Hand-Carved Boxes

Studio Free Edge Burl Wood Jewelry, Trinket or Decorative Box In the manner of Esherick, Nakashima or Maloof, a 1960s lidded, carved and polished burl wood jewelry, decorative or tri...

France / 1900 / sewing box / wood, fabric / Art Deco / Mid-century / Vintage Very decorative French sewing box with graphical carvings and a yellow ...

Octagonal table box in 800/1000 silver gold plated with translucent enamel on guilloché and beautiful enamel miniature hand painted by the painter Renato Dainelli in early 1900s Engl...

An antique Chinese lunch box from the early 20th century, with a carved handle. Crafted in China during the early years of the 20th century...

Hand carved. Early 1900s. Enameled.

Square snuff box with rounded sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand painted miniature parrotlets on flowering branches. Ar...

Breathtaking folk art hand-carved wooden box with grapes, vine and leaf detail. This Dionysian solid wood box is a compliment to any kitchen, great for recipe cards or tea bags. Can also be used for mementos, 420, or a vintage postcard collection.

Rectangular table box in gold-plated 925/1000 sterling silver with fine hand-engraved ornaments in late Napoleon III Empire style and transparent brown fired enamel over hand-engrave...

Antique baroque sterling silver little love cart late 19th Century, Italy. This a very nice and lovable piece of art fine art jewellery. Totally han...

Shaped pillbox in 925/1000 sterling silver gold plated with hand-painted fired enameled miniature. Queen Victoria English style second half of the 19th century. Measurements cm. 2.2 ...

Rectangular table cigarette case with rounded corners in sterling silver 925/1000 gold plated with beautiful miniature fire enamelled and hand painted by the painter Beatrice Mellana reproducing a "still life" by the Flemish painter Willem Claes Heda. Dimensions cm. 5.7 x 9 x 1.7. Weight gr. 174. Designed by Franco Salimbeni in 1969 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rare 18th century perhaps earlier hard wood coffer, circa 1790. Presented in original un-restored condition.  Original handles and metal work to outer edges. Lid opens on ringed ha...

Rectangular table box with rounded corners in 925/1000 sterling silver brossè with very fine hand engraving, also on the sides, of “ramage” with leaves and bunches of grapes fire-ena...

Octagonal pillbox in 925/1000 sterling silver gold plated with translucent fired asu guillochè enamel also on all sides and monochrome hand-painted miniature on the lid. Dimensions c...

Shaped pill box in 925/1000 sterling silver gold plated with hand-painted miniature fire enamelled in Louis XVI style, second half of the 19th century, and fine hand engravings. Siz...

A Primitive Snuff Box dated 1847 and signed T.O. from Norway, Scandinaiva. Wear due to age and use showing wonderful patina. Ø: 5 cm H: 9 cm

Oval table box in 925/1000 sterling silver gold plated with fired enamel, with “paillons” in pure gold on the upper circle, fine miniature fired enamelled with an image of “fox hunti...

An early 20th century French boite à sel, or salt box, made of solid walnut with hinged lid and small drawer. A rustic hand-crafted box with dark waxed finish. This box was used to s...

A fine example of an early 17th century Italian wooden casket or box, possibly pine, with slightly vaulted lid covered with red silk and adorned with appliqued foliate velvet with em...

This is a well relief carved Jewelry box. It was probably made on the west coast of Africa. It looks to depict the heads of 3 Jaguars in relief.

Shaped table snuff box in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. Very fine hand engraving on all surfaces. Dimensions cm. 6.2 x 7.8 cm...

This divine Table Box is in 925/1000 sterling silver. Table Box hand-painted miniature has a Rectangular shape with rounded corners. On the cover there is a beautiful hand-engraved...

Betel Nut is consumed on a daily basis in a large portion of the Indonesian Archipelago. In Java, betel nut was offered as a sign of respect and hospitality when people would visit o...

Table Box Green in French Empire Louis XVI style Sterling Silver Salimbeni. Table box in 925/1000 sterling silver gold plated with translucent fired enamel inserted in a very fine ha...

A 19th century French Provençal fariniere, or decorative box made of walnut with fine hand-carved decoration. Waxed patina. This beautifully crafted household item was commonly given...

Shaped pill box in 925/1000 sterling silver gold plated with hand painted miniature with fire enamelling in Louis XVI style, second half of the 19th century, and fine hand engravings...

Anglo Raj carved soap stone footed jewelry box.. Handcrafted decorative box with foliage design with soap stone natural jade like colors. Lined with red velvet. Very nice fine art...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Presentation Snuff box from the 18th century French School. A very important and rare Neoclassical oval box, made in Paris, France circa 1790. It was crafted with translucent natu...

Square pill box with oval section in 925/1000 sterling silver gold plated with two-tone translucent fired enamels with guillochè stripes and hand-engraved motifs on all sides. George...

