MARK GOODGER ANTIQUES

An Art Deco silver cocktail shaker by Miracoli dating to circa 1935, of traditional three-piece form with a gently tapered body comprising the removable cap, integrated strainer, and...

A late Victorian coromandel three bottle tantalus by George Betjemann dating to circa 1890, veneered in richly figured coromandel and fitted with silver plated mounts throughout. The...

This Victorian olivewood stationery cabinet by George Betjemann and Leuchars, dating to circa 1880, is of impressive size and veneered in feathered olivewood with brass mounted corne...

This pair of Art Deco crystal decanters, dating to 1936 and 1938, feature thick tapered bodies with shaped vertical lines cut into the crystal. Each decanter is formed as a stylised ...

An oversized sycamore fruit form tea caddy dating to circa 1800, turned from solid sycamore with a rounded body and a natural patination acquired over more than two centuries. Likely...

The Decanter with faceted stopped fitted in the original silver plate frame with top loop handle and lockable mount to the base of the decanter signed Hobbs & Co, London. The frame a...

A Louis Vuitton Monogram Jumelle Suitcase dating to the second half of the 20th century circa 1965. The suitcase is finished in the iconic Louis Vuitton Monogram canvas with natural ...

An Art Deco flask by Napier dating to circa 1925. The flask has a trapezoidal body tapering from a rounded base to stepped shoulders with a threaded cylindrical neck. The body is fin...

An Art Nouveau sterling silver pocket watch inkwell dating to 1912. The square glass inkwell is cut with a diamond quilt pattern and mounted with a hinged sterling silver lid hallmar...

Brass Mounted Mahogany From our Writing Box collection, we are pleased to offer this Campaign Military Writing Box by Hewlins. The Writing Box of rectangular form, constructed from ...

A Georgian Tunbridge Ware sewing box dating to circa 1840. The rectangular rosewood box is extensively decorated with geometric Tunbridge Ware mosaic inlay across the exterior and st...

A pair of late eighteenth century Georgian mahogany cutlery urns, dating to the reign of George III, circa 1790. Each urn is of classical form, made in richly coloured mahogany with...

A Victorian coromandel decanter set by Leuchars dating to circa 1880. The case is veneered in figured coromandel with shaped corners mounted by brass quadrants. The lid is inlaid wit...

Boulle stationery box by J. C. Vickery and retailed by Leuchars, dating to the late nineteenth century during the Victorian period, circa 1880. The box is of rectangular form with a...

A Victorian coromandel necessaire box, attributed to Lund of London and dating to the late nineteenth century, circa 1880. The box is of rectangular form and veneered throughout in richly figured coromandel, with a vacant brass cartouche to the lid and a shield shaped escutcheon to the front. Opening the box reveals a fitted green silk lined interior containing an extensive sewing and writing assemblage. The contents comprise a pair of scissors, penknife, thimble, sterling silver propelling pencil...

An Edwardian tortoiseshell and silver tea caddy by Martin, Hall & Co, dating to 1904, of compressed octagonal form with a gently domed lid surmounted by a substantial silver carrying handle. The exterior is extensively decorated with intricate silver ribbon work, scrolling foliate decoration and floral motifs across each panel, standing prominently against the rich tortoiseshell ground. The silver mounts are fully hallmarked sterling silver for Martin, Hall & Co of Sheffield with the date letter M for 1904. Opening the tea caddy reveals a fitted interior with a single lidded tea compartment designed for the storage of loose leaf tea. The compartment retains its original silver foil lining beneath the lid, complementing the silver mounted exterior and surviving well throughout. A decorative example of early twentieth century English silver mounted tea ware, combining elegant proportions with detailed silver work associated with Edwardian tortoiseshell tea caddies...

A Regency period Tunbridge ware cabinet dating to circa 1810, decorated throughout with finely detailed chinoiserie scenes and geometric borders. Of twin door form made from sycamore...

