Haystack

Where Calm #1 opens the inquiry, Calm #2 deepens it. Beverly Fishman’s examination of color as a physiological and cultural force does not resolve across these two works. It accumula...

Beverly Fishman has spent decades examining what color does to the body before the mind has time to intervene. In Calm #1, that inquiry arrives with characteristic precision. The tit...

The Lone Survivor arrives at a particular moment in Jacob Hashimoto’s career. His landmark installation Giant Arc — comprising nearly 75,000 hand-crafted kites suspended floor to cei...

Just Take It All extends Clare Rojas’s visual language through a dynamic composition of color, pattern, and recurring symbolic forms. Like much of her work, birds, suns, tides, and f...

This playful print features a skillfully composed close-up of the exterior signage for Jack’s Bar-B-Que in Nashville, TN. Originally executed in oil paint, Cook meticulously depicts ...

The Idiosyncrasies of Jimmy Mountcastle is a quirky, portrait-based print by April Deacon combining digital photo printing and silkscreen — two photographs of 20th-century sailors br...

Like many of Bidwa’s artworks, Silence Yourself is a meditation on forms that are small but necessary. As in her paintings, various textures and subtle tonal shifts are present acros...

Originally executed in latex and acrylic on paper, our digitally printed reproduction captures every paper grain, subtle paint bleed, and vibrant color of Moore’s intimately sized co...

Originally executed in latex, acrylic, graphite, and sand on paper, our digitally printed reproduction captures every paper grain, sandy texture, and subtle linework of Moore’s intim...

Born in Troy, Ohio, Kurt Lightner has spent more than two decades looking closely at the farms, forests, and working landscapes of the Midwest that shaped his upbringing. His paintin...

Born in Troy, Ohio, Kurt Lightner has spent more than two decades looking closely at the farms, forests, and working landscapes of the Midwest that shaped his upbringing. His paintin...

Untitled is a kinetic whorl. The background crisscrosses with a frenzy of black, blue, and purple lines that create an abstract atmosphere while thick white gestures are intermittent...

This limited edition of Archival Pigment Prints features a reproduction of Seapker’s original oil on canvas, As Venus. The impressive range, from highly saturated pools of color to f...

Tony Mendoza’s Lydia and Halloween series features his daughter, Lydia, in four different Halloween costumes chronicled throughout her life. Mendoza hand-dates each of his editions b...

Tony Mendoza’s Lydia and Halloween series features his daughter in four different costumes throughout her life, with each edition hand-dated based on when the photograph was taken. H...

Tony Mendoza’s Lydia and "Halloween series" features his daughter in four different costumes throughout her life, with each edition hand-dated based on when the photograph was taken....

Tony Mendoza has captured a moment in time- his first and only daughter’s first Halloween costume. Lydia’s gaze is bright and direct, she was likely already accustomed to being face-...

Rob Matthew’s work, The Watchmaker, honors Thérèse Kapangala and acknowledges the fragility of time. Her horrific murder by Congolese police in 2018 made headlines but quietly passed...

Executed in the trompe-l’œil style (French for “deceives the eye”), Blackbook I and Blackbook II have the appearance of opened sketchbooks, with great care taken to depict the layers...

Executed in the trompe-l’œil style (French for “deceives the eye”), Blackbook I and Blackbook II have the appearance of opened sketchbooks, with great care taken to depict the layers...

In Denny Griffith’s 9.26 (2014), an amoeba-like form seems to tilt on its axis. The armature beneath the pink organism suggests that the form is taking a rest or posing, maybe on a s...

In 9.29.2 (2014), a biomorphic purple shape alights onto a green ground. This creature has stilts and stands to keep it upright, and the depiction we see does not contain its entiret...

Journey of Souls builds on Clare Rojas’s exploration of color, form, and recurring imagery. Birds, moons, suns, tides, and flowers—archetypal forms that appear throughout her work—se...

A mixed-media artist to an incredible extent, Jason Middlebrook works with steel, glass, ceramics, acrylic, wood, and paper to produce sculptures, paintings, and site-specific instal...

Each edition of Spy features an impressive 15-screen process, with each pass requiring the utmost precision and registration to be perfectly aligned with each pass. As one of the fir...

In The Lone Survivor, Jacob Hashimoto’s most technically ambitious edition with Haystack to date, he translates the layered, immersive quality of his large-scale installations into p...

Mary Jo Bole makes work across a wide range of media. The connecting thread for Bole’s work is a sense of place. The artist was born and raised in Cleveland, Ohio, into a family with...

In Gall’s screenprint, Lost for Hours, we see four characters in varying degrees of repose. One courtier in tights lounges against a golden clock with the time set to 11:20. Next to ...

