Patch Rogers Tables

Oak refectory table set on 6 oak chamfered legs united by sledge stretchers Circa 1910 Dimensions Height 76cm Width 275cm Depth 86cm

Aesthetic Movement mahogany tea table with Japanese inspired detailing Side hand rails an stylised fretwork Circa 1875 Width 65cm. Depth 33.5cm. Height 73cm

Important Cotswold School large oak square 3 plank top dining table with butterfly jointing. Base with 4 legs set to a 45 degree angle with chamfered and chip carved detailing unite...

Anglo Indian centre table with inset Indian brass zodiacal charger The central panel depicts the Hindu deity Vishnu reclining on the serpent Shesha The surrounding panels depict th...

Glasgow School oak circular top table with beaten copper inset Six legs with circular cut outs and cross stretchers Chequer inlay banding Dimensions Diameter: 61cm. Height: 65...

Circular ‘Tulip’ design rosewood table with polished aluminium base Designed by Maurice Burke For Akana Height 73cm. Diameter 135cm Maurice Burke (1921-2013) was an entrepreneu...

Early Arts & Crafts Wishbone Cotswold School refectory dining table in oak 3 plank top Square through-tenon jointed legs with Wishbone stretcher Maker: Sidney Barnsley Designer: Ernest Gimson Pinbury Workshop 1898 Ernest Gimson was born in Leicester, in 1864. He was articled to the Leicester architect, Isaac Barradale, and worked at his offices on Grey Friars between 1881 and 1885. Aged 19, he attended a lecture on 'Art and Socialism' at the Leicester Secular Society given by the leader of the Arts and Crafts revival in Victorian England, William Morris, and, greatly inspired, talked with him until two in the morning, after the lecture. Two years later, aged 21, Gimson had both architectural experience and a first class result from classes at Leicester School of Art. He moved to London to gain wider experience, and William Morris wrote him letters of recommendation. The first architectural practice he approached was John Dando Sedding, where he was taken on, and stayed for two years. From Sedding, Gimson derived his interest in craft techniques, the stress on textures and surfaces, naturalistic detail of flowers, leaves and animals, always drawn from life, the close involvement of the architect in the simple processes of building and in the supervision of a team of craftsmen employed direct. Seddings offices were next door to the showrooms of Morris & Co., providing opportunity to see first hand the first flourishing of Arts and Crafts design. He met Ernest Barnsley...

Hand made circular side-table in quarter sawn English Oak with three through jointed splayed flared octagonal legs united by shaped rails, two plank oak quarter-sawn top. This is an ...

Art Deco centre table Constructed using silky oak for the sides and plinth. The table top, base and fascia are made from highly figured polla...

Cotswold School curved oak dining table with double curved stretcher Joined by 3 runs with split dowelled joints Possibly Barnsley Workshop School Circa 1980

Hand made circular side-table in quarter sawn English Oak with three through jointed splayed flared octagonal legs united by shaped rails, two plank oak quarter-sawn top with ebony detail. This table is based on a design by M.H. Bailie Scott...