Price Upon Request
Hillside Barns
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Autumn Landscape with Purple
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Price Upon Request
White Farm
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Price Upon Request
The Path
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Price Upon Request
Landscape with Farm
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Price Upon Request
Two Pink Trees in a Yellow Field
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Still Life with Japanese Pot and Toy Train
By Timothy Harney
Located in Gloucester, MA
Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...
Acrylic, Panel
Still Life with Old Sunflowers
By Timothy Harney
Located in Gloucester, MA
Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...
Acrylic, Panel
Red House
Located in Gloucester, MA
A drawing from The New Orleans Drawing Project, ten years of on-site drawing trips to post-Katrina New Orleans, by Jeffrey Marshall (b. 1969). Jef...
Illustration Board, Color Pencil
$33,000
Threshold
By Peter Lyons
Located in Gloucester, MA
Peter Lyons’s technique approaches photographic realism, but the precision in his paintings is an attempt to communicate a state of awareness, rather than ...
Canvas, Oil
Perfect World
Located in Gloucester, MA
Gabrielle Barzaghi's drawing "Perfect World" is part of a series also called "Perfect World," which engage with themes of utopia and dystopia. This work is unframed. Though we can provide a good frame at reasonable cost, safely shipping larger works on paper...
Paper, Pastel
Still Life with Lime
By Timothy Harney
Located in Gloucester, MA
Timothy Harney's emotionally powerful paintings, drawings, and collages possess an exceptional formal excellence which propels them beyond the particula...
Acrylic, Panel
$14,900
Softly
Located in Gloucester, MA
Patton Blackwell's "Softly" comprises four gallery-wrapped canvases 71 x 31.5 in. each, 71 x 126 in overall. It can be hung on the wall as a painting,...
Canvas, Acrylic
Variables
By Ed Touchette
Located in Gloucester, MA
Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...
Canvas, Acrylic
Back and Forth
By Diane Ayott
Located in Gloucester, MA
Diane Ayott’s abstractions on paper, canvas, and panel are luxuriously physical objects resulting from the accrual of layer after layer of paint, color, and pattern, launched by imag...
Canvas, Mixed Media, Acrylic
Still Life with Settee
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Wine Bottles and Fruit on Table
By Zygmund Jankowski
Located in Gloucester, MA
Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...
Canvas, Oil
Western Tanager (Washoe Valley NV, 1934)
By Sharon Beals
Located in Gloucester, MA
Limited edition prints of photographs published in "Nests – Fifty Nests and the Birds that Built Them" by Sharon Beals (San Francisco: Chronicle Books, 2011). Beals photographed...
Pigment
Half Tide Salvages
By Roger Martin
Located in Gloucester, MA
This painting by Roger Martin (1925–2015) depicts the "Dry Salvages," rock formations off the coast of Rockport MA made famous in T. S. Eliot's poetry. The...
Canvas, Acrylic
Redon
By Pamela Ellis Hawkes
Located in Gloucester, MA
Pamela Ellis Hawkes's innovative photography revitalizes antique traditions of still life painting with a playful contemporary spirit and a keen eye for seductively mysterious beauty...
Pigment
White
By Pamela Ellis Hawkes
Located in Gloucester, MA
Pamela Ellis Hawkes's innovative photography revitalizes antique traditions of still life painting with a playful contemporary spirit and a keen eye for seductively mysterious beauty...
Pigment
Blue and White
By Pamela Ellis Hawkes
Located in Gloucester, MA
Pamela Ellis Hawkes's innovative photography revitalizes antique traditions of still life painting with a playful contemporary spirit and a keen eye for seductively mysterious beauty. Her work often exposes viewers' differing expectations from photography and painting, and this surprising parallax illuminates of the changing meanings of artistic images in the visual cultures of the past and the rapidly changing present. This print from the artist’s “Fantastic Flora” series is a photograph captured by a scanner of an artful arrangement of plastic flowers. The series is both an innovative homage to the beauty of the Baroque flower...
Pigment
Everett, Massachusetts
By Peter Lyons
Located in Gloucester, MA
Peter Lyons’s technique approaches photographic realism, but the precision in his paintings is an attempt to communicate a state of awareness, rather than ...
