Patrick Parrish

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Paint on found wood by New York City picking and art legend, Robert Loughlin. “Wood” painted the on back. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibitio...

Framed archival Giclée print on Hahnemühle Fine Art Baryta paper by Austrian photographer Clemens Kois. Framed dimensions: 46.5” x 33” x 1.5”. Unframed dimensions: 44” x 30.5”. This...

Framed archival Giclée print on Hahnemühle Fine Art Baryta paper by Austrian photographer Clemens Kois. Framed dimensions: 46.5” x 33” x 1.5”. Unframed dimensions: 44” x 30.5”. This ...

Marker on a cardboard box by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...

Geometric sculpture made out of Flamin' Hot Cheetos Puffs and adhesive by Los Angeles-based artist Sam Keller. Comes with a custom plexiglass vitrine that measures 18 x 18 x 18 inche...

Paint on canvas stretched on a metal armature by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” show in 202...

Paint on “The Excedrin Tablet” paperweight box by New York City picking and art legend, Robert Loughlin. “RL ‘Head Ach’” painted the on back. Featured in Patrick Parrish Gallery's “R...

Patrick Parrish is excited to offer an incredible group of original photographs printed by Meisel Photochrome Corporation of Dallas around 1970, shortly after the Apollo 11 Mission. Meisel was the official photo contractor for NASA and processed all the images from the Apollo missions. These beautiful vintage 8” x 8” chromogenic prints on Kodak paper are framed in a 13" x 13" frames and currently available at the gallery. NASA’s historic Apollo 11 Mission—crewed by astronauts Michael Collins, Buzz Aldrin, and commander Neil Armstrong—departed earth on July 16th, 1969, and landed on the moon four days later, near the Sea of Tranquility, while 500 million people watched on television. Armstrong and Aldrin spent two and a half hours exploring the surface of the moon, collecting samples and taking photographs. The camera they used was a modified 70mm Hasselblad lunar surface camera, designed specifically for the event. During the Mission, nine magazines of 70mm film were exposed, providing panoramic views of the surface near the lunar module...