Art Deco tantalus by Hukin & Heath dating to circa 1920, fitted with two matching quilt cut decanters housed within a silver plated locking frame. The decanters are of distinctive pi...

This striking Italian decorative metalware tea service by Punta Bacola for Montagnani dates to circa 1980, comprising a teapot, coffee pot, milk jug, and sugar jar presented upon a b...

FREE WORLDWIDE SHIPPING This exceptional Elie Bleu Paris humidor is veneered in beautifully figured thuya wood, showcasing a striking grain pattern and characteristic burr pips thr...

FREE WORLDWIDE SHIPPING The Tea Caddy turned in Sycamore shaped as a natural Pear fruit in bulbous form with slightly tapered lid surmounted by a naturalistic stalk to the top and ...

FREE WORLDWIDE SHIPPING A Georgian satinwood tea caddy featuring conch shell inlay, dating to circa 1790, of rectangular form with elegant canted corners and finely inlaid boxwood ...

FREE WORLDWIDE SHIPPING Chinese export lacquer box dating to the late Daoguang period, circa 1850. Of lobed octagonal form, the lacquer box is decorated throughout upon a black gro...

FREE WORLDWIDE SHIPPING This elegant set of four Edwardian silver and tortoiseshell menu holders by William Comyns dates to 1913 and retains its original fitted retailer’s presentation box from Wilson & Gill of Regent Street, London. Circular in form, each menu holder is mounted in sterling silver and decorated with finely inlaid silver pique work depicting a rabbit leaping through grasses and flowering plants, a charming naturalistic scene executed with delicate engraved detail. Designed for use at formal dining tables, each holder incorporates a rear slot for supporting menu cards or place cards during dinner service. The rich tortoiseshell panels contrast beautifully against the polished silver mounts, reflecting the refined decorative taste associated with luxury Edwardian table accessories and entertaining pieces during the early twentieth century. The underside of each example carries the retailer’s mark for Wilson & Gill, 139 Regent Street, London, together with the retailer’s reference number A5435. Wilson & Gill were one of London’s leading luxury retailers specialising in fine silver, dressing table accessories and presentation wares during the late Victorian and Edwardian period. The set remains complete with the original fitted case lined in deep red velvet and cream silk, the interior lid printed with the retailer’s details “Wilson & Gill The Goldsmiths, 139 Regent Street London W.” The silver mounts are fully hallmarked for William Comyns, London, with the date letter “s” for 1913. A particularly attractive and complete Edwardian dining set...

FREE WORLDWIDE SHIPPING The Onyx Cigarette Box by Betjemann is an Art Deco example produced by George Betjemann & Sons during the mid twentieth century circa 1935. Of rectangular f...

FREE WORLDWIDE SHIPPING This late Victorian tortoiseshell tea caddy by Saunders & Shepherd dates to 1895 and is designed in an elegant sarcophagus form raised upon sterling silver b...

FREE WORLDWIDE SHIPPING The carriage companion is designed as a combined timekeeping and stationery accessory, intended for use while travelling by horse drawn carriage. The exterio...

FREE WORLDWIDE SHIPPING The Cocktail Fruit Squeezer by Mappin & Webb is a stylish silver plated example dating to the early twentieth century during the Art Deco period, circa 1925....

FREE WORLDWIDE SHIPPING The Rosewood Writing Box by Taulin is a fine French example dating to the Louis Philippe I period, circa 1830. Finished in richly figured rosewood, the wri...

FREE WORLDWIDE SHIPPING René Lalique Victoire No. 1147 car mascot, dating to circa 1928, modelled as Victoire, often referred to as the Spirit of th...

FREE WORLDWIDE SHIPPING Tea chest with Chinoiserie decoration, of rectangular sarcophagus form with a slightly tapered body and angled lid, raised upon four brass ball feet and dat...

FREE WORLDWIDE SHIPPING Georgian burr yew tea caddy dating to circa 1785, of rectangular form veneered throughout in beautifully figured burr yew and edged with boxwood stringing. T...

