Objects with Narratives

I've been working a lot with copper, copper being the physical material that connects the world. Its incorporation into technology (communication, transport) has enabled and increase...

Maarten Vrolijk believes that art should make people’s everyday lives more beautiful through the many little details that evoke the unexpected. While strongly influenced by the natur...

Each tapestry is called Opus followed by its chronological roman numeral in the order they were created. Opus is a latin word meaning a work, used to mean a particular piece of music...

The Reef Series combines an innovative exploration of textile materiality with a refreshing colour scheme and fuzzy tactility. The unique knitting and casting process brings the pieces to life, evocative of coral reefs and underwater life...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

Sunlit Garden is a space to relax. A group of rugs and pillow to create a soft living landscape. Learn to live on the ground again, grow friendships like flowers in a garden lit in g...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and anim...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and anim...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and anim...

Tom Jablin is a sculptor who expresses organic shapes though marble as my main medium. Hisy work is driven by contemplation of nature, the oceanic universe, as well as human and anim...

Intuitive Archaisme is a collection of furniture whose design and manufacturing process is based on the primitive instinct of assembling shapes to create a structure. The wood is wor...

Intuitive Archaisme is a collection of furniture whose design and manufacturing process is based on the primitive instinct of assembling shapes to create a structure. The wood is wor...

In his latest collection, Cedric Breisacher reinvests the use of materials with what a workshop already has: waste materials. He uses this waste to create a material he calls Agglome...

The BTRFL Collection is the first historical furniture collection of Cedric Breisachera series. It resluts of hand-carved pieces that evoke the seamless flow of nature, giving the im...

In his latest collection, Cedric Breisacher reinvests the use of materials with what a workshop already has: waste materials. He uses this waste to create a material he calls Agglome...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

This series draws inspiration from antique vestiges and the patterns of Roman mosaic floors, with their meticulously crafted tesserae, known as opus vermiculatum. The pieces speak o...

This series draws inspiration from antique vestiges and the patterns of Roman mosaic floors, with their meticulously crafted tesserae, known as opus vermiculatum. The pieces speak o...

The series Epimorph are called after a geological phenomenon in which a mineral’s shape has been formed by its environment, usually as a coating over an original mineral. The origin...

This series draws inspiration from antique vestiges and the patterns of Roman mosaic floors, with their meticulously crafted tesserae, known as opus vermiculatum. The pieces speak o...

Objects with Narratives is founded by three complementary Belgian individuals: Nik and Robbe Vandewyngaerde & Oskar Eryatmaz based in Geneva, Brussels & Bruges. The brothers Vandewyn...

Objects with Narratives is founded by three complementary Belgian individuals: Nik and Robbe Vandewyngaerde & Oskar Eryatmaz based in Geneva, Brussels & Bruges. The brothers Vandewyn...

Objects with Narratives is founded by three complementary Belgian individuals: Nik and Robbe Vandewyngaerde & Oskar Eryatmaz based in Geneva, Brussels & Bruges. The brothers Vandewyn...

The Oracle, explores the relationship between the viewer and their environment through a simple yet powerful design. Beginning with the concept of the curve, three abstract planes ar...

Chihiro draws inspiration from the fundamental concept of the curve, a shape universally understood and yet immensely powerful. In a world overflowing with tools capable of creating ...