The Illustrated Gallery Art

Saturday Evening Post Cover, June 9, 1962 Illustration of the marriage party of Mr. Eugene Allen Kincaid and Mrs. Jean-Ann Porter, for the cover art of The Saturday Evening Post Jun...

Original cover for The Saturday Evening Post, published November 8, 1930 First published on the cover of the November 8, 1930, issue of The Saturday Evening Post, Norman Rockwell’s ...

Date: 1932 Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed "J.F. Kernan" Lower Right Cover illustration for Capper's Farmer magazine, July 1932

Approximate Date: 1948 Medium: Oil on Board Signature: Signed Lower Left Size: 20" x 16", Framed: 26" x 22" Original cover illustration for The Saturday Evening Post, September 25 1...

Date: 1932 Medium: Oil on Board Dimensions: 23.00" x 18.63" Framed Dimensions: 33.00" x 28.63" Signature: inscribed MP Jr. No. 76. / Painted by Maxfield Parrish / Maxfield Parrish I...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 24.00", Framed 30.00" x 27.00" Cover of Saturday Evening Post Magazine, October 31, 1908. Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC The National Arts Club NYC Jan 6- 19 2013 Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014 Joseph Christian Leyendecker was one of the most famous and prolific illustrators of his time and painted one less cover for The Saturday Evening Post than Norman Rockwell. He was the creator of the cherubic New Year’s Baby and the handsome Arrow Shirt Man who set the style for men’s fashion for decades. In addition to his beautiful men, women and children, Leyendecker’s covers and advertisements depicted subjects ranging from sports to war to politics. This 1908 Post cover shows a young newsboy holding pictures of William Howard Taft...

Signed by Artist Lower Left The present work was published on the cover of the September 4th, 1948 edition of The Saturday Evening Post. An accompanying “Keeping Posted” article about Norman Rockwell’s process behind the painting was printed on page 10 inside the issue. (Image above) The Post described, “Boston baseball fans saw a strange spectacle at Braves’ Field early this summer. As the stands filled, two respectable-looking men stood on the field staring at the spectators. Every now and then they would point to someone, run up into the stands and invite the man or woman to sit in a box above the dugout. Then the thinner of the two would contort his face into an expression of wild delight or disgust and invite the spectator to do the same, while a photographer made pictures. The explanation is on our cover. The two suspicious characters were Kenneth Stuart, the Post’s art editor and the artist, Normal Rockwell. For a detailed description of how Boston...

Medium: Oil on Canvas Signature: Signed Lower Left The Saturday Evening Post unpublished cover, 1943 The story behind the New Year's Baby Hitching to War is a fascinating one: The...

Medium: Oil on Board Signature: Signed on Reverse 1 of a 4 part Illustration, Used as Promotional Poster Exhibited: Chadds Ford, Pennsylvania, Brandywine River Museum, Maxfield Pa...

Medium: Oil on Board Signature: Signed Lower Right 1 of a 4 part illustration used as a promotional poster Exhibited: Chadds Ford, Pennsylvania, Brandywine River Museum, Maxfield ...

Medium: Oil on Board Signature: Each Upper Panel, Signed 'Maxfield Parrish/Windsor./Vermont.' (On the Reverse); Each Lower Panel, Signed 'Maxfield Parrish' (Lower Right) Each 1 of a...

Medium: Oil on Board Signature: Signed Lower Right 19.875" x 14.00" Each Panel 1 of a 4 Part Illustration used as a promotional poster Poster for The Red Cross—Watching...

Medium: Oil on Canvas Sight Size 53.00" x 136.00", Framed 66.00" x 149.00" Signature: Signed Lower Left Interwoven Stocking Company Advertisement Reproduced on gift boxes, Advertisement appeared in Saturday Evening Post, December 8, 1928, pg.2 The long lost NC Wyeth painting...

Dean Cornwell's large scale oil painting, commissioned by the Goodyear Tire and Rubber Company, presents a domestic scene of Betsy Ross crafting the first American flag surrounded by...

Signature: Signed Lower Left Medium: Oil on Canvas Artwork Dimensions: 28" x 22" Framed 36" x 30" Saturday Evening Post Cover, September 18, 1920 - Leyendecker addressed the theme of American patriotism in several ways. His famous Fourth of July covers asserted the import of American independence through stock characters: George Washington, Uncle Sam, the Statue of Liberty, colonial Freedom Fighters, and modern-day soldiers. In addition, his World War I and World War II covers depicted soldiers proudly defending their country. Leyendecker also profiled U.S. presidents and historical figures - George Washington, Robert E. Lee, William Howard Taft...

Medium: Gouache on Board Signature: Signed Lower Right Saturday Evening Post magazine cover, October 25, 1941

Artwork Dimensions: 16.00" x 12.125" Frame Dimensions: 22.5" x 18.75" Medium: Oil on Paper Mounted to Board Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse The Rawhide Part III, 'He swung himself into the saddle and rode away.' Signed with initials M·P...

Artwork Dimensions: 38" x 28.00" Frame Dimensions: 52.5" x 42.5 (5" deep frame)" Medium: Oil on Canvas Signature: Signed Lower Right A close friend of Norman Rockwell, Mead Schaeffer focused his early career on illustrations for classic, historical, and adventure novels, including Moby Dick, The Count of Monte Christo, and King Arthur and His Knights. The featured lot, a masterpiece of political intrigue, was published as a story illustration for Joseph C...

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Original cover for The Saturday Evening Post, published May 12, 1923. A patriotic illustration of Uncle Sam trying on hats in front of a mirror. Housed in a custom frame with stars ...

