Weng Contemporary (ArtXX AG)

Ahmed Mater Magnetism (Portfolio of 4) 2012 Etching 62 × 81 cm (24.4 × 31.9 in) Signed and numbered Edition of 45 In mint condition PLEASE NOTE: Edition numbers could vary from the ...

Manolo Valdes Reina Mariana I (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example ref...

Manolo Valdes Reina Mariana II (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example re...

Manolo Valdes Reina Mariana III (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example r...

Manolo Valdes Reina Mariana IV (Las Meninas), 2022 Limoges Porcelain 35 × 23.5 × 17.8 cm (13.8 × 9.3 × 7 in) Edition of 199 In mint condition Images of edition number are example re...

Inspired by contemporary tensions in China, Zhang Xiaogang makes grim, unsettling portraits that consider identity and heredity in a collectivist state. The artist draws on influence...

Peter Doig The Zermatt Sewries (Set of 6), 2022 114 x 80 cm Edition Size 250 + 25 APs, each numbered and hand signed Giclée Print on Cotton Smooth Rag Oak frame with Optium Tru Vue Acrylic Glass In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. Marking Peter Doig’s first return to snowscapes since the 1990’s, The ‘Zermatt’ collection are six limited-edition Giclee prints on Cotton Smooth Rag. The artists first thematic group of works, conceived in 2018 when Doig’s friend Swiss architect and artist Heinz Julen...

Hurt Heart (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condition With certificate of aut...

Crying – Shouting – Screaming – Was Not going to help me Live (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by t...

Life Will never be The Same (Nor should it), (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint...

Blue Madonna - Emin, Contemporary, YBAs, Lithograph, Portrait, Black 3 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, nu...

Robert Longo, Horsehead Nebula Contemporary, 21st Century, Pigment Print, Limited Edition Pigment print Unframed Edition of 25 152 x 89.4 cm (59.9 x 35 in.) Signed and numbered, acco...

Adel Abdessemed No Smoking, 2012 Neon Sculpture Edition of 30 7.3 x 26.6 x 0.8 cm (2.9 x 10.5 x 0.3 in) Signed and numbered on certificate In mint conditions, as acquired from p...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Damien Hirst, The Hours Spin Skull 2009 Sculpture (Glosspaint on plastic) 19 × 12.5 × 19.5 cm (7.5 × 4.9 × 7.7 in) Titled, not signed In excellent condition. Please note: the color ...

Erwin Wurm is widely recognized as a prominent contemporary sculptor. Taking on a new approach, the artist explores his first encounter with flat canvases and paint, thus creating wh...

At the crossroad between aesthetics, data, design, and computing, this hypnotic set of artworks represent visual interpretations of Google Quantum AI's research data exploring the po...

ANDY WARHOL (after) Marilyn Purple-Red, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompani...

JR, The Chronicles of New York City, Domino Park, USA, 2020 Contemporary, 21st Century, Lithograph, Limited Edition 20 colors lithograph on white paper BFK Rives - 300 grams Edit...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...

Forever (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium compos...

Exploring ideas of commodity, spectacle, celebrity, and consumption, Koons Coupe Plates embody his gleeful, tongue-in-cheek oeuvre. Jeff Koons Lips Coupe Plate - Jeff Koons, 21st C...

Spin, Spin Sugar (from In a Spin, the Action of the World on Things, Volume II) 2002 Color etching on 350 gsm Hahnemühle paper 112 × 91.5 cm (44.1 × 36 in) Signed, dated, titled on the front Edition of 68 In mind condition The piece is offered unframed. Edition numbers might vary from what is shown in the images. It all started in Hoxton, East London in 1993 when curator Joshua Compston staged a mock parish fair called “A Fête Worse than Death”. All Young British Artists were invited to perform, Gary Hume was disguised as a Mexican bandit selling tequilas, Tracey Emin did palm reading and Damien Hirst dressed in a clown costume together with Angus Fairhurst...

Maurizio Cattelan L.O.V. E. 2015 Concrete 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 1800 In mint condition, in the original wooden crate and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist...

Artwork Media Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist...