FREE WORLDWIDE SHIPPING Mauchline Ware tea caddy by Smiths, dating to the late Georgian period during the reign of George IV, circa 1830. The caddy of rectangular form is construct...

FREE WORLDWIDE SHIPPING A Regency Cuban mahogany tea chest by Robert Wright of Hull, dating to the early nineteenth century circa 1815, of sarcophagus form with an architectural pa...

FREE WORLDWIDE SHIPPING Georgian harewood tea caddy of elongated oval form, veneered in harewood with inlaid decoration and fitted interior. The exterior is finished in harewood, f...

FREE WORLDWIDE SHIPPING Tea caddy in coopered barrel form, modelled as a miniature barrel and raised on a mahogany plinth with a cavetto edge, dating to the early Victorian period, ...

FREE WORLDWIDE SHIPPING This George III Tea Caddy is formed in the rare and unusual shape of a ribbed bucket and dates to circa 1800. The exterior is carved with alternating panels...

FREE WORLDWIDE SHIPPING This Regency japanned chinoiserie sewing cabinet dates to the early nineteenth century, circa 1815. The cabinet is of rectangular form and decorated through...

FREE WORLDWIDE SHIPPING The Compendium veneered in Rosewood with brass mounts, twin loop brass carry handles and extensive inlay to the front, sides and domed top. The Box features...

FREE WORLDWIDE SHIPPING Vanity Box by Mappin & Webb in Coromandel with Sterling Silver dated 1854. The vanity box is of rectangular form extensively veneered in exotic coromandel and edged throughout with brass, incorporating double brass stringing to both the lid and front with a raised escutcheon to the centre. Opening the vanity box reveals a complete fitted interior comprising seventeen glass bottles topped with engraved sterling silver lids hallmarked for James Vickery, London, 1854. The quality of silver mounted fittings reflects the mid nineteenth century standard expected from a luxury retailer such as Mappin & Webb. The front panel folds down to reveal wing compartments which pivot outward through 180 degrees. Within sits a comprehensive mother of pearl handled tool pad incorporating a shoehorn, penknife, thread hook, multiple pairs of scissors, tweezers, file, needle and pricker. Beneath the tool pad is a concealed compartment accessed by depressing the retailer’s plaque positioned along the rear edge of the case. The retailer’s plaque reads: Mappin & Webb, Sheffield 158 to 162 Oxford Street & Mansion House Buildings London. With the wings extended, additional concealed drawers can be accessed by removing the rectangular jars positioned to the rear and depressing the back edge of each compartment base, activating a spring loaded latch mechanism. The underside of the lid houses a removable mirror bordered with gold tooling, designed to stand independently on its bracket. Behind the mirror is a further concealed compartment suitable for storing correspondence or documents. A fully fitted mid nineteenth century coromandel vanity box...

FREE WORLDWIDE SHIPPING Silver and glass duck decanters, dating to the early 20th century within the Art Nouveau period. The novelty decanters are formed as two ducks, each with a h...

FREE WORLDWIDE SHIPPING Green tortoiseshell tea caddy dating to the Georgian period, circa 1790 during the reign of George III. The exterior is finished in vibrant green tortoiseshell and mounted with silver stringing, a vacant silver initial plaque and matching silver escutcheon. The interior is faced in boxwood and fitted with two tortoiseshell lids, each mounted with turned bone handles. When removed, the lids reveal twin tea storage compartments retaining visible traces of their original lining. The tea caddy remains complete with a working lock and tasselled key and is a rare example of late eighteenth century tortoiseshell tea caddies.

FREE WORLDWIDE SHIPPING Boulle stationery box by Leuchars & Sons, dating to the late nineteenth century during the Victorian period, circa 1880. The box is of rectangular form with...

FREE WORLDWIDE SHIPPING Sterling silver tea caddy of cylindrical form with a slightly tapered body, dating to 1911. The caddy stands on three straight legs and is cast with swags of...