In Dance Me to the End, we see a towering-yet-collapsing building. The yellow structure appears as though an earthquake or man-made mishap has destabilized it as it crumbles precario...

Ceramicist and painter Kirk Mangus had an undeniable trademark gestural style, whether transforming a clay pot or a blank piece of paper. In Alice and Mouse, Mangus depicted a scene ...

Ceramicist and painter Kirk Mangus had a mark-making language all his own, whether transforming a clay pot or a blank piece of paper. His strong, at times crude lines vibrate and fiz...

Phosphor (short for phosphorus) comes from the Greek word meaning ‘morning star’ and refers to bearing light, specifically Venus in its morning state. Painter Pamela Jorden plays wit...

Hesper (short for hesperus) refers to the evening appearance of Venus. Painter Pamela Jorden plays with color and light to stunning effect. In her own words, “For me, color is surpri...

Britton Tolliver’s Traffic Light has a bustling composition that never rests. The grid system that undergirds Tolliver’s abstraction gives the impression of a street map. The shape o...

In Untitled, painter Dana Oldfather splits the composition horizontally between two very different types of images. The top portion has abstracted geometry of bright bursts of color....

Moyer creates multidimensional effects while building compositions with thin, aqueous layers. Rough vertical strokes evoke wood grain, producing surfaces where color seeps into crack...

In Dodge’s third print with Haystack, the artist boldly dives headfirst into a paradox. What does “Soft Power” look like? Dodge looked to the title to serve as his compass throughout...

In Unread Messages, we see Dodge using his signature raised pattern technique to depict a glossy, bulbous object swaddled in fabric. With almost photographic detail, the fabric rises...

Alex Dodge has a fascination with textiles. In El Norte (Fantasma), a patterned fabric with alternating glossy white and transparent stripes fills the composition. At first look, the...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

In this print from Sarah Fairchild, Gerber daisies gather at the center of a slithering snake's body. From the upper right corner of the composition, the giant serpent descends. As t...

In this print from Sarah Fairchild, Chrysanthemum flowers float on the surface of a dark turquoise pond. Butterflies alight around the pink pops of flowers, creating depth of field w...

Each impression was produced through a complex, multi-plate copper intaglio process incorporating line etching, spit bite, sugar lift, aquatint, and open bite techniques.This combina...

In this edition by Karen Seapker, deep greens and blues streak across the canvas with swift gestural velocity. Although abstract, this work is reminiscent of a landscape, with green ...

Dragon Drop by Karen Seapker draws the viewer in with a bubble-gum pink horizon, slanting down and to the right. This gradient sunrise or sunset fits within the free-flowing paint st...

“I had been eating bananas every day for several years when I finally got the idea to start paying homage to this source of energy and inspiration in my life. I love how banana peels...

Accelerate by Dion Johnson delivers a power-packed punch, with neon yellow at the center of attention. Bold, energetic colors gather and lean forward, as if preparing to populate the...

This Ordinary Earthbound Mortal comes to life through a fusion of screenprinting, lithography, and collage techniques. Bold colors contrasted with several shades of gray are used to ...

This print features an abstract composition of bold, layered black strokes that form a dense, chaotic mass in the upper half of the image. As the eye moves downward, the thick linewo...

In Heather Gwen Martin’s Welcome Stranger, the title bestows a simple narrative on the subtly colored print. Winding from the side of the composition is a spindly form with a fan-lik...

In Heather Gwen Martin’s Ghost Dance, the deep blue and green forms appear to drift up from the smallest blue at the bottom of the frame. Like wisps of smoke from a cold fire, they c...

In Heather Gwen Martin’s print, Heights, we see many biomorphic forms. One form in navy blue arcs over the top of the composition and puts our imaginations out to sea. The yellow dro...

In Heather Gwen Martin’s print, Heights, we see many biomorphic forms. One form in navy blue arcs over the top of the composition and puts our imaginations out to sea. The yellow dro...

The delicate placement of the blue form floating amid the red background creates gentle yet intense movement. The blue form becomes like an organism, flying or floating on the updraf...

In Martin’s Weft, we see the layered biomorphic slivers and shapes that are characteristic of her work in painting. The term weft refers to the weaving process, meaning the threads t...

Haystack is pleased to present two new 16-color silkscreen prints by Sarah Fairchild — Queen Anne’s Lace II and Chicory II — a pair of hand-finished works inspired by the artist’s Fl...

Created on foiled silver metallic paper, Fairchild brings an extraordinary level of craftsmanship and intimacy to both editions, incorporating hand-drawn films to add new layers of m...