassion, and collective responsibility. The composition prominently features the dove, an internationally recognized symbol of peace that has appeared throughout art history as an emblem of hope, reconciliation, and unity. Fairey employs the dove as both a visual anchor and a universal communication device, reinforcing the accessibility and immediacy of the work’s message. Consistent with his broader practice, Fairey combines bold graphic imagery with socially conscious themes, encouraging viewers to consider peace not as an abstract ideal but as a practical investment in the well-being of humanity and the planet. Originally conceived as a gesture for friends and family during the holiday season, the print was later released more broadly as an expression of gratitude to collectors and supporters. Through its direct symbolism and optimistic tone, Peace is Power reflects Fairey’s enduring belief in art’s capacity to inspire dialogue, solidarity, and constructive social values. Peace is Power print, Shepard Fairey dove...

William T. Wiley The Sower after Van Gogh after Millet Original Color Woodcut on Vellum Year: 1997 Monoprint Paper Size: 19 x 26 inches (48.26 × 66.04 cm) Signed, dated, titled and i...

Otto Greis Untitled Composition I Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) Fra...

Joan Hernandez Pijuan Untitled Composition - De Luxe Edition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph on Fine Paper with Deckled Edg...

Shepard Fairey Harmonious Elements Screen print on thick cream Speckletone paper Year: 2025 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 500 Signed by Shepard Fairey, dated and n...

Shepard Fairey Meditation Woman Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numb...

Linnea Pergola Venice (Cityscape, James Rizzi, Fun, Vibrant, Palazzo, Historic) Giclee on handmade cotton paper Year: 2019 Image Size: 14.9 × 20.4 inches (37.85 × 51.82 cm) Paper Siz...

Shepard Fairey Earth Preservation (Environment, Climate Activism, Renewable Energy) Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) E...

Linnea Pergola St Marks Place Giclee on handmade cotton paper Year: 2019 Image Size: 14.75 x 20.375 inches (37.47 x 51.75 cm) Paper Size: 17.13 x 24.02 inches (43.5 x 61 cm) Edition:...

Shepard Fairey Spring Forth Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered...

Paul Wunderlich Madame est Servie 1968 Color Lithograph on B.K. Rives Edition: E.A of 75 Image Size: 21.75 × 29.75 inches (55.25 × 75.57 cm) Mat Size: 26 × 32 inches (66.04 × 81.28 c...

Shepard Fairey Punk Rock Bowling Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and num...

Shepard Fairey Bad Brains Bowery and Bleecker Screen print on thick cream Speckletone paper Year: 2025 Size: 18 x 24 inches (45.72 x 60.96 cm) Edition: 500 Signed by Shepard Fairey a...

Paul Wunderlich From the Song of Songs, Salome IV, 1 1970 Color Lithograph on B.K. Rives Edition: XXI of XXX (21 of 30 in Roman numerals) Image Size: 25.6 × 19.6 inches (65.02 × 49.7...

Shepard Fairey Earth’s Future is Our Future Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 400 Signed by Shepard Fairey, da...

Joerg Reme Untitled IX from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed i...

Shepard Fairey A Hard Rain’s A-Gonna Fall Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 500 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. In this portrait inspired by Bob Dylan, Shepard Fairey reflects on the enduring cultural and political significance of one of the most influential songwriters of the 20th century. While acknowledging that Dylan’s vast catalog varies in resonance for him personally, Fairey emphasizes the extraordinary impact of Dylan’s strongest work—particularly his socially conscious and protest-oriented songs—which helped redefine the role of music as a vehicle for commentary, dissent, and cultural transformation. The print takes its title from Dylan’s seminal song A Hard Rain’s A-Gonna Fall, a composition Fairey regards as emblematic of art that is both timely and timeless. The lyrics—filled with surreal, apocalyptic, and symbolic imagery—serve as a poetic meditation on violence, injustice, fear, and moral urgency. For Fairey, Dylan’s ability to combine lyrical complexity with emotional immediacy positions him not only as a musician, but as a “people’s poet” whose work continues to shape public consciousness across generations. Visually, the composition is based on a photograph by Daniel Kramer, who documented Dylan extensively during his rapid rise to prominence in the mid-1960s. Fairey’s interpretation captures both Dylan’s self-possession and his well-known resistance to being cast as the singular “voice of a generation.” Through bold graphic stylization and restrained symbolism, the portrait pays tribute to Dylan’s lasting influence on music, political expression, and artistic independence. Bob Dylan portrait...

Gottfried Salzmann NYC I Giclee on Hahnemuehle Velvet Year: 2018 Image Size: 23.5 × 16 inches (59.7 × 40.6 cm) Sheet Size: 31.4 × 24 inches (79.8 × 61.0 cm) Edition: BAT from an edit...

Gottfried Salzmann New York City Skyline Giclee on Hahnemuehle Velvet Year: 2018 Image Size: 22.25 × 16.25 inches (56.52 × 41.28 cm) Paper/Sheet Size: 30.25 × 24 inches (76.84 × 60.9...