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Hand Etched Sterling Silver Chatelaine Compact / Snuff Box

$95List Price

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Vintage 900 Silver Floral and Stripe Etched Compact
Located in Washington Depot, CT
Vintage sterling silver compact. Beautiful etched floral and leaf motif on one side, etched stripes on other side. No monogram, there is a blank polished space on the flowered ...
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Antique Italian 800 Silver Gold Vermeil Hand Painted Enamel Round Compact
Located in Washington Depot, CT
Antique Italian 800 silver with gold vermeil and hand painted enamel compact. This round compact features beautiful gold vermeil over 800 silver with ...
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Antique Howard & Co Sterling Silver 3 Compartment Stamp Box
By E. Howard & Co.
Located in Washington Depot, CT
Antique sterling silver stamp box by Howard & Co, circa 1893. Howard & Co of NY, NY from 1866-1922, created this stamp box with 3 interior...
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Antique Late 19th Century American Sterling Silver

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Buccellati Piedmont Sterling Silver Serving Fork
By Buccellati
Located in Washington Depot, CT
Buccellati sterling silver serving fork in the Piedmont pattern. Marked: BUCCELLATI STERLING ITALY. No monogram. Measures: 10 3/8" .Wei...
Category

Late 20th Century Italian Tableware

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Tiffany & Co. Sterling Silver Strawberry Pattern Berry Spoon
Located in Washington Depot, CT
Antique sterling silver berry casserole spoon by Tiffany & Co. in the Strawberry pattern. Tiffany's strawberry pattern was introduced in the early 1900s. This spoon features the s...
Category

20th Century Unknown Serving Pieces

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George W Shiebler & Co Sterling Silver Lily Pad Bowl
Located in Washington Depot, CT
Antique sterling silver lily pad bowl George W Shiebler & Co of NY, NY, circa 1880. This beautiful and unique hand hammered bowl features a turned...
Category

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Snuff Box Monocrome Miniature Hand Painted Sterling Silver Enamel Salimbeni
By Salimbeni, Franco Salimbeni
Located in Firenze, FI
Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...
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