Ekinium Gallery

Risen Christ. Attributed to the workshop of Niklaus Weckmann. Risen Christ, standing in a slight contrapposto, legs crossed, Ulm, Swabia, circa 1490–1510.. The torso is bare, while a...

Corpus Christi. Burgundy 13th century. Crowned Christ from the borderlands between northern Burgundy and southern Champagne, dating from the last third of the 13th century. Carved in polychromed and gilded walnut, this Christ preserves significant traces of its original polychromy and gilding. On the torso, particularly on the ribs, the flesh tones are still clearly visible, as are the gilded areas on the perizonium and on the crown. This Corpus Christi, of striking presence, perfectly illustrates the Rayonnant Gothic style with reminiscences of Classic Gothic, notably in its representation of Christ the King. The anatomy of Christ is characterised by a language that is both graphic and sensitive, typical of workshops working in the orbit of the great northern building sites. The ribcage with its prominent ribs derives from an archaic stylisation intended to underline the emaciation of the crucified body, while the suppleness of the abdomen, slightly distended, bears witness to a new naturalistic observation. The head, tilted towards the right shoulder, breaks with the axial rigidity of earlier periods. Crowned with a royal crown, of which the bases of the fleurons are still preserved, the face retains an expression of peaceful interiority, far removed from the expressionist renderings that would mark the 14th century. The long perizonium is tied relatively high on the hips and unfolds in a complex lateral fall over the left hip, creating a dynamic imbalance. The sculptor has carved the material with great virtuosity, organising the drapery into deep undulations and folds that catch the light. This treatment of volume, heir to the early-13th-century Muldenfaltenstil, achieves a synthesis between the elegance of Parisian ivories and the robustness of Burgundian sculpture. This sculpture may be compared with the Corpus Christi in the Rijksmuseum, dated to around 1260 (see below), and also with the ivory Christ...

French Romanesque historiated capital. Herod and the Massacre of the Innocents. Romanesque historiated capital in dolomitic limestone, carved in high relief on three figured faces, t...

Gothic Virgin and Child - Eastern France. Mid-14th century. Carved in the round from walnut, this work relates to the output of workshops in eastern France in the mid-14th century. S...

Important elm-wood sculpture carved in very high relief and hollowed at the back. Anne is seated in majesty, veil and wimple framing a composed face, holding at her left the blessing...

Small marble head representing a bearded man in profile, an apostle or a prophet. This sculpture comes from the Joseph Altounian collection dispersed...

Large romanesque statue of Saint Lucy of Syracuse is dated from the 12th century. The saint is represented veiled and diademed, she wears a long dress, with an important tie. Stone s...

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...

Large catalan Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement a...

Grande Vierge à l'Enfant en chêne de la fin du 13ème siècle ou début du 14ème siècle. La plastique des visages et du Christ évoque le 13ème siècle (le visage de la Vierge évoque le visage de la Sedes Sapientiae...

Large Virgin and Child in carved wood, carved back. Sitting on a throne bench, Mary carries Christ seated on her left knee. The Virgin has a face with stylized features with semicircular eyebrow arches, almond-shaped eyes with protruding eyeballs. Marie is wearing a belted dress with a simple neckline and a coat with a flap that goes back to the front. Tiny traces of polychromy. Romanesque influences are still present. With her protruding eyes, she can also be compared to the statuary of Lake Constance. Our Virgin, rare for its size, nevertheless presents strong analogies with the Italian Sedes Sapientiae...

Pilgrim or saint Jacques figure in sculpted and polychromed limestone. He holds a calabash in his left hand. He probably held the pilgrim's staff in his missing right hand. Very beau...