TOAD Wall Decorations

Stunning period Cubist oil painting on canvas with strong Futurist undertones, carries Cyrillic script as part of the composition. Visceral quality to the brushwork and application o...

Lithographs on arches, with initials, inscribed AP and numbered in pencil. Published by Waddington Graphics, London. In new high quality black ash box frames.

Exquisite decorative architectural element, a wall hanging of generous scale. Sand cast bronze, with old verdigris patination and painstaking detail to the composition, the scales and twin heads of Horus. The energy expressed in beautiful coiled, tensile form. Bronze castings have a long tradition in Berlin, the most renown being the Aktien-Gesellschaft Gladenbeck that operated from 1851 until 1926. Horus, a god in the form of a falcon whose right eye was the sun or morning star, representing power and quintessence, and whose left eye was the moon or evening star, representing healing. Falcon cults, which were in evidence from late predynastic times, were widespread in Egypt. This coiled serpent form is equally reminiscent of Nehebkau a primordial snake god in ancient Egyptian mythology. Ultimately considered a powerful, benevolent and protective deity, he is described as a companion of the sun god Re. Egyptian revival: Egyptian culture first enchanted the West when Cleopatra captured the hearts of legendary Romans Julius Caesar...

England, oil on canvas - 1968 Warm and leafy architectural composition of a malt house in profile with trees. Ochre and green hues applied in the British School style. A timeless an...

Three highly charismatic and personal portrait drawings if Indian gentlemen. Dating from the late 19th century and in original glass and oak frames they portray a Pathan hillman and ...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Flowing in the Right Direction from Europaeische Graphik VII, 1971; lithograph printed in colours, signed and numbered 2/65 in pencil, printed by the Curwen Studio, published by Wolfgang Ketter, with their blindstamp. Note: For a similar example see Tate PO6459 Presented in a new hardwood ebonised box frame. About the artist: Peter Schmidt...