FORSYTH Wall Decorations

Confucius, hand-signed: Dali, numbered: 45/300, drypoint with pochoir in color, partly colored on wove paper, printing plate size approx. 50 x 66cm, sheet size glazed, framed

Offered is a luminous limited edition print by artist Louis Shields, titled "The Lightness of Being." Created as part of Shields' 2018 Dancer Se...

Titled, "Four Pears", created by Donald Sultan, 1989. Matted, hand-signed, dated and numbered by the artist, 32/100. Very nice condition. Dimensions with the frame are 25.5" x 25.5" ...

Fantastic woodblock by well noted Japanese artist, Joichi Hoshi c1974. In original frame with non-glare museum glass. Hoshi was a Japanese printmaker best known for his woodblock p...

Karel Appel color lithograph on paper, artist proof, female figure. Image size, 20" W x 28" H.

Series of 5 small prints from Donald Judd "The Last Editions" framed by Brooke Alexander.

A contemporary figurative serigraph with silver embossed embellishments titled "In the Evening" by the Father of Art Deco, Erte. Hand signed in pencil on the lower right with an anno...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...

Title: Antique Horse Portrait Etching – Signed Original German Etching A finely executed antique etching of a horse’s head in profile, signed by the artist at lower right and marked...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Titled, "Red Roses", created by Donald Sultan, 1992. Hand-signed, dated and numbered by the artist, 110/125. Dimensions with the frame are 25.5" x 25.5", the image is 11.88" x 11.88"...

Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923. Visible dimensions: 44 x 33 cm. Total dimensions: 48 x 38 cm. The frame measures: 1.5 cm. In excellent condit...