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Pelican - shaped glass sculpture, Pino Signoretto, Murano, circa 1973
Pelican - shaped glass sculpture, Pino Signoretto, Murano, circa 1973

Pelican - shaped glass sculpture, Pino Signoretto, Murano, circa 1973

By Pino Signoretto

Located in Milano, IT

Pelican - shaped glass sculpture Pino Signoretto Murano, circa 1973 Engraved signature "Pino Signoretto" on the front of the base It measures: 10.04 in in height x 7.28 x 17.32 (2...

Category

Vintage 1970s Italian Other Animal Sculptures

Materials

Murano Glass

Monkey - shaped glass sculpture, Vetreria Salviati & C, Murano, circa 1960
Monkey - shaped glass sculpture, Vetreria Salviati & C, Murano, circa 1960

Monkey - shaped glass sculpture, Vetreria Salviati & C, Murano, circa 1960

By Salviati

Located in Milano, IT

Monkey - shaped glass sculpture Salviati & C Glassworks Murano, circa 1960 It measures: 7.48 in in height x 3.86 x 4.53 in (19 cm x 9.8 x 11.5) It weighs: 5.29 lb (2.4 kg) State of ...

Category

Vintage 1960s Italian Other Animal Sculptures

Materials

Murano Glass, Uranium Glass

Pair of Glass Cat Sculptures by Archimede Seguso, Murano, Circa 1960
Pair of Glass Cat Sculptures by Archimede Seguso, Murano, Circa 1960

Pair of Glass Cat Sculptures by Archimede Seguso, Murano, Circa 1960

By Archimede Seguso

Located in Milano, IT

Pair of glass sculptures Cats Archimede Seguso (attr.) Seguso Vetri d’arte Murano, circa 1960-1970 Dimensions: achrome cat: height 9.45 in x 4.49 in x 5.24 (24 cm x 11.4 x 13.3); ...

Category

Vintage 1960s Italian Other Animal Sculptures

Materials

Murano Glass

Maiolica flower pots Samson & Fils Factory, France, late 19th century
Maiolica flower pots Samson & Fils Factory, France, late 19th century

Maiolica flower pots Samson & Fils Factory, France, late 19th century

By Emile Samson

Located in Milano, IT

Maiolica flower pots “a mezzaluna” Samson & Fils Factory Montreuil-sous-Bois, France, late 19th century They measure 4.72 in in height x 8.66 x 5.03 (12 cm x 22 x 12,8) Weight: 1.88...

Category

Antique Late 19th Century French Rococo Planters, Cachepots and Jardinières

Materials

Maiolica

Maiolica Bottle Cooler Joseph Hannong, Strasbourg France, circa 1771
Maiolica Bottle Cooler Joseph Hannong, Strasbourg France, circa 1771

Maiolica Bottle Cooler Joseph Hannong, Strasbourg France, circa 1771

By Joseph Hannong

Located in Milano, IT

Bottle cooler Manufacture Joseph Hannong Strasbourg, France, circa 1771 Maiolica polychrome decorated “a piccolo fuoco” (third fire) It measures 7.40 in in height x 9.64 in diam...

Category

Antique 1770s French Rococo Vases

Materials

Maiolica

Murano Glass Rooster Sculpture by Dino Martens, Aureliano Toso, 1954
Murano Glass Rooster Sculpture by Dino Martens, Aureliano Toso, 1954

Murano Glass Rooster Sculpture by Dino Martens, Aureliano Toso, 1954

By Dino Martens

Located in Milano, IT

Rooster- shaped sculpture Galletto Dino Martens (1894 - 1970) Vetreria Artistica Rag. Aureliano Toso, 1954 It measures 9.25 inches in height x 8.18 in x 4.4 in (23.5 cm x 20.8 cm x 11.4 cm) It weighs 2.57 lb (1.169 g) State of conservation: intact. The small glass sculpture...

Category

Vintage 1950s Italian Modern Animal Sculptures

Materials

Glass

Eliseo Mangili Crystal Bowl, Silver & Coral Accents, Milan, Circa 1940
Eliseo Mangili Crystal Bowl, Silver & Coral Accents, Milan, Circa 1940

Eliseo Mangili Crystal Bowl, Silver & Coral Accents, Milan, Circa 1940

By Eliseo Mangili

Located in Milano, IT

Crystal bowl with silver and coral decorative elements Eliseo Mangili (1890-1977) Milan, circa 1940 It measures 4.8 in high x Ø 8.26 in; foot Ø 4.33 in (12.2 x Ø 21 cm; Ø foot 11 cm) 5.51 lb (2.55 kg) The rounded bowl narrows and rests on a flared foot with a polygonal section in blue crystal. The bowl itself is crafted in transparent crystal and continues the polygonal motif. The base of the bowl is decorated with a series of engraved blue arches which somewhat overlap creating a corolla and with five vertical cusps of the same colour. The rim is accented with a triple cut line around the entire circumference. A silver band representing a currant branch wraps the “waist” where the foot joins the bowl with currants made of orange coral. The bowl features the following marks along the silver band which defines its narrowing towards the foot. These help us date the work: 1) a lozenge with the abbreviation of the province (MI); Roman fasces; the number 08. This was the mark in force after the promulgation of the law of 5 February 1934 n. 305, which provided for the use of a uniform mark for the identification of the silversmith and of the province. In this case it is the Milanese smith Eliseo Mangili during the period 1935-1944. 2) 800 without a border. Title in thousandths of silver. Eliseo Mangili was one of the most talented goldsmiths flanking Alfredo Ravasco...

