Georgian Bowls and Baskets

This is a beautiful antique tray made of a rich mahogany. Decorated in a Georgian inspired style, the tray has a richly carved border and two elegant shell form handles anchoring eac...

This a Georgian, early 19th century Deep Dish or Pie / Serving Dish made by Mason's Ironstone in the small vase, flowers and rock gilded chinoiserie pattern, dating to circa 1815. T...

A pair of Georgian covered jars in leaded crystal of wine glass form ringed with diamond and cabuchon shaped facets on footed square bases, with shaped crystal lids with conforming f...

This is a very good early, First period (Dr. Wall), Worcester porcelain open Desert Dish in a deep cobalt blue floral pattern with a Crescent mark to the base. dating to 1765 to 1770...

This is a good early hand painted ironstone (stone china) saucer dish or plate, made by William Davenport and Co., Longport, Staffordshire Potteries, England, George 111rd period, ci...

An impressive English Georgian plate bucket, finely constructed in rich mahogany with brass mounts, brass strapping and an arched carrying handle...

This shaped Wedgwood creamware dish, hand-painted circa 1780, presents the quiet elegance characteristic of late 18th-century English creamware. The gently undulating rim frames a so...

A very fine antique English creamware teabowl bat printed with scenes to two sides and attributed to Wedgwood and dating from around 1770. The teabowl is lightly potted standing raised on a narrow round foot rim with a simple raised round bowl shaped body. The teabowl is decorated to sides with black printed designs, one portraying a resting seated shepherd within a landscape with his dog and sheep...

This is an antique serving cup. A Continental, bronze goblet, dating to the late 18th century, circa 1800. Offering a delightfully natural weathered a...

First Period Worcester large porcelain large pair of openwork fruit baskets, Printed "Pine Cone" pattern, Circa 1770-1775. The large reticulate...

A mahogany bucket of octagonal form having two tiers of open fretwork carving with molded rim decorated with brass banding and ribbed rosettes as well as a brass bail handle with fin...

Late 18th century George III leather hand painted fire bucket circa 1780. Good quality leather fire bucket.  Armorial decorated, inscribed honi soit-oui mal y pense, which means sha...

o offer for sale this lovely Antique 18th Century Circa 1760 Copper and Brass Brasero heater bowl ideal for a fruit bowl A brasero (Spanish: "brazier") is a heater commonly used in Spain. It is placed under a table covered with a cloth that extends to the floor to provide heat for people sitting at the table. This arrangement (which is called a mesa camilla) is similar to the Japanese kotatsu...

English George III tapered cylindrical mahgoany peat bucket, formed from 2 joined halves with turned embellishments, solid brass handle and horizontal band reinforcements. Condition...

This is a very decorative serving dish or tray by Mason's Ironstone, Lane Delph, England in the Oriental Pheasant pattern, dating to the very early p...

A good quality English leather, mahogany and brass-mounted waste paper basket, dating to the early 20th century, of tapering cylindrical form raised on short turned bun feet. The bod...

An impressive George II hand cut full led Irish Crystal Pedestal “Kettle Drum” Bowl of circular outline and unusually large proportions. Made by the Old Waterford Glass Company, County Tipperary in Ireland. Late Eighteenth, early Nineteenth Century. The heavy gauge circular wavy cut rim with a band of richly cut diamond and chevron cut pattern. The lower bowl area with scale cut detailing, raised on a single ring socle stem above a square thick spreading pedestal, underneath with “lemon squeeze” foot detail. Condition: Good untouched condition with no losses, except for one tight short crack, see two images which clearly show this imperfection, wonderful age wear underneath base. Typically unmarked as Georgian pieces were not. *Stunning and rare example of a piece of Irish Georgian History. The asking price reflects the imperfection. Wonderful rare “grey” tint to crystal, so typical of Eighteenth-Century Irish pieces. Diameter: (top rim, an impressive) 9” (23cm). Height: 8.25" (21cm). Depth: (square base) 3.5" (9cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. The history of Irish Hand Cut Crystal goes back to the late 17th century. George Ravenscroft started the tradition in 1676. The glassmaker added lead oxide to the silicates that make up the molten glass. The process achieved a softness that allowed the glass to be blown and carved while remaining hard and clear as it cooled. The first crystal factory in Ireland opened in County Tyrone in 1771. The Creation of Waterford Crystal The Waterford Crystal we know today back in 1783 with George and William Penrose. Their vision was to “create the finest quality crystal for drinking vessels and decorative objects of beauty for the home.” The Penrose brothers sought the expertise of renowned glassmaker John Hill in 1785. Hill that began the process of polishing the glass to give the unique Waterford Crystal shine now known the world over. Hill left Waterford in 1788 after a major disagreement with the Penrose brothers. Waterford cut glass...

