Siena Marble Clocks

An Egyptian Revival Black Marble Clock Circa 1860s made by the renowned clock and jewellery makers Hamilton and Inches of Edinburgh with Royal ...

Antique and elegant French clock, with bronze details and fine inlaid wood, perfectly working. Perfect in a studio room. It's the typical clock of European noble houses...

Beautifully carved figural giltwood pocket watch stand.

A mantel clock made of bronze and marble "Roaring of the Lioness", France, circa 1880. Signed Par Omerth. Very good condition. bronze + marble Dimensions: height 48 cm, w...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

This three-piece set—composed of a clock and a pair of flanking candelabra—is a truly unique and delightful piece of decorative art. The clock is modelled in the image of an 18th century sedan chair – that is, a covered chair sat in by a member of the social elite, which was carried on poles by two people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and a flower finial. At its centre, there is a circular white enamel dial, which features Arabic Numbers, colorful swag paintings, and the manufacturer’s name, 'Fd Gervais / Ft du Bronzes / A Paris'. The lower part of the case is glazed, allowing one to see the clock’s sun-burst pendulum. Like a sedan chair, the clock case is carried by two patinated bronze putti...

19th Century French Bronze and Ormolu Clock. circa 1810 clock Napoleonic Empire Bronze Dore. La Liseuse" clock after Reiche, by Claude Galle & Grand Girad.  Signed in Paris

Amazing Art Deco Egyptian French Mantel clock by the electric clock manufacturer ATO of Besançon, France. Emerald Onix from Brasil over black Belgian m...

Antique Ormolu French Cartel Clock on its stand, Napoleon III Era. This is a good-sized French mantel clock dating from around 1880. It has a waisted case with applied brass decoration and brass and tortoiseshell-style inlaid panels. The white enameled dial has fancy pierced brass hands and a beaded bezel. It is hand-painted with Arab numerals and decorated with garlands of flowers and leaves. The clock has a center window showing the pendulum shaped like a fairy. It drives the movement that seems to strike the hours and halves on a bell. This gorgeous antique cartel clock...

A remarkable example of mid-1700's French horology, this Louis XV period Pendule à l’Éléphant showcases the technical mastery and playful elegance characteristic of the Rococo era in...

This elegant period Empire ormolu-mounted white marble portico clock, circa 1830, is from France. The floral-and-foliate ormolu-mounted frieze sits above four Doric columns with gilt...

Massive Chinese Ormolu High Relief Bronze Elephant Automaton Music Bracket Clock A truly magnificent Chinese Guangzhou studio automaton clock , large triple deck body supported on the back of four elephants , extremely ornate bronze case, floral relief, paste-set around the automaton windows and dial, ormolu bronze case, automaton glass waterfall and swimming ducks on the front and both sides, music plays hourly, palm trees on each corners spins as part of the automaton as well. Case: heavy bronze with ormolu gold gilt with large elephants Dial: porcelain dial with Roman numerals Clock Mechanism: 8 day mechanical movement with quarter striking, with studio mark Automaton: plays hourly, 3 large windows on the low deck showing spinning twisted glass tube to imitate waterfall, horizontal glass tubes made to look like river with animating ducks, very impression automaton, palm trees on the corners of upper decks rapidly spin as part of the automaton, 2 ribbons spinning on the center of top double gourd. Music box playing to accompany the automaton, making it a treat for both eyes and ears. Condition: clock is currently cleaned and in proper working order, automaton and music are playing properly as well, however, a professional adjustment is highly recommended after delivery. Literature: From the time the first clocks were brought to China from Europe around 1582, the Chinese Emperors were fascinated with European mechanical clockworks. As objects of curiosity and items of luxury, these early clocks incorporated mechanisms including music and animated figures. European clocks were called "zimingzhong' or "self-sounding bells...