Hand-Carved Panelling

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Belgium / 1850 / panel / oak / Neo-Gothic / Antique Highly decorative 19th century Flemish panel with hand carved Neo-Gothic decorations in oak. The panel consist of four rectangle ...

This large painted overdoor was once part of a boiserie in a French chateau, and the upward curve of the bottom edge indicates that it was most likely placed above an arched door. Th...

Size: 115 1/2"H x 19 1/2"W x 2"D each All together: 97 in W Origin: Shan Xi, China Circa: 1850 Material: Elm wood Condition: Original finished, very good condition. hand made, hand ...

This fabulous hand-carved boiseries or wooden panel was recently purchased from the Chateau St. Maclou in Normandy, France. Rooms of boiseries had design motifs that were kept the same throughout the entire area that was paneled. For instance, on this panel, there are mainly acanthus leaf motifs used in various areas. A medieval lion...

This woodwork characteristic of the Art Nouveau style comes from the Café Barjot located avenue Ledru-Rollin in the 12th district of Paris, it was made in 1905. It is composed on a f...

Pair of English Renaissance style (19th Century) walnut carved wall panels (PRICED AS Pair).

Pair of 18th century hand carved panels. They have hand carved banding surrounding raised panels with hand carved designs, including florals, vines, and carved transom like patterns ...

Louis XV style oak paneling and bookcase, including an elegant direplace mantel

This 18th-century woodwork features a set of pilasters, more ornate than classical Ionic models. It reflects the strong taste for Ancient Greek aesthetics that prevailed during the 1...

2 English Gothic Revival style (19th Century) oak paneled railings. one 85" long & one 75" long (PRICED EACH).

An exceptional architectural high relief hand carved stone band of running scroll decoration frieze panel, with beautiful scrollwork, representing wind or water, and mythological creature, perhaps a dragon or grotesque griffin. The characters in the center may be Asian hieroglyphs (Japanese kanji). The top side has a dovetail joinery cutout from where it would have attached and fit into place before cementing it in place. 19th century or earlier. This antique architectural salvage building element is a beautiful and artful display of history, and a quick way to add texture, character, rustic charm and interest. Will make a wonderful decorative object within your home or office. Provenance: Personal property of Genshiro Kawamoto. A Japanese real estate billionaire and avid art collector who owned numerous multi-million dollar properties in Hawaii and was building one of the most expensive homes in Hawaii prior to his tax evasion arrest, followed by prison sentence in Japan. He had bought multiple properties to convert into museums in order to display his personal decorative arts collection, but due to his legal and financial problems, his items were all auctioned...

A reclaimed mid 17th century decorative wall hanging panel with a beautiful dark oak patina. A piece of English history for your home, it features four panels with ornate handcarved...

Antique wooden and plaster panel, altar frontal, lacquered with a white plaster base with carved and gilded floral and leaf decorations, Centered by a painting with a mythological fi...

The antique Provincial Louis XV period boiserie en chen paneled wall paneling is from a French country chateau. The unit consists of a pair of large doors above 3 drawers, an opening...

A pair of opposing Grecian inspired carved wood parcel gilt wall panels circa 1920. Scenes depict Athena with her bow, arrows, and a spear riding a chariot pulled by two stags. Two n...

Fantastic 19th century Indian wall panel with two sets of shutter windows. Features a highly carved front with a blossom or starburst motif. On top a...

A good quality 17m run of late 19th century carved oak panelling with a rich oak colour and ornate varied carving, reclaimed from a property in Staffordshire. Standing at ¾ height, this reclaimed wall panelling...

A very beautiful carved wooden stained glass panel, highly decorative with water gilding and stained glass panelling. Dating to the early 19th century, Italy, the panel has eight...

Portugal / 1850 / wall panels / oak / Neo-gothic A large Antique oak panel, carved on both sides, hand crafted in Portugal. Dating around 1850, this oak panel displays exceptional h...

Solid Wood Panel in White and Ebony Finishing with Lalique Glass, Custom Made Made of solid wood, painted, hand carved floral elements fixed on the panel by ...

