Seattle Art Source Paintings

"Circle of Light" by Teresa Smith draws the viewer down a forest path toward a luminous center — golden yellow and warm white light radiating outward in an oval blaze, framed by the ...

"Woodland Temple" by Teresa Smith looks upward through a grove of ancient redwoods — their massive trunks rendered in deep, saturated orange-red rising from a dense, exuberant ground...

"Essence" by Teresa Smith is among her most immersive works — a square canvas in which the forest floor and canopy dissolve into each other through a swirling field of orange, gold, ...

A pale, hazy sky settles over two soft headlands that lean toward each other, framing a quiet gap of blue-white light where sea meets horizon. Below, a still expanse of water gives w...

A soft haze of peach, gold, and pale blue drifts across the upper third of the canvas before settling into a wide, unbroken expanse of blue that deepens as it descends — from a lumin...

Charcoal, smoke, and burnt umber gather in dense, weathered clouds across this large-scale canvas, thinning at the lower right into pale ash and bone. Fine white scratches cut throug...

Cool slate blue anchors the left edge of this canvas, dissolving into warm bands of copper, rust, and glowing amber that shift and pool across the surface like light passing through ...

A quiet field of terracotta, bronze, and pale bone drifts across the canvas, its surface fractured by a fine network of cracks that catch the light like sun-baked earth. The composit...

Sand, ochre, and smoke move across this canvas in slow, overlapping bands, with a web of fine cracks spreading through the upper surface like a map of accumulated time. Where the pal...

Butter yellow floods the ground of "Spiky Mountain Inside," out of which a dense, jewel-toned cluster of blue, crimson, and orange erupts like a bloom caught mid-motion. Hopkins' cha...

A cascade of rust, teal, and denim blue tumbles down the canvas in "Salt & Velvet," Christy Hopkins' gestural mark-making building a surface that feels both weathered and rich. R...

"Indigo Garden Party" bursts with a lush tangle of blue, coral, lavender, and jade, Christy Hopkins' brush moving with the same intuitive energy that defines her signature style. Thi...

"Road to Hana" moves like a journey through dense, tropical color — teal, cobalt, and jade give way to hits of fiery red and gold, all threaded together with loose, calligraphic line...

“We’ve Got The Beat” by Allison Rohland is an abstract mixed-media painting that balances expressive spontaneity with thoughtful composition. The work combines richly textured impast...

“Star Vineyard” by Guinevere Johnson is a luminous abstract mixed-media painting that evokes the feeling of light filtering through mist at dawn. Layers of soft celadon, sky blue, la...

“Rose Garden” by Guinevere Johnson is a richly textured mixed-media painting that immerses the viewer in a dreamlike garden of color and light. Layers of deep emerald, teal, and indi...

"Circus, Africa" by Sharon Habib is among the most restrained and architecturally composed of her works — muted tones of taupe, sage, terracotta, and slate blue arranged in broad, ov...

"Opening Act Part 1" by Sharon Habib stages its drama in the upper register — a sweep of warm orange pushes across the top of the canvas, flanked by deep navy on the left and crimson...

"Magic in the Air" by Sharon Habib compresses its energy into the upper portion of the canvas — a collision of bright blue, chartreuse-yellow, pale cream, and deep burgundy-red in br...

"Dazzling the Crowd" by Sharon Habib erupts with color — a vivid chartreuse-yellow mass occupies the upper right, thrown into sharp relief by the dense, multi-colored cluster of blue...

"Two Women on the Shore No. 2" by Zachary Schomburg is the most architectural work in the series — vertical columns of color in terracotta, green, gold, cream, teal, navy, and red-or...

"Two Women on the Shore No. 4A" by Zachary Schomburg runs six broad diagonal stripes — terracotta, yellow, black, green, blue, and cream — from the upper left to the lower right of t...

"Two Women on the Shore No. 6B" by Zachary Schomburg brings its stripes together in a broad inverted V — two groups of diagonal bands entering from the upper left and upper right, co...

"Two Women on the Shore No. 7A" by Zachary Schomburg is the mirror companion to No. 7B — here the black field occupies the left, a pale circle resting within it near the lower edge, ...

"Two Women on the Shore No. 7B" by Zachary Schomburg is one of the most compositionally dramatic works in the series — alternating stripes of terracotta and pink fill the left half o...

"Two Women on the Shore No. 8A" by Zachary Schomburg draws its stripes downward from the top edge in a loose V-shape — pink, green, terracotta, black, blue, and cream converging towa...

"Two Women on the Shore No. 8B" by Zachary Schomburg sends its stripes diagonally from the upper left, a group of parallel bands in green, terracotta, yellow, black, and blue sweepin...

"Flying High" by Sharon Habib works in a cooler, more restrained palette than much of the series — a pale grey and off-white ground dominates the lower two-thirds, while bold black, ...

"Electric with Anticipation" by Sharon Habib builds its composition in horizontal registers — an airy, pale upper field threaded with loosely drawn circles in white and amber gives w...

"Random Acts" by Sharon Habib is one of her most layered and narratively rich works — a pale upper ground carries a block of handwritten numbers and letters in the upper right, half-...