This is a very good 18th century, First period (Dr. Wall), Worcester porcelain teapot stand, printed in cobalt blue with the "Fisherman" pattern and with a mock oriental or painters ...

Large 1930's English wicker log basket. Internal reference: H Code: 9163 Dimensions: H: 26.5" (67.3 cm) Di: 32.5" (82.6 cm)

This Chamberlains Worcester porcelain plate is hand-painted with the vibrant "Dragons in Compartments" pattern, also known as the "Bengal Tiger" pattern. Made in England circa 1820, ...

Stunning Pair of English Hand Cut Crystal and Sterling Silver Oil and Vinegar Cruet Set of outstanding quality, early Nineteenth Century. Each cut full lead crystal bottle of tradit...

Fine George III mahogany Stilton cradle with scalloped and raised cross banded details, the interior with two removable dividers (possibly intended as a knife rest) possessing good r...

Antique large oval double handled Artisan Decorated decoupage container. This vintage enamel container was sourced in England. Restored, pa...

This is a very good early, First period (Dr. Wall), Worcester porcelain leaf shaped Pickle Dish in a deep cobalt blue floral pattern with a Crescent mark to the base. dating to 1770 ...

Hallmarked in London in 1733 by Ralph Maidman, this exquisite antique George II sterling silver sugar bowl is a rare and early example of Georgian tableware. The bowl is of classic c...

Rare & Important Antique English Large Wedgwood Queensware (Creamware) Centerpiece with influences by Robert Adam represented by the swags and fest...

This is a good late 18th century Worcester porcelain TRIO of Coffee Cup, Tea Bowl and Saucer in a combined blue and gold pattern, full...

English navette form mahogany & riveted brass banded peat bucket with the original mounted brass handle. Early 19th century.

Fine quality - decorative antique English covered tureen - Georgian period - large size - hand painted over transfer design - gilt details - exuberant finial - unsigned - pattern num...

Feel like you've been transported back to the 19th century, feel history. This antique hand-made pot radiates history, you can feel what this pot has seen over time, you can feel the...

This is a beautiful porcelain heart shaped Desert dish, hand painted and gilded in a sprig pattern, made by the Derby factory, in the late Georgian period, circa 1825. This dish has been hand decorated in a French influenced "Chantilly" pattern consisting of scattered sprigs painted in green and gold, with further rich hand gilding around the rim. The dish has the printed Derby Crown mark, in red together with the "D" below. A similar shaped Derby heart shaped dish...

This is a finely hand painted small Mason's ironstone Spoon Dish or Tray in a rare Cabbage leaf, gold veined pattern called "Large Floral sprays", produced ...

CHAMBERLAIN'S WORCESTER - Rare ceramic serving bowl on stand - transfer decorated in pink with floral borders and sprays featuring roses and passion fruit flowers - hand painted highlights - 1230 painted pattern mark to both pieces - impressed CHAMBERLAINS mark on the stand only...

A Gillows design carved and turned mahogany table tazza or wide bowl, reeded and fluted decoration with a spun brass liner. Please note we are currently working to a 30-36 week lead...

A pair (not identical match but from the same maker) peat or plate buckets. Mahogany and brass, outstanding construction, heavy and well made, with beautiful brass details. Made in E...

A magnificent antique George III solid Silver swing handled Cake Basket in a classic oval shape. This Silver Georgian Basket has an elegant pierced pattern on the sides and rim of the body and the pedestal foot. This decorative serving Basket had a beaded rim on the border and a pretty patterned handle. The Basket has a large engraved crest in the centre of the basket. Made in London in 1774 by Charles Aldridge and Henry Green...

Leather-bound wastepaper basket in the form of a book binding

This is an antique decorative jam pan. An English, brass planter or jardiniere, dating to the Georgian period, circa 1800. Delightfully polished pan with a lightly weathered appearance Displays a desirable aged patina and in good original order Brass pan presents bright golden tones with light tarnish commensurate with age Cast iron fixed handle...

By Wedgwood, England. This pair of Chestnut Baskets and underplates was one of Wedgwood's most intricate handmade designs, circa 1790s. Redolent of the Georgian period, this color co...

An elegant antique mortar and pestle, finely crafted from tropical hardwood, most likely pachyloba, with a rich grain and warm patina. It remains in excellent original condition. Mea...