Butterfly Heart (large) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium composite panel Published by HENI Edition 560 of 1,698 (edition number might vary -several editions available for sale) Digitally signed and numbered on label on the verso (printed signature) In mint condition, as acquired from the publisher and in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. Butterfly Heart is the latest edition by the British artist, Damien Hirst. This edition consists of digitally made photographed real butterfly wings placed onto a heart-shaped aluminum panel. This edition includes Hirst´s best-known motifs; the butterflies, and the rainbow color alignment on the heart-shaped print. Shortly after graduating from Goldsmiths, in 1989, Hirst began working on a series of paintings after seeing flies get stuck on primed canvases in his Brixton studio. Taking this idea, but wanting to create something beautiful, Hirst started fixing the bodies of dead butterflies to monochrome gloss-painted canvases. The appeal of butterflies is created largely by the appearance of life they retain in death. Hirst has said, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.” The Butterfly works go hand-in-hand with the heart-shaped canvases. Soon after Hirst began working on his now-iconic series of butterfly paintings he shaped the canvas into a heart - the international symbol for love. DAMIEN HIRST The Turner prize winner and epicenter of the YBA movement. Hirst's emblematic art of our era revolutionizes the art market. Hirst is widely regarded as one of the most important artists working today, creating truly iconic artworks. A genuine star of the Young British Artists (YBA) movement, Damien Hirst has always made a point of mixing up different media. Whether as a sculptor, an installation artist, a painter, or a printmaker, Hirst has produced many of the most spectacular and widely discussed works in recent years and helped to revolutionize the art market. Damien Hirst’s, For the Love of God, the diamond-encrusted replica of the skull of a thirty-five-year-old man from the thirteenth century, broke all records to become the most expensive contemporary artwork in the world. Damien Hirst´s artworks are truly emblematic icons of our era, with their recurring motives such as dots, butterflies, cows, sharks, skulls, pills, and pharmacy cabinets. “I do believe art is more powerful than money, though. I still believe that. And if I ever find out money's more important, I'll knock it on the head.”—Damien Hirst His works, captivating and intense as they are, challenge our stereotyped concepts and beliefs. Damien Hirst’s shark...

Fruitful (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminium composite panel Edition of 3308 39 x 39 cm (15.4 x 15.4 in.) Signed and numbered on label on the verso In mint condition, as acquired from the publisher and in the original packaging With Certificate of Authenticity PLEASE NOTE: Edition numbers could vary from the one shown in the images. This edition of Forever features bright, abstract details from Damien Hirst’s new series of paintings titled Cherry Blossoms. Here, Hirst reinterprets the traditional subject of landscape painting on a monumental scale, entirely covering the surface of the works with bright colours that stretch the boundaries between figuration and abstraction. The vibrant works pay homage to the Pointillism and Impressionism art movements. With the Cherry Blossoms series Hirst bridges his explorations and examination of colour as well as its effect on the eye, where movement and dynamicity of colour have been composed freely and joyously by the British artist. “The Cherry Blossoms are about beauty and life and death. They’re garish and messy and fragile and about me moving away from Minimalism and the idea of an imaginary mechanical painter and that’s so exciting to me.” —Damien Hirst This limited fine art edition is technically created by a bright Laminated Giclée print on aluminium composite panel, comes in two sizes and was realized in collaboration with Fondazione Prada to support Save the Children Italia. Hirst has taken existing imagery from his Cherry Blossoms and transposed it into a print, depicting a close up of the densely layered impasto structure, as well as colourful dabs of paint from sections of the large-scale canvases, one can see Hirst's thick brushstrokes and trace the movement of his gestural action painting through the surface. DAMIEN HIRST The Turner prize winner and epicenter of the YBA movement. Hirst's emblematic art of our era revolutionizes the art market. Hirst is widely regarded as one of the most important artists working today, creating truly iconic artworks. A genuine star of the Young British Artists (YBA) movement, Damien Hirst has always made a point of mixing up different media. Whether as a sculptor, an installation artist, a painter, or a printmaker, Hirst has produced many of the most spectacular and widely discussed works in recent years and helped to revolutionize the art market. Damien Hirst’s, For the Love of God, the diamond-encrusted replica of the skull of a thirty-five-year-old man from the thirteenth century, broke all records to become the most expensive contemporary artwork in the world. Damien Hirst´s artworks are truly emblematic icons of our era, with their recurring motives such as dots, butterflies, cows, sharks, skulls, pills, and pharmacy cabinets. “I do believe art is more powerful than money, though. I still believe that. And if I ever find out money's more important, I'll knock it on the head.”—Damien Hirst His works, captivating and intense as they are, challenge our stereotyped concepts and beliefs. Damien Hirst’s shark...