Category

Vintage 1930s Italian Other Decorative Bowls

Materials

Crystal, Coral, Silver

Glass Parrot-Shaped Sculpture, Dino Martens, Venice, Aureliano Toso, 1953-1956
Glass Parrot-Shaped Sculpture, Dino Martens, Venice, Aureliano Toso, 1953-1956

Glass Parrot-Shaped Sculpture, Dino Martens, Venice, Aureliano Toso, 1953-1956

By Dino Martens

Located in Milano, IT

Parrot-shaped sculpture Psitaccus Dino Martens (1894 - 1970) Vetreria Artistica Rag. Aureliano Toso, 1953-1956 It measures 9.055 inches in height x 4.13 in x 5.90 in (23 cm, 10.5 cm x 15 cm) It weighs 1.997 lb (906 g) State of conservation: intact. The small glass sculpture...

Category

Vintage 1950s Italian Modern Animal Sculptures

Materials

Blown Glass

Pair of Antique French Bronze Candelabra, Mercury Gilded, Circa 1860
Pair of Antique French Bronze Candelabra, Mercury Gilded, Circa 1860

Pair of Antique French Bronze Candelabra, Mercury Gilded, Circa 1860

Located in Milano, IT

Pair of three-flame candelabra Cast bronze, chiselled and mercury gilded France, third quarter of the nineteenth century Height 14.96 in (38 cm) X 12.59 (32 cm) Weight 11.46 lb ...

Category

Antique 1860s French Napoleon III Candelabras

Materials

Bronze

Pair of Maiolica Flower Pots by Pasquale Rubati, Milan, Circa 1770
Pair of Maiolica Flower Pots by Pasquale Rubati, Milan, Circa 1770

Pair of Maiolica Flower Pots by Pasquale Rubati, Milan, Circa 1770

By Pasquale Rubati

Located in Milano, IT

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, circa 1770 Measures: each 4.7 in (cm 12) x 5 in (c...

Category

Antique 1770s Italian Rococo Planters, Cachepots and Jardinières

Materials

Maiolica

Boxwood Micro Carving Deposition Sculpture, Central Europe, Circa 1740
Boxwood Micro Carving Deposition Sculpture, Central Europe, Circa 1740

Boxwood Micro Carving Deposition Sculpture, Central Europe, Circa 1740

Located in Milano, IT

Boxwood micro carving Deposition Central Europe, first half of the 18th century It measures: the sculpture 7.40 x 5.31 x 0.6 in (18.8 x 13.5 x 1.6 cm); w...

Category

Antique 1740s European Baroque Figurative Sculptures

Materials

Boxwood

Nineteenth Century Gilt Bronze Candelabra Pair, French or Russian
Nineteenth Century Gilt Bronze Candelabra Pair, French or Russian

Nineteenth Century Gilt Bronze Candelabra Pair, French or Russian

Located in Milano, IT

Pair of thirteen-flame candelabra France or Russia Second quarter of 19th century Cast, chiseled and gilt bronze Height 40.95 in (cm 104), diameter 17,7 in (cm 45) 97 lb (44 kg) Sta...

Category

Antique 1830s French Neoclassical Candelabras

Materials

Ormolu

16th Century Italian Carrara Marble Sea Monster Fountain Sculpture
16th Century Italian Carrara Marble Sea Monster Fountain Sculpture

16th Century Italian Carrara Marble Sea Monster Fountain Sculpture

Located in Milano, IT

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

Category

Antique 16th Century Italian Renaissance Animal Sculptures

Materials

Carrara Marble

Antique Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770
Antique Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770

Antique Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770

By Pasquale Rubati

Located in Milano, IT

Maiolica flower pot “a mezzaluna” decorated with tulip Pasquale Rubati Factory Milan, circa 1770. Measures: 4.7 in x 4.7 in x 8.6 in 12 cm x 12...

Category

Antique 1770s Italian Rococo Planters, Cachepots and Jardinières

Materials

Maiolica

Italian Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770
Italian Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770

Italian Maiolica Flower Pot by Pasquale Rubati, Milan, Circa 1770

By Pasquale Rubati

Located in Milano, IT

Maiolica flower pot “a mezzaluna” decorated with garlands of flowers Pasquale Rubati Factory Milan, circa 1770 Measures: 4.7 in x 5 in x 8.8 in ...

Category

Antique 1770s Italian Rococo Planters, Cachepots and Jardinières

Materials

Maiolica

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