"The Coward" (Woman Kissing Soldier). Original cover illustration for Life Magazine, published April 1919. Norman Rockwell’s The Coward (or, Woman Kissing Soldier) was published on...

Medium: Mixed media on board Dimensions: 19.00" x 15.50" Framed 29" x 25.5" Signed: Lower Left Collier's magazine cover, January 1906 and appears as a color plate in Thirty Favorite...

Original cover illustration for The American Weekly magazine, published June 2, 1957. The image features a little boy with freckles carrying a ring pillow down the aisle at a weddin...

Original cover for Liberty magazine, published February 27, 1932 In a clever riff on Emanuel Leutze’s iconic 1851 painting Washington Crossing the Delaware, the neighborhood childre...

LITERATURE: L.N. Moffatt, Norman Rockwell: A Definitive Catalogue, Vol. II, Stockbridge, Massachusetts, 1986, p. 1107, no. M48, illustrated. --- The first Saturday Evening Post cov...

EXHIBITED: Museum of American Illustration at the Society of Illustrators, New York, "Americans Abroad: J.C. Leyendecker and the Influence on American Illustration," May 21-July 12, ...

Good Housekeeping, October 1929, cover illustration. This charming Good Housekeeping cover depicts a beautiful toddler helping his mother put bright red apples in her apron in prepa...

Literature: The Saturday Evening Post, April 4, 1942, cover illustration. J. Cohn, Covers of the Saturday Evening Post: Seventy Years of Outstanding Illustration From America’s Fa...

The Saturday Evening Post, June 25, 1949, cover illustration. Page 3 of the Post states: Long ago, that dam behind which the East Arlington, Vermont, lads are swimming in Mead Scha...

Original calendar illustration for Metropolitan Life Insurance Company, published 1919. The illustration features a couple spending a quiet evening at home. A woman sews blue stars ...

Farm and Home magazine cover, January 1919 Following the Armistice in November 1918, American GIs began returning home in February of the next year. The months in between were fille...

According to Edward Nudelman, a leading expert on the artist and author of Jessie Willcox Smith: A Bibliography, the artwork is chronologically and stylistically related to Smith's i...

Original cover for Collier's magazine, published December 21, 1901 The image features a woman sitting on a bench next to a dog and holding a book. Artwork Dimensions: 20" x 14" Fra...

Original Halloween cover illustration for The Saturday Evening Post, published published October 25, 1930. A vintage Halloween illustration of children trick-or-treating by a histor...

Original cover illustration for The Saturday Evening Post, published August 25-September 1, 1962. A little boy eager to go fishing sits watching his father sleep away the morning. ...

Original cover for Liberty magazine, published November 21, 1931. Set during the Great Depression, Sandy and Lil have lost everything in the stock market crash. The couple is qua...

Original cover painting illustrating The Saturday Evening Post, May 8, 1948. "Bill, the Birdhouse Builder, lives and builds in Artist John Falter's home town, Atchison, Kansas, and ...

Original cover painting for The Saturday Evening Post, published April 13, 1946 The Post described, “Not long ago, Constantin Alajalov, who painted our cover for this week, had an e...

Medium: Oil on Panel Sight Size 31.00" x 21.25", Framed 36.00" x 22.00" Signature: Signed Lower Left Maxfield Parrish began his career at age 25 as an illustrator, painting magazin...

Post Cover March 23, 1935

Original illustration for an unidentified publication, circa 1895 Medium: Watercolor and gouache on paper Artwork Dimensions: 24.00" x 16.00" Framed Dimensions: 37" x 29" Signatur...

In 1930, Maxfield Parrish turned his attention to painting landscapes exclusively. Cascades is a fine example of the style that defined his late career. The composition features a fa...

Saturday Evening Post Cover, April 2, 1932

Date: 1927 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Right "We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting o...

A young graduate holds his diploma and receives a congratulatory hand shake as his parents watch with pride. An original illustration from the 1960s with vibrant colors

Original cover of The Saturday Evening Post, published May 15, 1915. The artwork captures the quiet wonder of a young girl kneeling among ferns at the edge of a small pond, gazing a...

Possibly "Boy's Life" cover

Original story illustration for the conclusion of “Blue Marigolds: The Mad, Sweet Dreams of Youth Come True” by Helen Topping Miller for Good Housekeeping, published June 1934, pages...

Cartoon of Tennis Player Ilie Nastase Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left

Cartoon of Tennis Player Chris Evert Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Contact for dimensions.

Cartoon of Tennis Player Billie Jean King Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Contact for dimensions.

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Contact for dimensions.

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Left Contact for dimensions.

Medium: Oil on Wood Panel Signature: Signed ‘Parrish’ (On the Reverse) Finished painting done as a prototype for the mural at the University of Pennsylvania LITERATURE L.S. Cutler ...

Original cover for The Saturday Evening Post, published December 6, 1930 Medium: Oil on Canvas Artwork Dimensions: 44.25" x 34.25" Signature: Signed Lower Right Norman Rockwe...

Story illustration for “Smoke Bellew” by Jack London for Cosmopolitan magazine, published January 1912, page 200. The full caption reads: “With much awkwardness and angry haste, the...

Study for the cover of The American Weekly (Thanksgiving edition), published November 24, 1946 For the final published composition, Leyendecker painted the artist as a young man. ...

Story illustration for “Good Neighbors” by John Faulkner for Collier’s magazine, published November 7, 1942, page 17. The full published caption reads: “Uncle Pete took the hand an...

The Saturday Evening Post, April 7, 1945, Cover Illustration. Stated on page 4 of the Post: Just to show you how cover artists work, we asked John Falter to send us one of his early...