This vibrant work features abstract details from Damien Hirst's series of Cherry Blossom paintings and reinterprets the traditional subject of landscape painting. Fruitful (large) b...

This high-impact neon sculpture creates a mellow atmosphere as a result of the expertise of a glass blower and a neon technician. Jan Henderikse, Nul ...

Wang Guangyi, Art News Contemporary, 21st Century, Lithograph, Chinese art, Limited Edition Lithograph accompanied by poem by Fernando Arrabal 120 x 80 cm (47...

Wang Guangyi, Swatch No Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal 120 x 80 cm (4...

Wang Guangyi, Art and People Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 plus 4 APs 80 x 120 cm (31.5 x 47.2 in.) Signed and numbere...

Wang Guangyi, Mao Zedong waving with black square Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal 120 x 80 cm (47.2 x 31.5 in.) Edition of 165 plus 4 AP...

Ugo Rondinone, Stars Contemporary, 21st Century, Silkscreen, Limited Edition, Skyscapes Silkscreen Edition of 300 105 x 74.7 cm (41.3 x 29.4 in) Signed and numbered, accompanied by C...

Jan Henderikse, Zero Contemporary, 21st Century, Sculpture, Limited Edition, Neon Neon Edition of 6 150 x 110 cm (59.1 x 43.3 in.) Signed and numbered,...

Wang Guangyi, FedEx No Lithograph accompanied by poem by Fernando Arrabal 120 x 80 cm (47.2 x 31.5 in.) Edition of 165 plus 4 APs Signed and numbered, accompanied by Certificate of A...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...

Wang Guangyi, Alpha and Omega Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 plus 4 APs 80 x 120 cm (31.5 x 47.2 in.) Signed and numbere...

Wang Guangyi, Image and Power Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal 120 x 80 cm (47.2 x 31.5 in.) Edition of 165 plus 4 APs Signed and number...

Wang Guangyi, Art and Politics Contemporary, 21st Century, Lithograph, Limited Edition Lithograph accompanied by poem by Fernando Arrabal 80 x 120 cm ...

Joana Vasconcelos, Pandora I Pandora I, Contemporary, 21st Century, Pigment Print, Limited Edition, Edition Pigment Print Edition of 25 111.7 x 85.1 cm (44 x 33.5 in) Signed, numbere...

Wang Guangyi, No Time Contemporary, 21st Century, Lithograph, Chinese, Chinese Culture Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 p...

In Koons’ hands even the most familiar, everyday items transcend commonality to become true icons manifesting the essence of American popular culture. Jeff Koons Balloon Dog (Blue) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic coating Edition of 799 40 × 48 × 15.8 cm (15.75 × 18.90 × 6.22 in) Signed and numbered In mint condition In the original box designed by Jeff Koons, accompanied by a Certificate of Authenticity One of the most iconic works of the 21st century. The magic attraction of Balloon Dog lies in its ability to convey cuteness, power and material perfection. Its alert, four-legged form makes it reminiscent of the heroic equestrian statuary that populates public spaces across the globe. Koons himself has called this piece the "Trojan horse“ of the Celebration series. This work of art has chameleon-like qualities; its reflective surface is capable of physically changing with its surroundings and its many-layered meanings make it conceptually change in the mind of each viewer. The freestanding limited edition of the "Balloon Dog (Blue)" requires 60 people for the production of each work and it takes a full month to complete one. Its creation combines traditional porcelain decoration techniques with new technologies which are not typically applied to ceramics, this combination allows to achieve the metallic and reflective characteristics. Each edition is signed on the inside front right leg and the signature is applied on top on the porcelain and fired in the oven. "It's a very optimistic piece, it's a balloon that a clown would maybe twist for you at a birthday party. But at the same time it's a Trojan horse. There are other things here that are inside, maybe the sexuality of the piece." —Jeff Koons JEFF KOONS Jeff Koons (born 1955) playfully tests the boundaries of commerce, celebrity, banality and pleasure, turning banal commercial or everyday objects into art icons by using seductive materials, a shift of scale and a contextual displacement. He rose to prominence in the mid-1980s as part of a generation of artists who explored the meaning of art in a media-saturated era. Koons turns banal commercial or everyday objects into art icons by using seductive materials, a shift of scale, and a contextual displacement. Jeff Koons’s “Balloon Dog” (featuring his enormous iconic chromium stainless steel dogs); his large-scale vinyl “Inflatables”; or the giant “Split-Rocker” all follow this principle. For instance, Jeff Koons in “Puppy” engaged the past and the present, referencing the eighteenth-century formal garden, while adding the most sugary of iconography. “It’s basically the medium that defines people’s perceptions of the world, of life itself, how to interact with others. The media defines reality.” —Jeff Koons Originally licensed as a commodities broker, Koons decided to become an artist in the late 1970s and moved from Wall Street into a factory-like studio in SoHo with hundreds of assistants. Since then, he has produced different iconic series, like the “Pre-New”, a series of domestic objects in strange new configurations, and “The Equilibrium” series, consisting of basketballs floating in distilled water tanks. The “Banality” series, which includes Jeff Koons´s “Michael Jackson and Bubbles” and “Woman in Tub...