FREE WORLDWIDE SHIPPING This Antique Tortoiseshell Tea Caddy dates to the Georgian period during the reign of George III, circa 1800. The tea caddy is formed in an elegant octagona...

FREE WORLDWIDE SHIPPING A Louis Vuitton LV Monogram jewellery case of elongated rectangular form, brass mounted and dating to the second half of the twentieth century, circa 1970. ...

FREE WORLDWIDE SHIPPING Unusual Model with Eight Fitted Glasses and Sterling Silver Mounted Decanters From our Tantalus collection, we are pleased to offer this highly unusual and s...

FREE WORLDWIDE SHIPPING The Cocktail Shaker a world famous icon from the Art Deco period with its Cream bakelite (moulded urea formaldehyde) tapered body, silver plated ribbed shoul...

FREE WORLDWIDE SHIPPING The Mascot from the original series by Rene Lalique modelled as a guinea fowl bird. The Car Mascot is numbered #1164 in the series dated to circa 1929 and is...

FREE WORLDWIDE SHIPPING The tea caddy of sarcophagus form is raised on gilt brass claw feet and constructed with a sycamore carcass and hinged lid. The exterior is finely decorated ...

FREE WORLDWIDE SHIPPING The Watch Box of slender rectangular form made from solid Mahogany with brass corner brackets and screw details decorating the exterior with a central oval s...

FREE WORLDWIDE SHIPPING The Stationery Box finished in moroccan red leather with a slanted lid features two hooks to the rear originally for mounting on a carriage. A rare example i...

FREE WORLDWIDE SHIPPING A vintage fibreglass and resin composite 1:36 scale Concorde model in full British Airways Landor livery, mounted on a chrome-plated stand and produced in En...

FREE WORLDWIDE SHIPPING A Georgian sterling silver tea caddy by Robert Hennell I, hallmarked London and dated 1784 during the reign of George III. The tea caddy is formed in an ele...

FREE WORLDWIDE SHIPPING A Georgian sterling silver tea caddy by Peter and Ann Bateman, hallmarked London and dated 1795 during the reign of George III. The tea caddy is formed in a...

FREE WORLDWIDE SHIPPING Asprey London crystal lemonade pitcher dating to the Art Deco period, circa 1930. The lemonade pitcher is formed in heavy crystal glass of squat well balanc...

FREE WORLD WIDE SHIPPING An antique drinks and games compendium veneered in striking Amboyna and fitted with sterling silver mounts, dating to the Edwardian period and hallmarked fo...

FREE WORLDWIDE SHIPPING A Regency period Mauchline Ware Tea Caddy by the Scottish firm Stiven dating to circa 1820. The tea caddy is of bowed square form crafted in sycamore and d...

FREE WORLDWIDE SHIPPING A René Lalique Perche No. 1158 car mascot in opalescent glass, introduced as part of Lalique’s original radiator mascot series during the late 1920s. Modell...

FREE WORLDWIDE SHIPPING René Lalique Levrier Car Mascot No. 1141 modelled as a racing greyhound, produced during the original Lalique radiator mascot series of the late 1920s. Designed by René Lalique, the Levrier depicts a streamlined greyhound captured in motion, its elongated body and swept form perfectly suited to the speed and optimism associated with early motoring during the Art Deco period. Introduced in 1928, the model formed part of Lalique’s celebrated series of glass mascots created for mounting to luxury motor car radiators. The mascot is executed in clear and frosted glass with a subtle amethyst hue, enhancing the sculptural modelling across the animal’s musculature and flowing lines. The surface retains the moulded signature R. Lalique alongside France to the lower right, confirming production during Lalique’s original working period. Car mascots of this type were designed to be mounted above an illuminated radiator base. When fitted to the vehicle, a small electric bulb beneath the glass allowed light to pass through the sculpture, creating a striking visual effect during night driving. The Levrier remains one of the most dynamic animal studies within the René Lalique mascot...