Chestnut Decorative Boxes

108 years-old wooden small tansu (chest of drawers) with 4 drawers. Product of Taisho 5 (1916), written on the bottom together with maker's address & name. Finished with traditional Urushi lacquer. The original laquer remains well & gives a good wabi sabi touch. Each handles are partly covered with Boro (hand-woven, indigo dyed cotton cloth) - this is another wabi sabi element of this tansu. Smooth opening & closing operation for all drawers. drawer inner w 5.79 in / d 12.6 in / h 1.38 in, 1.69 in, 2.28 in, 2.64 in (from the top) actual item weight 5.95 lb (2.7 kg) Dear customer - feel free to inquire me for the shipping fee quote. The shipping fee showed in the page is automatically calculated by the system, I'm able to offer reasonable quote via Fedex. *** We're eco-friendly, organic-oriented vintage wood furniture...

Incredible wood box.   

Contemporary American Modern oval jewelry box with an applied seashell exterior and red velvet interior.

wooden small tansu (chest of drawers) with 5 drawers, made of Tamo (Japanese Ash). This piece is one of the "Ashed" line furnitures of my shop items - bleached with lye made from th...

This box with many drawers is a Japanese tabako-bon, or 'tobacco tray,' used to store tobacco and smoking accessories. Believed to have evolved from the traditional accessories of Ja...

Nice Japanese glove box in red, yellow and black lacquered wood dating from the end of the 19th century. It is decorated with delicate gold, black and red characters. Inside you have...

Japanese antique mid size Tansu (chest of drawers), product of circa 1870s - 1900s, late Edo to Meiji era, estimate from the style & conditions. Remaining original paint gives a ...

Rolex Ladies' Watch Box with Outer Box Period: Late 20th century Material: Elegant red leatherette exterior with cream satin and red velvet interior, accompanied by a coordinating o...

This is a large Japanese storage jar known as a Tokoname tsubo, dating to the Edo period. The rich surface of the clay, shaped by the passage of t...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

This antique Buddhist shrine box was crafted in the Edo Period (1603-1868). Known in Japan as a “Zushi,” it served as a small sanctuary to enshrine Buddhist figures, scriptures, or ...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...