Oil, Panel
$1,362
H 16 in W 20 in D 1 in
Naive Style Art with Earthy Winter Colours by Contemporary Irish Artist
Located in Preston, GB
Naive Style Art depicting a journey home using wintery earthy colours by Contemporary Irish Artist, Eimear Gilleece Canvas measures 20 x 16 inches Unframed Signed on front and rea...
Canvas, Cotton Canvas, Oil, Acrylic
$5,900
H 50 in W 38 in D 2 in
In the Afterglow by Millie Gosch Impressionist Framed Landscape with Blue
By Millie Gosch
Located in Atlanta, GA
Unframed this piece measures 48 x36. "In the Afterglow" is a mesmerizing painting by Millie Gosch that captures the ethereal beauty of a radiant sunset over tranquil waters. With vi...
Canvas, Oil
Dejun Wang Landscape Original Oil Painting "Spring Series III"
By Dejun Wang
Located in New York, NY
Title: Spring Series III Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...
Canvas, Oil
$3,950
H 55 in W 55 in D 1.5 in
“American Rural, Signed #3” Contemporary Colorful Country Landscape Painting
By Jacob Spacek
Located in Houston, TX
Contemporary colorful pastoral landscape by Texas based artist Jacob Spacek. The work features a truck parked in the middle of a field advertising "Wood Stove Center" in Seguin, TX. ...
Canvas, Oil
Armenia
By Julian Nemethy
Located in Saratoga Springs, NY
Julian Nemethy, Steamboat "Armenia" on the Hudson River Oil on canvas, Overall size is24 x 38 inches Julian Nemethy’s Steamboat "Armenia" is a masterful example of American folk art painting, celebrating the rich history of 19th-century Hudson River steamboat travel. This vibrant oil on canvas captures the iconic paddle steamer Armenia in motion, its sidewheel churning through stylized waves beneath a dramatic sky. With meticulous attention to detail, Nemethy evokes the golden age of river commerce, blending historical accuracy with artistic charm. The painting’s composition features hallmark elements of Americana: the steamboat’s ornate structure, billowing smokestacks, and patriotic American flag signal a proud moment in New York’s transportation heritage. Autumnal trees and a distant riverside building anchor the scene in the Hudson Valley, making this work especially resonant for collectors of regional art and maritime history. Nemethy’s folk art style—characterized by flattened perspective, decorative surface treatment, and narrative clarity—echoes the traditions of 19th-century ship portraiture and itinerant painters. His use of bold color and rhythmic patterning enhances the visual storytelling, making Armenia a compelling centerpiece for any collection focused on American riverboats, steamboat paintings...
Cotton Canvas, Oil
$1,703
H 10.5 in W 10.5 in D 1.75 in
Miniature Painting of Victoria Embankment London & St Pauls Cathedral at Night 2
By Angela Wakefield
Located in Preston, GB
Miniature Painting of Victoria Embankment London & St Pauls Cathedral at Night 2 - a unique original from leading Contemporary Cityscape Artist, Angela Wakefield. Part of the London ...
Gesso, Canvas, Paint, Cotton Canvas, Oil, Acrylic, Board
$24,500
H 17.375 in W 19.5 in
"Lake Michigan Beach Scene, " Oil on Canvas Seascape signed by Francesco Spicuzza
By Francesco Spicuzza
Located in Milwaukee, WI
"Lake Michigan Beach Scene" is an original oil painting by Francesco Spicuzza. The artist painted this scene on canvas and then glued that canvas to a b...