This exquisite lidded jar, which could also serve as a bonbonnière or sugar bowl, is crafted from approximately 1 kilogram of hand-carved rock crystal. The crystal body has been care...

Round wedding favor with lid in 925/1000 sterling silver gold plated with fine manual engraving of flower shoots, fire-enamelled with various colours, in early 1900s Art Nouveau styl...

Late Victorian carved wood oval box. Stupendous antique oval desk box, created in England during the late Victorian period, circa 1880. The beautifu...

Octagonal snuff box in sterling silver 925/1000 gold plated with borders in the English Queen Anne style and sides with translucent fired enamels on ...

This teak storage box comes for the Island of Java, Indonesia. Dating to the Mid-20th Century it was crafted from a single block of teak. It features ...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with beautiful fire enamelled miniature hand painted by the painter Simone Dainelli inspired by the paintings of Boris Vallejo, in fantastic contemporary style, with hand-engraved frame. Designed by Franco Salimbeni in 1967 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Elevate your collection with this exquisite oval pill box, crafted from 925/1000 gold-plated sterling silver. This piece is adorned with a hand-painted fire-enameled miniature, echoi...

This detailed wooden jewelry or keepsake box is likely of European origin as it was found in Italy. The upholstered interior and key lock lean into the idea of a jewelry box origina...

Lined in Royal Blue Padded Velvet From our Boxes collection, we are pleased to offer this Art Deco Macassar Ebony Box. The box of slim rectangular form with an inset scene featuring...

Domed round 925/1000 sterling silver gold plated pillbox with fire enamels above and below, and hand-painted miniature of a lady with small dog, in Viennese Art Nouveau style second ...

Shaped pillbox in 925/1000 sterling silver gold plated with hand-painted miniature in Louis XVI style, second half of the 19th century, and fine hand engravings. Measure cm. 3,5 x 4,...

Square table box in 925/1000 sterling silver gold plated with translucent fired enamels on sunburst guillochè and Louis XVI French Empire style ornaments. External measurements cm. 12 x 12 x 2.5. Weight gr. 636- Fine oval miniature cm. 3.2 x 4.2 hand painted in tempera on a vegetable ivory plate by the painter Anna Maria Manfriani reproducing a portrait of a Flemish lady...

Pill Box oval with floral miniature Art Nouveau style Sterling Silver Salimbeni in 925/1000 sterling silver gold plated with hand-painted fire-enamel...

19th century Black Forest small hanging wall box. The entire piece is hand carved to have the appearance of boards with hand carved appearance of gra...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

19th century hand-carved black forest humidor with a figure of a dog and cat. The cat is atop a barrel, which has a lid which lifts to reveal a compartment for tobacco. The barrel is sitting on a base with hand-carved sticks and logs and an upside down hunting hat...

English Regency mahogany and satinwood wine cellarette with original fitted brass liner, checkered ebony and satinwood inlays, embossed brass foliage side panels, original gilt circu...

Featuring Inlaid Hearts and Diamonds From our Tea Caddy collection we a pleased to offer this unusual Victorian Marquetry Tea Caddy. The Tea Caddy of unusual form with two outer Tea...

This fine wood lacquered wood case is painted both on the sides: there is the elegant portrait of a pretty woman on one side and on the other side, a natura...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

Octagonal table box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and beautiful hand-painted enamelled miniature by the painter Beatrice Mellana reproducing the portrait of Madame Drouais painted by her husband Francois Hubert in 1785 and conserved in the Louvre Museum. Fine hand-engravings on the sides. French Empire style. Measure cm. 8x8x3.7. Weight gr. 285. Designed by Franco Salimbeni in 1989 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous eamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

21st century, clear hand-carved crystal, chromed bronze box with intricate detailing and a bold geometric style. The domed lid features a radiant sunburst pattern, topped with a uni...

This spice box comes for the Island of Nias, Indonesia. Dating to the early 20th Century it was crafted from a single block of wood. It features a sliding lid, has an elegant wood te...

A 19th century French boite à sel, or salt box, hand-crafted of solid walnut with hinged lid and small dovetailed drawer. Clover leaf detail. Waxed finish. This box was used to store...

Enameled center piece made in Barcelona An extraordinary piece of Spanish silversmith, created in the city of Barcelona during the post war and the mid century periods, back in the ...

As much an artwork as a piece of furniture, this 19th-century treasure chest from northern China is richly decorated with relief carvings and delicate gilt paintings. The doors bear ...

This attractive Anglo-Indian sandalwood box dates to the late 19th century and was likely produced in the workshops of Bombay or Surat, two of Western India's most important centres ...

Vintage large decorative box with sliding lid features handcrafted heart shaped form, carved of solid Birds Eye Maple wood. The fine wood texture is emphasized by the semi-matte tun...