Ebony Tea Caddies

Rare serpentine form English Regency tea caddy. The base with sloping sides, the interior with two fitted compartments.

This is a 1930s French Art Deco hand-carved oak box, showcasing a unique blend of craftsmanship and geometric flair characteristic of the Art Deco period. Solid oak wood, noted for i...

This antique pressed glass jewelry casket or jar is unsigned but presumed to have been made in the United States in circa 1880 in the period Vict...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A very handsome George III tea caddy, made from Mahogany and beautifully inlaid with panels and highly decorative foliate marquetry to the front and top. The top has a handsome cast ...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

A lovely bow front tortoiseshell tea caddy inlaid with mother of pearl flowers and topped with a silver badge. English, circa 1870.

Unusual pagoda form caddy finely figured veneers. Interior lids are original and match the exterior of the caddy, resting on brass ball feet

Lovely quill box Ebony and porcupine quill Good condition Free UK shipping. PLEASE NOTE only available in the UK . Because of the ivory content the item needs a Cites certificate...

A fine Regency period rectangular tea caddy, veneered in panels divided by fine metal stringing. Silver metal escutcheon and key. Complete with an initialled plaque on the lid and ro...

Oval Tea Caddy with Silver Mounts From our Tea Caddy collection, we are delighted to offer this Georgian Silver and Tortoiseshell Tea Caddy. The Tea Caddy is of oval shape with a Tortoiseshell exterior mounted with engraved silver stringing, a silver shield plaque below the silver escutcheon and a silver looped handle. The interior features a floating tea shelf...

A fabulous example of a French fruitwood box carved beautifully carved into the form of a trunk. Look closely at the amazing detail, the side handles, the leather stitching, the l...