“Soft Shadows 2” is a meditative work on paper built from rows of small, hand-rendered oval forms in a near-monochromatic palette of white, silver, and soft black. This iteration fee...

“Soft Shadows 1” is a quiet, meditative work on paper that marks a striking departure from Myers' vibrant color fields — here, rows of small hand-rendered oval forms fill the surface...

“Soft Shadows 3” is a meditative work on paper composed of rows of small hand-rendered oval forms in white, silver, and soft black. This iteration feels the most tonally varied of th...

“Float 1” by Lydia Bassis is a soft, grounding composition, this piece centers on a gently curved form that feels both familiar and undefined. Rendered in delicate white ink on warm ...

“Float 2” by Lydia Bassis leans into balance, with quiet forms held in subtle conversation. Lydia Bassis’ restrained linework allows each shape to breathe, floating lightly against t...

With a softly rounded form that feels both grounded and in motion, “float 3” by Lydia Bassis carries a gentle sense of rhythm and repetition. The subtle contrast of white ink against...

“Float 4” by Lydia Bassis features a composition with a gently squiggly line that meanders across the page with a relaxed, flowing rhythm. Bassis leaves just enough ambiguity for the...

“Float 5” by Lydia Bassis is a study in openness, this piece uses negative space as much as line. The form floats gently across the surface, never fully landing, giving the work an a...

“Float 6” by Lydia Bassis features forms that feel slightly more dynamic—looping and shifting in a way that introduces a quiet sense of movement. Still, the palette and scale keep th...

“Float 7” by Lydia Bassis carries a sense of symmetry, though never perfectly mirrored. The organic linework resists precision, instead embracing a more intuitive balance. The result...

“Float 8” by Lydia Bassis is a minimal yet expressive work, this composition centers on a series of repetitive, concentric circles that draw the eye inward. The rhythmic pattern of t...

"Archaic Fluxations" by Rya Wu carries a playful yet tentative energy, alive with motion and curiosity. It draws on a sense of whimsy and quiet structure, where intuitive forms feel ...

This is a description“In The Distance B” by Ash Oaksmith is an atmospheric landscape painting dominated by a vast, expressive sky. This painting captures the quiet drama of shifting ...

“Passage in Between” by Mark Russell Jones is a moody, atmospheric seascape dominated by a vast, brooding sky; this painting captures a moment of ra...

“In The Open” by Rebecca Stern has a serene, airy presence, defined by negative space and fluid, organic forms. Soft washes of peach and pale blue drift across the surface, contraste...

“Stacked Against” by Rebecca Stern is a mixed-media composition that presents a refined interplay of movement and restraint, layering gestural markings with architectural blocks of c...

“Partially Frozen” by Rebecca Stern is a mixed-media painting that offers a calm yet dynamic composition, where sweeping, curved forms and layered geometric blocks create a sense of ...

“Units of Separation" by Rebecca Stern is a serene, atmospheric diptych that presents a composition defined by soft, sweeping forms and a harmonious palette. Fluid brushstrokes and t...

“Soft Sweep Realized” by Rebecca Stern is a contemporary mixed-media painting that blends soft pastel washes with layered geometric forms and gestural linework, creating a sense of m...

“Wind and Sky” by Teresa Smith is a vibrant, abstract oil painting that captures the sensation of looking up through a dense canopy, where interwoven branches and foliage dissolve in...

“Woodland Portal” by Teresa Smith is a richly textured, abstract landscape painting that evokes a glowing woodland scene, where slender tree trunks and looping branches are rendered ...

In “Sugar Mountain”, Christy Hopkins unfolds a rich interplay of gesture and color across a generously scaled canvas. Energetic layers of acrylic build...

“Courtney” is a luminous abstract acrylic on canvas that embodies Christy Hopkins’s intuitive and expressive approach to painting. Through layered brus...

“Kurt” is a dynamic, expressive acrylic on canvas that showcases Christy Hopkins’s signature intuitive approach. Through layered gestures and bold, rhythmic color, the composition fe...

In “Daydreams, and Bach”, Christy Hopkins’ intuitive process unfolds through bold contrast, layered gesture, and an unmistakable sense of rhythm. Working without a fixed roadmap, she...

In “Daydreaming”, Christy Hopkins allows the painting to unfold intuitively—built through layers of gesture, revision, and response. Without a fixed roadmap, the composition evolves ...

White Lily by Jeni Nelson Andries is a floral acrylic painting that feels soft, airy, and quietly luminous. Layered white and cream petals float across a warm, neutral background, wi...

Periwinkle Parade by Jeni Nelson Andries feels serene, airy, and quietly sophisticated. Soft clusters of blue, green, lavender, and sage tones float across a warm, neutral ground, cr...

Starling by Jeni Nelson Andries is a warm, lively, and richly expressive oil painting. Soft, abstract floral forms bloom across a pale, neutral ground in layered strokes of blush, cr...

Petal Parade by Jeni Nelson Andries has a soft, airy elegance with a dreamy, impressionistic feel. Delicate petal-like brushstrokes in blush, coral, peach, and hints of buttery yello...