JF CHEN Decorative Objects

Wonderful and rare large table lighter by Emil Milan in E.T. rosewood. Lighter is not functioning, will need flint and fuel.

Mid-Century Modern pair of bronze deer consists of one buck and one doe, with the buck standing upright displaying his antlers and the doe grazing on the ground. The brass has nic...

PAIR OF ENGLISH STAFFORDSHIRE DOGS 19th Century Earthenware English in molded, relief and gilded ceramics. Wear on the gold. Height: 38 cm. good conditions for the time

Sculpture Reverto Bronze all in solid bronze in polished finish, Edition of 75, numerated pieces.

A sculpted object of a deer with sculpture. A sculpture of a complex pattern directs a slightly different atmosphere.

A pair of vintage bronze ducks from the mid-20th century, standing on their feet. Created during the second quarter of the 20th century, e...

Made by the Yoruba Tribe from Benin it dates back to the 19th century. Created for the royal family.

Decorate an office shelf with this cheerful pair of antique terracotta children busts. Crafted in Paris, France circa 1880, each subject features a child face sculpture standing on a black painted socle base. Each figure has wonderful facial expressions and nice details. Both artworks are signed on the back E. Guillemin with marks reading "Quai Jemmapes 6". The busts are in excellent condition with the original terracotta patinated finish. Émile Coriolan Hippolyte Guillemin (1841-1907) was a French sculptor of the Belle Époque. He worked mainly in bronze and also made artwork subjects in terracotta. He studied under his father, the painter Auguste Guillemin, and under Jean-Jules Salmson. He showed work at the Salon of Paris from 1870-1899, and in 1897 received an honorable mention there. His sculptures incorporated themes inspired by the French revolution, Mediterranean mythology, and orientalist aesthetics. His oeuvre is reminiscent of other mid-18th century European bronze sculptors, including Jef Lambeaux, Marcel...

This cast iron piece features a statuary male Chinese guardian Lion (Foo Dog) proudly balancing both hands atop an embroidered ball, representing supremac...

American cast iron and painted horse head hitching post with a central fluted ringed column resting on a squared base, Mid 19th Century.

A wrought iron anvil with an ebonized wood base.

A pair of large and finely patinated bronze models of a standing bull and a running cow after models by Isidor-Jules Bonheur, Cast on a Naturalistic Base. French, circa 1890. Signed 'I BONHEUR' and stamped 'PEYROL EDITEUR'. Bonheur was a regular exhibitor at the Paris Salon and his naturalistic depiction of farm animals, including cattle, was one of his most popular subjects. The bronze was cast by his brother-in-law, Hippolyte Peyrol, who ran one of the most successful art foundries in Paris at this time. Isidore-Jules Bonheur (1827-1901) was the son of the painter Raymond Bonheur and younger brother of Rosa Bonheur, the famous sculptor. He was born in Bordeaux and studied painting, at first with his father and then with the Ecole des Beaux Arts in Paris, moving on to sculpture in 1848. He made his debut at the Paris Salon in 1848 with a painting and plaster study of the same subject ‘African horseman attacked by a lioness’. From then onwards, Bonheur exhibited regularly at the Salon as well as other exhibitions, winning medals in 1865 and 1869 together with the prized Gold Medal at the Exposition Universelle of 1889. He was awarded the Legion d’Honneur in 1895. Most of Bonheur’s casts were by his uncle by marriage, Hippolyte Peyrol, whose tiny foundry mark is often very difficult to find. Bonheur’s studies range from farm animals, bears and tigers in a very naturalistic vein to equestrian groups. Although noted primarily for his small groups he did complete two large scale commissions, one to his sister Rosa, at Fontainbleau and the other, two stone lions at the steps of the Royal...