Veneer Jewelry Boxes

A wood jewelry box, Art Deco period, circa early-20th century. Box is wood with a faux-burl exterior, black stripe across top and around base, finished with a beautiful red Bakelite...

By Hunt and Roskell From our Vanity Box collection, we are delighted to offer this Coromandel Silver Gilt Vanity Box by Hunt and Roskell. The Vanity Box of rectangular shape with brass edging veneered in exotic Coromandel with a vacant initial plaque. The front and lid of the box feature brass stringing framing the outer perimeter with a barrel shaped escutcheon to the front. The exterior is finished with twin brass handles, one to each side with shaped accents and ball inlays. The interior of the Vanity Box is lined in royal blue velvet with a ruched inner lid containing a rear compartment holding a free standing mirror and storage for letters. The Vanity Box houses fourteen cut glass jars with engine turned sliver gilt Sterling Silver lids with vacant initial plaques to the centre of each jar. The Silver is hallmarked London, Sterling Silver by Charles Rawlings & William Summers and is dated 1846. To the centre of the top tray there is a rectangular removable tool pad containing various vanity tools. The top tray is removable via the two metal loop tabs to each side, located beneath the tray is a second tray with multiple partitions for jewellery, rings and or cufflinks.The second jewellery tray can be removed to access a larger storage area in the base. The rear of the Vanity Box is partitioned and contains five larger glass jars and an extremely rare silver gilt cup with a lined cushion for the glass jar which sits inside. The interior of the box is finished with a Bramah lock signed on the lock plate J.Bramah, 124 Piccadilly. The Vanity Box comes with its original fitted leather case with full leather straps and dates to the middle of the 19th century during latter years of the Victorian period and the reign of Queen Victoria dated 1846. The Coromandel Vanity Box...

Fully Partitioned Jewellery Tray From our Jewellery Boxes collection, we are delighted to offer this Rosewood Inlaid Jewellery Box. The Jewellery Box of slim rectangular form venee...

Double Tiered Pull Out Shelves From our Jewellery Box collection, we are delighted to offer this rare, unique Coromandel Tiered Jewellery Box by George Betjemann. The Jewellery Box ...

Lined in Racing Green Velvet From our Jewellery Box collection, we are pleased to offer this Antique Rosewood Jewellery Box. The Jeweller...

A fine, vintage Japanese Inlaid Marquetry Kodansu, Jewelry/miniature Chest with Tambour Doors in the Art Deco style, circa 1930. This exquisite, handcrafted jewelry chest has intrica...

Swedish 19th century birchwood veneer jewelry box. The box has a heart of brass for keyhole and knob hardware of antler.

This is a beautifully hand made oak Sewing Box, of octagonal form with inlaid sunburst top, fully fitted interior and having a working lock and key, all dating to circa 1840. The bo...

Great craftsmanship with a great Patina from the early 1900s inlaid with Wood and other woodtypes. If you are looking for a stylish and truly decorative box to grace your table or d...

A beautiful modern style or Postmodern period marble and brass box with Jewish Star of David design, circa late-20th century, 1980s, 90s. Box, att...

Over the years, British design company Linley has developed expertise in creating scaled versions of famous architectural buildings including the Metropolitan Museum of Art, the Royal Albert Hall and the Royal Opera House. In this instance, Highclere Castle...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

A beautiful antique and all handcrafted jewelry box with a striking velvet lining. This rare and larger size jewelry box or casket makes a beautiful accessory for a lady with an eye for fine arts. It is a very well made gem and highly practical with seven drawers and a good working lock and key in the right door and two sliding brass 'locks' in the inside of the left door. This box opens and closes perfectly and its striking presence will grace your vanity or dresser in a way that no modern piece ever could. The drawers come with a stunning blue lining and the three 'tiers' each have their own kind of interior. The top tier may have been made for pocket watches or circular brooches. The one below could have been made for necklaces and/or bracelets and the two bottom tiers, consisting of four drawers would have been used for all other types of jewelry. Have you also noticed the striking bronze handles? They too add to the grandeur of this striking antique gems box...

Howell, James & Co Sterling Silver by Thomas Whitehead From our Vanity Box collection, we are delighted to offer this Georgian Rosewood Vanity Box. The Vanity Box of rectangular sha...

Dome Topped with Three Drawers From our Jewellery Boxes collection, we are pleased to offer this stunning dome-topped Coromandel Jewellery cabinet. The Cabinet of rectangular shape...

Set of three Macassar Ebony and Lucite jewelry boxes. Measures: Large box 9"by 9" by 3.75". Medium 7" by 7" by 3.25". Small 5" by 5" by 3.25".

India, probably made in Gujarat for Portuguese Goa, late 17th/early 18th century The tortoiseshell laid over gold foil, and the interior with red lacquer and possibly later added re...

Casket Baroque, around 1760, birch burl and walnut, round lid with folding star inlay and pewter thread inlays, original lock and fittings, shellac hand polish Dimensions: Height: 14 cm Width: 26 cm Depth: 20 cm Most pieces of furniture from the Baroque era date from the period between 1670 and around 1750. Starting with strict but pompous forms, Baroque furniture developed into playful pieces of furniture with numerous curves and magnificent fittings by the middle of the 18th century. Baroque chests of drawers mostly date from the period between 1720 and 1750 and feature multiple curved fronts and veneer marquetry. Baroque tables and chairs feature lavishly curved legs, the lower ends of which end in volutes or animal hooves. Towards the end of the Baroque period and the Rococo period, the curved legs of tables and chairs merge into the frames in a single sweep. Baroque cabinets are usually disproportionately large by today's living standards, as they originally stood in castles. Heights of 2.40 to 2.60 meters are not uncommon for baroque cabinets. In early Baroque furniture...

A rare and exquisitely crafted British Empire travel jewelry box, made in England circa 1840. The exterior is richly veneered in burled yew wood and amboyna, prized for their deep fi...

A burl wood box with picture frame/lid, circa mid-20th century. A beautiful box to hold jewelry for other items on a desk, vanity, sideboard, etc...

Miniature chest of drawers handcrafted in Italy in the early 1800s using walnut. Despite being small, the chest shows all the elements of a large commode, and it may have been crafte...

Beautiful feathered walnut, brass bound, vanity box by the famous makers “Betjemann & Sons” of London. This vanity box has several compartments and the attention to detail is fabulou...

Neoclassical Biedermeie box, rosewood veneer, brass inlays, England, circa 1830 Beautiful rosewood/palisander veneered, French polished. Brass trims around the upper edge and bras...

Biedermeier Box, Ash Veneer, South Germany circa 1830 Ash veneered on softwood. Original brass handle and pressed brass fitting Restored and shellac hand-polished Dimensions: H 12....

This beautiful and very handsome William and Mary Style lace box was designed from old oak timber and then sympathetically covered in an olive oyster veneer. The box would have origi...

Antique jewelry box wood star inlaid. The casket was high quality processed Octagonal body with inlaid lid with mirror Box is loc...