Onyx Candelabras

Made in Italy, 1940s. This pair of splendid candelabra feature two alabaster cornucopias laying on a floral onyx base. Their elegance is in the details, in the magnificent pink glar...

1970s Spanish abstract grapevine shaped metal and onyx chandelier.

An antique pair of French Louis XIV style candelabra offer gilt bronze frame with central column surmounted by foliate embossed candle socket and surrounded by four scroll form arms ...

Artisan candelabrum for 2 candles in brass with mounted exotic onyx center by Jacques Duval-Brasseur, France 1970s (signed by artist and numbered 3/4). Jacques Duval-Brasseur was a s...

These antique French candleholders are made from a beautiful variegated onyx and gilt bronze. The upper sections are 5 stylized bronze doré floral branches acting as candle holders, ...

Comprising a clock and a pair of ten-light candelabra, this is an impressive piece of 19th century taste and style by Raingo Brothers (Raingo Frères). Above the French mantel clock, a classic from of urn is garnished with Greek fret and a laurel wreath. The clock itself is decorated with trailing acanthus branches, the white enamel dial bears Roman and Arabic numeral chapter ring, signed Raingo Frères, Paris. Louis XVI Style Clock : H. 68 cm, W. 73 cm, D. 20 cm Candelabras : H. 85 cm, W. 37 cm, D. 33 cm Born in Mons in Belgium on July 2nd, 1775, Zacharie Joseph Raingo is the son of Nicolas-Joseph, clockmaker, and of Marie-Magdelaine Decroly. He lived in Tournai from 1795 till 1807 then developed, from 1810, his activity in Ghent before settling down in Paris in 1813. During this first period, following certainly the example of Antide Janvier, he produced his firsts planetary clocks...

Pair of French Japonisme two-light ormolu and onyx candelabra. Signed F. Barbedienne. Late 19th century. 16" high 10" wide Very good condition.

A French Clock Garniture of the Napoleon III Period By ‘La Compagnie des Marbres et Onyx d’Algerie’ Constructed in onyx, gilt bronze and decorated with champlevé enamel, and comprising the clock, and matching candelabra; the clock, of rectangular form in onyx, rises from lions paw feet, the balloon shaped cased dressed with gilt bronze laurel ribband mounts and a cameo portrait of a young lady clad a la Renaissance; the circular dial having the hours in Roman numerals, and signed by the maker, ‘La Compagnie des Marbres et Onyx d’Algerie, B des Italiens 24 Paris’ and enclosing the key apertures for the time and hourly bell striking movements, itself stamped by the maker, Japy Freres de Paris; atop, a baluster urn on stand: the candelabras carrying four shaped branches, and set with champleve enamels...