Channel To Channel

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

This painting was created by Heather Hartman for her exhibit "Kudzu Season," at Channel to Channel Gallery. A black silhouette of Kudzu leaves crowd...

This piece by Heather Hartman was created for her exhibit titled "Kudzu Season." This painting, titled FROST, depicts Kudzu during the winter season. It is an enlarged cropped compos...

DORMANT by Heather Hartman, made for her show "Kudzu Season," is one of a series of four paintings representing the four seasons relative to the Kudzu growth cycle. This painting, titled "Dormant," is the Winter-inspired piece in the series. After the first frost of winter, all of the leaves of the kudzu plant fall off of the vine, leaving it limp and bare. Here, we see the stark outline of a kudzu vine...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

This painting by Heather Hartman is a burst of fiery red clouds, overlaid with meticulously painted 1s and 0s. Truth, Beauty Binary is part of an on-going series that explores the li...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Hartman's work responds to the constant flux of the visual world and our temporary space within it. Painted images on paper appear soft like the distortions of light, shadow, and atm...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

In MULTICOLOR CIRCLE QUILT, 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Sha...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

In MULTICOLOR CIRCLE QUILT, 2, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Sha...

In this piece, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping pink, orang...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

In BLUE CIRCLE QUILT, 1, Natalie Harrison deconstructs both the historically domestic crafts of molding and quilting and her own personal creative history to create a new work of collage. Shaping multicolored, leftover paint from her past work through a candy mold...

In GREEN CIRCLE QUILT 2, Natalie Harrison studies gradation through her use of paint and silicone molds. Drawing on the domestic history of molding th...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

In WARM CIRCLE QUILT, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping yell...

In GREEN CIRCLE QUILT 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping g...

In MULTICOLOR CIRCLE QUILT V, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping acrylic paint and glitter th...

In PINK CIRCLE QUILT 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping pink acrylic paint, leftover from ...

SUNDOG 2 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. Minimalistic, but also quite complex, the used colors reflect the optimism and lightness found in nature, the artist’s main muse. Here, the palette of violet, blue and red, both contrasting and complementary, reminds us of the unique and various colors of the sunset. SUNDOG 2 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

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PASSAGE is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh. The white, reverse silhouettes...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

SUNDOG 32 is a composition created from two acrylic on panel paintings, belonging to a series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. The composition consists of two singular polygon panels – triangular (upper) and quadrilateral (lower). The forms are put together, creating a dynamic relationship and an illusion of geometric shapes. The line connecting the two juxtaposed polygons is slightly angled, adding movement in the disruption of symmetry. SUNDOG 32 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

SUNDOG 22 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

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SUNDOG 15 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 1 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

SUNDOG 25 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 34 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 35 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 5 is an acrylic on linen painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. Uniquely to other pieces in the series, the prismatic shapes were painted on linen, introducing a new way of perceiving the Sundog experience. When asked what feeling she wants to bring back to the world, Ferguson points to optimism - which reflects in this bright, expressive piece. SUNDOG 5 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

SUNDOG 7 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

SUNDOG 8 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Su...

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SUNDOG 10 is an acrylic on panel painting belonging to a series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. The painting consists of triangular and quadrilateral forms in a red hue palette. Just like in other Sundog paintings, the color scheme is directly inspired by nature, with red tints referring to the element of fire and autumn leaves. SUNDOG 10 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

SUNDOG 12 is an acrylic on canvas painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the ...

SUNDOG 13 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

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TO BE KNOWN is an oil and graphite on paper piece depicting a honeysuckle bush tree growing outside the artist’s home studio. The sketch came to life en plein air, to be later finish...

VERT DE GRIS is an oil on canvas painting by Jered Sprecher and a piece in his series of works depicting grayscale flowers. The initial impulse behind the piece came from the idea of...

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STRANGE LIGHT is the most recent of Sprecher’s paintings depicting skulls. Just like in other pieces from the series, the painting consists of several layers, this time bringing the ...

SOLID SOUND is an oil on paper piece by Jered Sprecher. The first layer of the painting was simply the result of the artist cleaning his brush, working without a conscious goal. At s...

DWELL is a multi-layered oil on linen painting by Jered Sprecher. The piece presents a floral composition, modeled on a bouquet arrangement created by the artist’s wife. Starting fro...

This painting by Alex McClurg depicts an underpainting of dark grey equilateral triangles with hard-edged bright blue lines forming a multi-layered upside...

This painting by Alex McClurg is an abstract geometric composition. The first layer of this painting consists of a blue and grey equilateral triangle patt...

This painting by Alex McClurg depicts an underpainting of purplish grey equilateral triangles with hard-edged pink lines radiating from the center on top ...

This painting by Alex McClurg features multiple layers of geometric pattern paintings. The first layer consists of dark grey pattern vertical hard-edge li...