Siena Marble Clocks

Beautifully carved figural giltwood pocket watch stand.

French Empire gilt bronze clock French, early 19th century Measures: Height 38cm, width 27cm, depth 10cm This fine gilt bronze man...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

- Gorgeous French Empire antique clock set - Mantle clock is flanked by two bronze urns on pedestals - Clock is surmounted by bronze fem...

This three-piece set—composed of a clock and a pair of flanking candelabra—is a truly unique and delightful piece of decorative art. The clock is modelled in the image of an 18th century sedan chair – that is, a covered chair sat in by a member of the social elite, which was carried on poles by two people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and a flower finial. At its centre, there is a circular white enamel dial, which features Arabic Numbers, colorful swag paintings, and the manufacturer’s name, 'Fd Gervais / Ft du Bronzes / A Paris'. The lower part of the case is glazed, allowing one to see the clock’s sun-burst pendulum. Like a sedan chair, the clock case is carried by two patinated bronze putti...

French Empire clock of stunning quality constructed of rouge marble, original fire gilt ormolu and patinated bronze. Set upon four ormolu paw feet to the rouge marble base, rising to...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

A captivating three-piece mantel clock, from 19th century France, crafted in Siena marble and gilt bronze, with multiple stylistic reference points from the Grand Tour of Europe. The...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

French figural cherub gilt bronze and marble three piece clock set flanked by gilt bronze marble sphere six light candelabras, central clock fla...

A wonderful French Empire doré and patinated bronze Cherub Putti wreath clock, not currently in working order, back cover is missing as is bel...