Canvas, Oil, Board
$4,000
H 22 in W 44 in
Double Overtime Shift, Urban Industrial Landscape, Contemporary Realist Painting
By Art Chartow
Located in Chicago, IL
The factories of Art Chartow's "Double Overtime Shift" represent strength, industrial might, and the ability to vanquish nature. This place is strange, sinister and forbidding yet at the same time beautiful and fragile. The artist's uses paint to express the power of light at this particular time of day. The winter sun has cast it's light onto the cold metal silos to bring some hope of warmth - as seen on the melting snow covered road. This contemporary realist painting is framed in a simple black wooden frame measuring 23.25h x 45.25w inches. Arthur Chartow Double Overtime Shift oil on canvas 22h x 44w in 55.88h x 111.76w cm ACH014 Arthur Chartow b. 1951, New York, NY Education 1972-74 M.F.A, Cranbrook Academy of Art, Bloomfield Hills, MI 1968-72 B.F.A, Carnegie – Mellon University, Pittsburgh, PA. Selected Exhibitions 2019 Earth Wind Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Place: Select Works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL 2017 Scene Change, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2016 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 80th Annual Midyear Show, Butler Institute of American Art, Youngstown, OH 2015 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2012 City Streets II, George Billis Gallery, New York, NY 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2009 Selections, Ann Nathan Gallery, Chicago, IL 2006 Ann Nathan Gallery, Chicago, IL The Four Seasons, Sherry French Gallery, New York, NY Gallery and Invited Artists, Sherry French Gallery, New York, NY Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2005 Mainely Maine, Sherry French Gallery, New York, NY 45th Annual Greater Michigan Art Exhibition, Dow Museum of Science and Art, Midland, MI 2004 Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Arthur Chartow: Quiet Places, Sherry French Gallery, New York, NY 2003 Mainely Maine, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Flowers in February, Sherry French Gallery, New York, NY 2002 Art of Collecting, Flint Institute of Art, Flint, MI Arthur Chartow: At Water’s Edge, Sherry French Gallery, New York, NY The Four Seasons, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Land and Water, Art Placement...
Canvas, Oil
$3,800
H 24 in W 48 in
Morning Light, North of Springfield - Serene Landscape with Purple Haze, Framed
By Ahzad Bogosian
Located in Chicago, IL
The rising sun casts a purple haze over this serene Midwestern landscape as only Ahzad Bogosian can capture. This tranquil landscape, devoid of a...
Canvas, Oil
$2,100
H 24 in W 30 in
Contemporary landscape oil painting eagle river trees forest sky signed
By Raymond Suchomel
Located in Milwaukee, WI
"On Watch" is an original oil painting on canvas by Raymond Suchomel. The artist signed the painting in the lower right. It depicts a bald eagle on a tree branch surveying the bright...
Canvas, Oil
$2,789
H 39.38 in W 39.38 in D 1.19 in
Paper Landscape – Mixed Media Abstract Landscape on Canvas, 100x100 cm
By Marilina Marchica
Located in Agrigento, AG
“Paper Landscape” is an original artwork by Italian artist Marilina Marchica, created using mixed media and collage on canvas. Layered materials, paper fragments, and earthy tones e...
Canvas, Paper, Oil
$2,500
H 36 in W 60 in
New France and Labrador - Graphite Drawing, Landscape, On Antiqued Map
By Don Pollack
Located in Chicago, IL
Postcards From the Edge of the West My work originates from journey and travel. The process often begins with extensive historic research, followed by an epic journey into the landscape as a means of experiencing the land. The paintings document a landscape that flows between two realities: one outside the picture attempting to capture nature and one inside the material flow of abstracting the experience of space. I utilize the traditional methods of landscape painting such as the observation of light, shadows, and transparency, and try and merge that process with the emotional space held by a direct experiences in the land, memory, and history. The white border surrounding each painting suggests a card and the souvenir printed material – a postcard – sent out when on a journey; much like the journey I take part of in my artistic process. This particular painting (card) is inspired from the landscapes along the Coeur d’Alenes trail in Northern Idaho. It is a place of rugged and stark beauty barely on the old maps and outside the edge of the Louisiana Colony. It is a place that is part image and part abstraction; color field painting and rendering; a place not yet born. –Don Pollack The lush landscape in Don Pollack's "Coeur d'Alenes Trail" brings a calm serenity to the viewer. The deep green pines in the are reflected on the calm water while a moon illuminates the entire scene. A deliberate white border on the canvas "frames" the entire piece and enhanced by the simple white frame measuring 37.5 x 61.5 inches. Don Pollack Coeur d'Alendes Trail oil on canvas 36h x 60w in 91.44h x 152.40w cm DJP027 Don Pollack BIOGRAPHY Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at the School of the Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory. Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, New York, Atlanta, and Canada. True Life Novelettes is the most recent addition to the bigger project; Crossing The Great Divide which is loosely a series of landscape and history projects I began in 2009. It explores among other things, current events and personal literary interests through the construction of large scale [48x72”] book cover paintings. I use a variety of images juxtaposed with bylines and misplaced authors in order to create new meanings. I read the print edition of the New York Times for current content and subject matter, and because I still like the feel of a large document and printed typography. Recently and with a twist of prescient irony, a found myself reading a special supplemental section of the Times declaring that “the post-text future is here!” Could that be good for painting, now that we are entering an online culture ruled by pictures! But if our information will become dominated by pictures, slogans, and emotional announcements, I do fear that the arguments driving political discourse will soon become completely supplicated by popular memes. What should the new best sellers look like? Do I have enough time to read them? Underneath all this fanfare is it possible that the discussion will also be reduced to the display of personal artifacts of material culture? In the fashion section of today’s Times the headline reads, “Can you wear Dior to the Protest March?” (Enter my books.) I first start by writing columns and mixing up the authors with made-up titles (from films and books) and looking for strange connections to create a metaphorical tension. I then look for popular images and taglines in the news, print media, and the publishing business, and search for catchy phrases from film dialog. Then I combine everything into a new design layout to form a hybrid of ‘true life novelettes’ and modern classics. Climate change denial and alt/fake news declarations become great sources for topics in the overwhelming modern noise machine too grim to bear. I cancel my cable subscription. But what are the conditions for making a painting in a world saturated with images? While the representational, abstract, and technical concerns of painting collapse into the same memory well, what are we to say especially when we have “seen all the films and seen all the pictures”? The works of Tursic and Mille have pointed me into this new direction. In order to visually reclaim myself from disappearing into the ruins, I adopt a strategy combining editorial cartooning, oil painting and graphic design. I am attracted to those handsome publisher’s design formats, especially the ones that utilize carefully-placed typography and eclectic images– such as Everyman’s Library, Penguin Books, and Barnes and Noble. There are colored stripes running along the sides of the covers identifying the modern story collections, with the authors’ names set in script fonts. These various formats also hold the space to paint a combination of historic events and contemporary imagery from popular culture. I also patrol the web and search for vintage advertising campaigns for copy. Perhaps this grimness can have an uplifting thread. However, Virginie Vuillaume in Another Girl warns, “desire leads to disaster, partly bound up with fiction but also with death and catastrophe. The fate of those who are in love with images is always tragic, desire always leads to disaster.” So now Tursic and Mille’s painting that appropriated an image of a house on fire from a scene from Andrei Tarkovski’s film The Sacrifice also becomes my subject matter for the cover of the Year of Living Dangerously. For 2017, The Year of the Eclipse, the cover takes direction from a modern classic rendition of Frankenstein, with his head screwed on backwards. Maybe the only way left to paint now is by moving things forward by the only way possible,– through other mediums. The byline lyric for Eclipse is now taken from the Youngbloods popular song of 1967, Get Together,–so come on Frankenstein, ‘Smile on Your Brother’. Don Pollack EDUCATION m.f.a. Ohio State University Columbus,Ohio b.f.a. University of Illinois Urbana, Illinois SOLO EXHIBITIONS 2018 Gallery Victor Armendariz, Story Tellers, Don Pollack: True Life Novelettes, Chicago, Illinois 2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana 2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois 2011 Newzones Gallery, far from home, Calgary,Alberta, canada MarciaWood Gallery, far from home, Atlanta,Georgia 2010 Perimeter Gallery, mysterious island, Chicago, Illinois Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee, Wisconsin 2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois The Union League Club, the lincoln project, Chicago, Illinois 2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance, Bloomington, Illinois MarciaWood Gallery, night, Atlanta,Georgia 2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork Perimeter Gallery, improvisation, Chicago, Illinois 2005 Newzones Gallery, missives, Calgary,Alberta, canada MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta, Georgia 2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork, NewYork 2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada Perimeter