K0464 A fine quality English George III, boat shaped mahogany fruit bowls or cheese coaster with carved pateraes to sides and 2 compartments, all retains original finish and excellen...

A Fine George II Salver Made in London in 1734 by George Hindmarsh. The Salver stands on three hoof feet and displays a raised, stepped, border. The...

An exceptional, fine and impressive antique George III English sterling silver sugar basket; an addition to our Georgian silverware collection This exceptional antique George III sterling silver sugar basket with liner has a plain oval rounded form onto an oval swept pedestal foot. The surface of this fine example of Georgian silverware is embellished with bright cut engraved swags to the lower portion, below pierced decorated lozenge designs incorporating further bright cut engraved motifs. The upper portion of the is ornamented with pierced decorated stylized leaf designs. The rim of the body and foot are ornamented with an applied bead decorated border. The basket retains the original hallmarked bead decorated swing handle. This impressive antique silver sugar basket retains the original removable blue glass liner. Condition This antique sterling silver sugar basket...

19th century mahogany cheese cradle from England with a sleigh shaped dish over a square base. The edges end gracefully in a scroll shape and molded edges.

4 Pewter Chargers 4 Antique English pewter plates, they are in acceptable antique condition The largest Charger is monogramed and is 15” in diameter the smallest is 9.5” in diameter...

A Fine Pair of Twin Handled George III Grand Tour Influenced Silver-Gilt Salts of Bath Form by William Fountain, London 1808. Each lined in gilt and finely tooled with leaf clasp ...

An exceptional, fine and impressive pair of antique Georgian English sterling silver strawberry dishes; an addition to our ornamental silverware coll...

The round coaster with reeder lip border on 4 brass casters

Apothecary tripod skillet from the end of the 17th century beginning of the 18th century From England. The skillet is in superb condition and has not undergone any restorations. Br...

An exceptional, fine and impressive antique George V English sterling silver strawberry dish; an addition to our silver dining collection. This fine...

A pair of Georgian design brass bound mahogany peat buckets, spirally carved with an inset shell motif, twist grip brass loop handle and brass liner. Can ...

Of rounded flaring form with five concentric brass bands; with removable lid with molded edge surmounted by a centered brass knob with star-form backplate.

Hallmarked in London in 1749 by Richard Gosling, this handsome George II period, Antique Sterling Silver Porringer, is in the traditional style, featuring chased decoration, acanthus...

This is a very good Black Basalt Creamer Jug or small pitcher, which we attribute to John Turner of Lane End, Longton, Staffordshire Potteries, circa 1762 to 1806 of the English Geor...

A Very Fine George II Salver Made by William Peaston in London in 1752. The Salver stands on three cast hoof feet and is circular in form with a raised rim decorated with scrolls and shells, typical of the late George II period. The centre of the main body is engraved with a contemporary Armorial surrounded by a cartouche of floral sprays and shells. This fine piece is in excellecnt condition, has a good colour and is very well marked on the reverse. The Arms are those of Samuel Newton...

This is a charming antique Georgian period bronze planter, presenting fine Oriental craftsmanship, circa 1800. This delightfully diminutive desk pot features a refined foliate motif, warm golden-brown patina, and timeless decorative appeal. Elegant Chinese bronze planter...

This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...

This is a good early English Spode porcelain plate or dish hand painted in the Doll's House pattern, Number 488 and dating to the George 111rd period, very early in the 19th century, circa 1805 to 1810. The plate is well potted and raised on a low foot. It is well hand painted in burnt orange and cobalt blue enamels in the Doll's House Pattern, No. 488, recorded in 1804. The plate also has a continuous hand painted border pattern to the rim. This pattern is illustrated on a Spode meat dish...

This pair of pottery plates in the "Old Chelsea" pattern features a vibrant central design of birds surrounded by pink, orange, and yellow roses, along with green leaves. A wide rim adorned with flowers encircles the central scene, and the edge is highlighted with brown trim. Marks: Over a royal crown "OLD CHELSEA Ceramic...

This is an early 19th century porcelain desert dish with a fluted shell shape, made by one of the Staffordshire, English potteries and dating from the George 111rd period, circa 1820. This piece is unmarked to the base but we believe it is very well hand painted and could be by one of the high quality English makers such as Coalport or Davenport. Either way this piece is a beautifully hand decorated piece in a stunning Imari style pattern with carefully hand-gilded highlights. Overall a beautifully painted early English porcelain...