Mr Chair 256cs

This pair of vintage Mies van der Rohe MR 20 cantilevered cane arm chairs made by Stendig are circa 1970. The MR chair was designed by modernist archit...

Ludwig Mies van der Rohe's very legendary chair, model MR10 (today renamed S 533), designed in 1927, a few years before he was nominated as the director of the world famous Bauhaus s...

Pair of vintage Mies Van Der Rohe for Knoll black leather and chrome cantilevered MR lounge chairs with armrests. Iconic timeless Bauhaus era design, comfortable, attractive and woul...

Iconic set of MR 10 (256CS) Cantilever dining chairs designed by Mies van der Rohe for Fasem, Italy. Chrome plated steel tubular frames with black coloured seats and backrest in sadd...

Wonderful set of 4 Bauhaus design classics. The 'MR10' cantiliver chair was designed by Mies Van Der Rohe in 1927. These are early black leather examples from the 1960s produced by K...

Mies van der Rohe for Knoll International MR chair 256cs, Black Leather, 1980’s. The MR Collection represents some of the earliest steel furniture designs by Mies van der Rohe. The ...

Set of 8 MR 10 cantilever chairs (256cs) by Ludwig Mies van der Rohe. This set is made in high quality black vegetable tanned saddle leather by Gavina in Italy c.1980s. An absolute icon of the Bauhaus Movement and influential to the entire Mid Century Modern Period. Comfortable and perfectly balanced they have become one of the most enduring designs of the 20th Century with manufacturing starting in 1927 and still continuing to this day. Originally designed as a dining chair they work equally well as side chairs or as a set of funky office meeting room or conference chair. The concept of using metal tubing as a supporting structure in chair design is credited to the British manufacturer RW Winfield who produced campaign chairs in a cantilever design for the Great Exhibition in 1851. This original design was known and documented to have been an inspiration to both Marcel Breuer and van der Rohe. Breuer was the first to produce a design in chrome pipe work and inspired by the curved handlebars of his Adler bicycle he designed the Wassily chair in 1925. Although this was not a cantilever chair it helped to establish a base production method that was built on by others. This resulted in the first true cantilever chrome chair, the S33, being designed by Mart Stam in 1926. Thereafter, van der Rohe designed the MR10 in 1927, the Brno chair in 1930 and Breuer 2 further chairs in 1928, the B32 (later named the Cesca chair after his daughter Francesca) and the B33 which was a derivative of Stam’s S33.

An exceptional set of 12 cream leather vintage Knoll Studio Mies van der Rohe chairs matched to a large an impressive Matteo Grassi cream leather and glass dining table. The price shown is for all 12 chairs and the table including the glass top. These chairs are one of the very first cantilever design chairs ever designed by van der Rohe. Comfortable and perfectly balanced they have become one of the most enduring designs of the 20th Century with manufacturing starting in 1927 and still continuing to this day. Originally designed as a dining chair they work equally well as side chairs or as a set of funky office meeting room or conference chair. Originally known as the Weissenhof chair (after the exhibition it was first launched at) and produced by Gebrüder Thonet within Europe, the license to produce the chairs in the U.S. was later acquired by Knoll International who started production in the late 1950’s. The chrome work was imprinted with Knoll’s branding from around the 1990’s and are also identified by a number of key indicators: apart from weight and the general quality of craftsmanship, the Knoll version of the chair is recognised by the lace back and base which along with the offset chrome seat stretcher and small rear back slide stop hooks are key signatures of Knoll’s original production method. This set was produced, by reference to the previous owners who had owned them since new, in the 1990’s. They remain in very good vintage condition with light signs of use as the chairs were rarely used during their lifetime. This amounts to some light marks, denting and stretching of the leather, and light scratches in the chrome. There are no tears or rips in the leather and no rust or flaking of the chrome; all the chairs also benefit from having both the impressed Knoll Studio branding in the rear chrome support and the Knoll label on the underneath of the leg frame as shown in the photographs. The chairs are matched to a beautifully designed and constructed Matteo Grassi cream leather and glass dining table. This large and impressive table has a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As you can see by reference to the photographs, the table can accommodate 12 chairs, but also works well with 10, or 8 chairs too. On this basis you can adapt the seating to your needs and maybe only have all 12 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set. This complete set can be purchased via this listing here, but 12 Knoll MR10...

An exceptional set of 12 cream leather vintage Knoll Studio Mies van der Rohe MR10 chairs with lace backs and base and original Knoll branding. Price shown is for the set of 12. These chairs are one of the very first cantilever design chairs ever designed by van der Rohe. Comfortable and perfectly balanced they have become one of the most enduring designs of the 20th Century with manufacturing starting in 1927 and still continuing to this day. Originally designed as a dining chair they work equally well as side chairs or as a set of funky office meeting room or conference chair. Originally known as the Weissenhof chair (after the exhibition it was first launched at) and produced by Gebrüder Thonet within Europe, the license to produce the chairs in the U.S. was later acquired by Knoll International who started production in the late 1950’s. The chrome work was imprinted with Knoll’s branding from around the 1990’s and are also identified by a number of key indicators: apart from weight and the general quality of craftsmanship, the Knoll version of the chair is recognised by the lace back and base which along with the offset chrome seat stretcher and small rear back slide stop hooks are key signatures of Knoll’s original production method. This set was produced, by reference to the previous owners who had owned them since new, in the mid 1990’s. They remain in very good vintage condition with light signs of use as the chairs were rarely used during their lifetime. This amounts to some light marks, denting and stretching of the leather through use, and light scratches in the chrome. There are no tears or rips in the leather and no rust or flaking of the chrome and all the chairs have both the impressed Knoll Studio branding in the chrome and the Knoll label as shown in the photographs. The concept of using metal tubing as a supporting structure in chair design is credited to the British manufacturer RW Winfield who produced campaign chairs in a cantilever design for the Great Exhibition in 1851. This original design was known and documented to have been an inspiration to both Marcel Breuer and van der Rohe. Breuer was the first to produce a design in chrome pipe work and inspired by the curved handlebars of his Adler bicycle he designed the Wassily chair in 1925. Although this was not a cantilever chair it helped to establish a base production method that was built on by others. This resulted in the first true cantilever chrome chair, the S33, being designed by Mart Stam...

For knoll, tagged and freshly reupholstered in Brazilian cowhide

Set of four S 533 (also know as MR10) Cantilever chairs by Ludwig Mies Van Der Rohe. Chrome and rattan. Rattan has been recently redone and is in excellent condition.

Iconic set of MR 10 (256CS / MR533) Cantilever dining chairs designed by Mies van der Rohe and manufactured by Thonet. Chrome plated steel tubular frames ...