Gallery, a search for heroes, lincoln & the illinois landscape, Chicago, Illinois 2002 Perimeter Gallery, ancien regime, NewYork,NewYork MarciaWood Gallery, ancien regime, Atlanta,Georgia 2001 Newzones Gallery, ancien regime, Calgary,Alberta, canada 2000 Perimeter Gallery, between heaven and earth, Chicago, Illinois Newzones Gallery, preview, Calgary,Alberta, canada 1999 Newzones Gallery, north american inheritance, Calgary,Alberta, canada MarciaWood Gallery, american inheritance, Atlanta,Georgia 1998 MarciaWood Gallery, entering the circle, Atlanta,Georgia 1997 Newzones Gallery, crossing the next meridian, Calgary,Alberta, canada 1996 Peter Miller Gallery, landscape and memory, Chicago, Illinois MarciaWood Gallery, mythopoeia, an american portrait, Atlanta,Georgia 1995 Elliot Smith Gallery, St.Louis,Missouri Marx-Saunders Gallery, International Art Exposition, Chicago, Illinois 1994 Deson-Saunders Gallery, shadowlands, Chicago, Illinois 1993 Monte Clark Gallery, Vancouver,British Columbia, canada Bess Cutler Gallery, NewYork,NewYork 1992 Deson-Saunders Gallery, Chicago, Illinois 1991 Bess Cutler Gallery, NewYork,NewYork Deson-Saunders Gallery, between earth and sky, Chicago, Illinois 1989 Deson-Saunders Gallery, Chicago, Illinois 1988 Ann Nathan Gallery, Chicago, Illinois 1987 Houghton College, Houghton,NewYork SELECTED GROUP EXHIBITIONS 2015 architectural biennial, Brininstool and Lynch, Chicago, Illinois 2014 black and white, Perimeter Gallery- Chicago, Chicago, Illinois 2012 art miami , Perimeter Gallery- Chicago, Miami, Florida Group Show, Perimeter Gallery, Chicago, Illinois 2011 art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois Group Show,Kenise Barnes Gallery, Larchemont,NewYork 2010 pull, MarciaWood Gallery, Atlanta,Georgia memory is a metaphor, Kenise Barnes Gallery, Larchmont,NewYork our kind of town, Rena Sternberg Gallery, Glencoe, Illinois 2009 nature satisfies by its loveliness, Kenise Barnes Gallery, Larchmont,NewYork the exquisite corpse, Renaissance Society, University of Chicago, Chicago, Illinois the big picture show, Newzones Gallery, Calgary,Alberta, canada 2008 this just in, MarciaWood Gallery, Atlanta Georgia portraying lincoln, Madden Arts Center, Decatur, Illinois contemporary art institute of detroit, Curator’s Choice, Detroit,Michigan art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2007 artwork 5, Gallery 2,Art Institute of Chicago, Chicago, Illinois artscapes, Knoxville Museum of Art, Knoxville,Tennessee atlanta gallery association preview, rep: MarciaWood Gallery, Eatonton,Georgia out of the garden, Rena Sternberg Gallery, Glencoe, Illinois art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2006 states of seige, Fine Arts Center Galleries, University of Rhode Island, Kingston,Rhode Island landscape x10, Newzones Gallery, Calgary,Alberta, canada pulse, MargaretThatcher Projects, NewYork,NewYork 2005 summer sensation, Thatcher Projects, NewYork,NewYork Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2004 Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2003 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada contemporary landscape, Perimeter Gallery, Chicago, Illinois deck the walls, Newzones Gallery, Calgary,Alberta, canada 2002 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2001 departure: american contemporary landscape, Indiana University Northwest Gary, Indiana Rena Sternberg Gallery, Glencoe, Illinois International Art Exposition:Chicago, Perimeter Chicago, Illinois Miami Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2000 landscape x8, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Perimeter Gallery Chicago, Illinois 1999 requiem, Nexus Contemporary Art Center Atlanta,Georgia family album, MarciaWood Gallery Atlanta,Georgia 1998 the nature of landscape, South Bend Regional Museum of Art South Bend, Indiana cornucopia, Winston-Wachter Gallery NewYork,NewYork paradise and its transformations, Georgia State University, School of Art & Design Gallery Atlanta,Georgia landscape x six, Newzones Gallery of Contemporary Art Calgary,Alberta, canada land, air, & sea, Elliot Smith Gallery St.Louis,Missouri 1997 Marguerite Oestricher Gallery New Orleans, Louisiana MarciaWood Gallery Atlanta,Georgia Peter Miller Gallery Chicago, Illinois International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 1996 Center for the Arts Calgary,Alberta, canada Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada introductions, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Peter Miller Gallery Chicago, Illinois 1995 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada the nature of landscape, Fontbonne College St. Louis,Missouri first in flight, Deson-Saunders Gallery Chicago, Illinois Newzones Gallery of Contemporary Art Calgary,Alberta, canada MarciaWood Gallery Atlanta,Georgia International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1994 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Monte Clark Gallery Vancouver,British Columbia, canada 10th anniversary group exhibition, Elliot Smith Gallery St.Louis,Missouri International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1993 Robert Berman Gallery Santa Monica, California the dreamer awakes, Deson-Saunders Gallery Chicago, Illinois west art...
Canvas, Oil