Glass Clocks

Bring a radiant touch to your home with this eye-catching gilt wood sunburst mirror. Hand-carved in Italy circa 1970, this vintage sun-shaped wall decor features a circular central m...

An exquisite figural bronze mantel clock with Putti leaning on clock face which sits on a fluted column draped in garlands and fabrics. Sitting on a r...

A Swedish painted tall case column clock from the late 18th century. There are two decorative brass clock hands. The face is secured behind a single hinged glass door. The top of the clock has a carved ionic column and carved dental molding...

Rare white opaline clock with chiseled ormolu mount featuring two entwined dolphins. Their tails support the spherical upper part in fluted white opaline, which accommodates a gilt b...

Portal clock Vienna around 1825 with integrated musical mechanism Signed: “A.Olbrich in Wien” and number 215719157. Alabaster columns, blackened wood, gilded carving in the form of...

Antique French mantelpiece / clock, Deniere a Paris, circa 1880 All-round glazed, fire-gilded bronze case with relief decoration, on an alabaster ba...

Graceful bronze carriage clock by Jules, Paris, c. 1840 (Late 19th Century), numbered 542 and includes "Jules A Paris" stamp as well. The piece is finely decorated with foliate engra...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

Clock Pendule Red with structure in ceramic in glazed finish and with clear glass.

A 19th century Northern Swedish clock an exaggerated bonnet/crest. This handsome Swedish clock is very special, it was obtained in Northern Sweden and features a distinct and uniquely adorn crest, which we lovingly refer to as "Napoleon" as we find it reminiscent of a bircorn (a two-cornered/horned twill military hat). The crest is further designed in a ridged pattern, with a pierced keyhole or escutcheon at it's center. There is a carved fan motif about the neck, with molded accents above and accentuating the waist. This nicely curved clock, rests on a mostly flat base with a pair of petite star carved scrolls at it's center. This clock has an old scraped finish with traces of greyish/ blue/green tones showing throughout. This clock would be a wonderful decorative object. Though it retains it's original face and movement, it is not currently in working condition, but can be quartzed to keep perfect time, for an additional cost. A quartz battery would then be added behind the face. The original hands are too heavy to carry the quartz movement, so they would be changed to black hands, similar in style. The clock would then chime (the chime can be turned off even though the sound is quite delightful. A pendulum selected to work with the quartz movement would be added behind the glass opening. This Swedish 1820s Fryksdahl clock with lions...

Medici vase-shaped cut crystal clock, ormolu mounted. Two gilt handles with foliage. Origin: French Date: circa 1810 Dimension: 14 x 8 3/4 x 4 1/4 inches

A 19th century Swedish Fryksdahl clock. This Swedish clock features a lovely carved crest with foliage decor. The neck is decorated with rosettes on th...

Designed for Olivetti management and never put into commercial production, this rare minimalist table clock has a thick domed glass body with internal hands, painted hour markers and...

Large French Art Nouveau Mantel Clock and Garniture This impressive clock set features a woman and child holding a floral branch with a bird perched above. A striking centrepiece...

A chic, c. 1825 French, looping desk clock with a central timepiece framed in foliate embellished, bronze doré wreath. The clock set into a pale blue, Opalin...

Restauration gilt bronze mounted crystal lyre mantel clock French, circa 1820 Measures: Height 67cm, width 23cm, depth 14cm This superb mantel c...

Clearly sculpted and glazed by hand, this marvelous clock features a series of sailboats amidst curling waves, each with golden hulls and aged-ivory sails. The mottled dark-red hue ...

Antique gilt brass and frosted glass mystery clock by Robert-Houdin French, c. 1850 Height 35cm, width 12cm, depth 11cm This intriguing mantel clock from the mid-19th century is by ...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Mid-Century Modern Art Deco Table Clock, Murano Glass, 1950s.

Limited edition - 1 of XX A silver leaf inserted into glass lends an unexpected precious flair to the appliqués, contrasting with the subtle hues of the base and the darker shades o...

This 19th century French bronze clock showcases the beautiful Rococo style, featuring a regal bull figure atop a floral motif base. Dimensions: 10.5"H x 6.75"W x 5.25"D

A good antique French ormolu and rouge marble four glass clock by the eminent makers Raingo Freres. The clock with original ormolu is surmounted by an...

French Charles X crystal and ormolu mantel clock signed Lepine et Cie a Paris. This is a fabulous and very unusual mantel clock from circa 1820. ...

Set of 2 Mirror Steel Twelve Wall Clocks by Sebastian Scherer Material: crystal glass, stainless steel Dimensions: ø 11.8 cm Also available in mirr...

FACTORY / HOUSE: E. Gubelin Watch Company STYLE / REFERENCE: Table Clock METAL / MATERIAL: Blown Glass CIRCA / YEAR: 1950's / 60's DIMENSIONS: 4.25 Inches Square MOVEMENT / CALIBER: ...

Limited edition - 1 of XX. Glass entirely fills up with bubbles, creating a sparkling effect. Rich and intense marine hues against a solid colored background lend elegance and har...

Art Deco clock made of frost glass, with enameled and silver-plated bronze dial, made by Sabino. Signed Sabino, machine EC, France. France, CIRCA 1920.

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Limited edition - 1 of XX The master glassmaker removes the object from the fire using a rotating rod, while other workers place thinner pieces of glass in the exact spot indicated ...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Amber Yellow/Light Pink/Violet Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

This graceful three-piece clock set is designed in a refined neoclassical style, which was fashionable in France in the 19th century. The set has been crafted from finely cut clear g...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Bamboo/Grape/Horizon Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

A beautiful French cut-glass and gilded ormolu Louis XVI style urn mantel clock. Measures: 41cm (16") high. Having 'hobnail cut glass pattern, two scrolling handles with winged lion ...

An austere face, halfway between ancient and modern, strong and fragile. Giotto by Alessandro Mendini is a winged lord who is destined to hold our gaze. A psychic being whose narrow ...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture ...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture....

Clessidra 420.10 Ø14 H30 UV/RS Additional Information: Material: Glass Color: Grape/Light Pink Dimensions: Ø 14 x H 30 cm Available in other color options: Amber/light pink.

An elegant French gilt-bronze and glass clock garniture. Urn shaped gilt bronze mounted crystal clock with enamel chapter ring with Roman numerals, decorated with a pair of female t...

Mid-Century Modern Art Deco Table Clock, Murano Glass, 1950s.

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...