Rosewood More Candle Holders

Charming candle holder in brass and colored glass. Designed and manufactured in Norway by Odel, circa 1960 second half. In excellent vintage condition.

The surrealism inspired Acer candle holder R:2 features architectural cubic volumes and semi arched voids. Designed by Aad Bos and hand crafted in Amsterdam from solid oak wood and s...

Scandinavian Modern, set of 6, candle holders in brass, Hans-Agne Jakobsson, ca 1960's. Signed with makers mark. 3 different measurements: Height: 5,2 cm, diameter: 2,8 cm. Heigh...

Solid brass large vintage Moroccan candle holders set of two. Moroccan vintage brass candlestick heavy solid cast brass, handcrafted with etched geometric design. Tall Moorish styl...

The Link Candle Holder is a modular system that can be expanded to any size, available in cast brass. Sold as a set of five. (not available in cast ...

A pair of geometric candlesticks. designed by Cleto Munari (1907-1998). Great sculptural pieces created in very limited edition by the Italian architect Cleto Munari. they are hand crafted in solid .925/1000 sterling silver. In 1985 Cleto Munari, set up a workshop-studio for the manufacture of unique objects in collaboration with some of the greatest architects, designers, artists, and writers in the world, among them Mario Botta, Alessandro Mendini, Alvaro Siza Vieira...

Two different heights 14.5cm and 20cm.

We are delighted to offer this pair of Mid-Century Modernist sterling silver candlesticks designed by Marion Anderson Noyes (1907-2002), whose works can be found in the Dallas, Brook...

A set of four single candlesticks, marked 950 silver with circular bases and an acanthus design on the base of the column support.

This one-of-a-kind, sculptural beeswax and clay triple candle holder is designed by the Tbilisi, Georgia-based designers Rooms Studio, who skillfully handcrafted this piece in collaboration with Shotiko Aptsiauri. The standing candelabra of sculpturally twisted organic beeswax and clay, entitled "Sacral Geometry Candle Holder", is part of a larger series of hand-formed beeswax works from the artists' collaboration. About the Designers: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances at the time, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

A wonderful mid-century modernist Japanese iron candle holder, circa 1950s. The piece is in good vintage condition with a nice patina and measures 4"D x 1.5"H. Very cool piece! #3358

An array of incredible Scandinavian classic candle holders from Dansk. This set includes a spider candle holder, an Iron and Brass candle holder ...