Tracey Emin A Journey To Death (Portfolio of 10) 2021 2 colour lithograph on Somerset Velvet Warm White 400 gsm 94 × 74 cm (37 × 29.1 in) Each signed, numbered and dated by the artis...

Contact is content at Seljalandsfoss, Contemporary, 21st Century, C Print C-Print Edition of 100 Each 53 x 42 cm (20 x 16.5 in.) Signed and numbered on adhesive label In mint conditi...

Canoe - Island, Contemporary, 21st Century, Silkscreen, Edition Silkscreen Edition of 300 74 x 100 cm (29.1 x 39.3 in.) Signed, dated, and numbered In mint condition, as acquired fro...

Canoe - Peter Doig, Contemporary, 21st Century, Etching, Magic Realism, Limited Edition Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In mint conditi...

Cyril's Bay - Peter Doig, Contemporary, 21st Century, Magic Realism, Limited Edition Digital pigment print with silkscreen varnish on Somerset Velvet 255gsm with hand torn edges Edit...

And This was me A Thousand Years Ago, (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condit...

Me - May 2019 - Emin, Contemporary, YBAs, Lithograph, Portrait, Blue 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 55,5 x 45,5 cm (21.9 x 17.9 in) Signed, nu...

After The Shadow - Emin, Contemporary, YBAs, Lithograph, Blue, Portrait 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed,...

I Couldn't Tell Anyone I Loved You - Emin, Contemporary, YBAs, Lithograph 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signe...

These Feelings Were True - Tracey Emin, Contemporary, Young British Artiststs, Lithograph, Blue, Portrait, Limited Edition 2 colour lithographs on Somerset Velvet Warm White 400gsm (Poprtfolio of 8) Edition 25 of 50, the full Set is offered in matching edition numbers Signed, numbered, and dated by the artist In mint condition, as acquired from the publisher with the original cardboard portfolio Published by Counter Editions Please note: images are for illustrative purposes only, the edition number offered is 25 of 50 Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” When referencing her previous portraiture practice, Emin said “I would put my face in the work and then I would black it out, it is too much for me to have me in the work, and now it is so weird, I am thinking that it is time for me to start having an entrance to my work. Because I have a good reason to do it. I should be celebrating me as a person and things that make me, me.” TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded...

No! This is sad, (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condition With certificate ...

Even Saying Nothing Is a Lie, (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint condition With...

Fisherman- Peter Doig, Contemporary, 21st Century, Pigment Print, Magic Realism Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In excellent condition ...

Over and Out - Emin, Contemporary, YBAs, Lithograph, Black, Portrait 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, nu...

The Best Conversation I ever had – Laughter, (from A Journey To Death), 2021 Colour lithographs on Somerset Velvet Warm White 400gsm Signed, numbered, and dated by the artist In mint...

Abdulnasser Gharem Men at work 2010 Silkscreen (Portfolio of 4) 85 × 120 cm (33.5 × 47.2 in), unframed Signed and numbered on the front Edition of 3...

These Feelings Were True II- Emin, Contemporary, YBAs, Lithograph 2 colour lithograph on Somerset Velvet Warm White 400gsm Edition of 50 65,5 x 55,5 cm (25.8 x 21.9 in) Signed, numbe...