More information coming soon… The depth of the motifs on this Goth-style French overdoor is quite amazing. Hand-carved circa 1910, the architectural has a beige hue, with areas of ...

These pair of 2 antique Chinese wood carving panels have very deep 3D carving works of Chinese folks art - Chinese Opera with gilt. Very det...

A pair of antique very decorative carved painted wooden panels from India. Could be used as very decorative headboards for a bed. Gorgeous pair of carved and painted panels with a lot of character, with good proportions, very good height, exceptional width. Great colour and patina throughout. The dimensions are: Height: 140cm (55.1in) Width: 140cm (55.1in) This pair of carved and patinated Indian panels...

19th Carved and Polychrome Wooden Relief with Vegetal Motifs and Border

Set of two large French 19th century curved hand carved walnut panels.

Vintage pair of lacquered and painted doors, painted with floral motifs typical of the art noveau - liberty style, from the early 1900s, handmade in Italy. They have pull hinges, so...

Antique Boiserie, vintage Art Nouveau paneling in walnut, complete with carved panels and three double doors (one glass), original from the early 1900...

Ancient Piedmontese poplar wall cabinet, enriched with precious hand-made diamond point carving, built as a wardrobe placard in the 17th century. Total measurements cm w 83 x h 176,...

Antique brown and orange panel, ideal as a headboard or as a decoration panel, with 4 floral sculpted panels, orange lacquered bottom and dark brown wood very hand carved, with flowe...

This is a pair of Chinese antique Open Carved interior wooden Window Screen Panels. It features beautiful open carved Chinese traditional folk art design on it and some detailed deco...

Pair of tall slender tapered pilasters, silver gilt, 8ft 8 inches tall, finely carved in the typical shallow relief manner of the Régence period. Gorgeous patina on silver gilding.....

Solid Wood Panel in White Finishing with Carved Elements, Custom Made Made of solid wood and plywood, painted. Ornament is hand carved in solid wood. This model shows the overall d...

Solid Wood Panel in White Finishing with Carved Elements, Custom Made Made of solid wood and plywood, painted. Ornament is hand carved in solid wood. This model shows the overall ...

Ancient pair of small panels or doors, richly carved in the panels, handmade in precious light walnut, from Italy, produced entirely by hand in the 18th century, suitable for wardrob...

Ancient pair of double-wing doors, for interiors, painted on the front and back, they are similar to each other as they came from the same historic residence, from the eighteenth ce...

A handsome pair of late 19th/early 20th century reclaimed carved mahogany pilasters with French polish finish. These are just two of a series of architectural elements reclaimed from...

Solid Wood Panel in White Finishing with Carved Elements, Custom Made Made of solid wood, painted and hand carved. This model shows the overall design fragment assembled and the price given to this particular size. Basically, panel design is priced on the basis of 1 square meter. This product has no match in the global market due to the manufacturer's know-how. The technology allows completely exclude the panels...

Provenant de la somptueuse Villa Salviati en Toscane, ce manteau de cheminée a été réalisé lorsque le couple Arthur Vansittart et Diana Crosbie a rénové une partie du décor intérieur...

Very old, antique Walnut wall Placard, front of a wardrobe with two carved doors with fake drawers in the lower part, it was the front part of a wardrobe that was then built into the...

Solid Wood Blue Panel with Carved Floral Elements , Custom Made This Wood Panel is a stunning addition to any interior decor with its blue and white design. Crafted from solid wood...

Solid Wood Panel in White Finishing with Carved Elements, Custom Made Made of solid wood and plywood, painted. Ornament is hand carved in solid wood. This model shows the overall d...

Solid Wood Panel in White Finishing with Carved Elements, Custom Made Made of solid wood and plywood, painted. Ornament is hand carved in solid wood. This model shows the overall d...

Ancient single interior door, hand-painted with a very swirling baroque motif and hand-sculpted with lozenge, smooth back as they embellished only a part of the house, built in the m...

Antique walnut wall placard, cupboard with double body doors, built-in wardrobe with doors carved in precious walnut, lozenge shapes, has a large door above and a door that opens lik...