1770s Clocks

Circa 1770s George III period tall case clock, English, by James Woolley. Oak & mahogany. Works signed "J. Woolley Codnor". James Woolley (c.1695-1786), watch & clockmaker in Codnor,...

Antique grandfather clock with calendar, moon phase and musical movement England (London) Walnut second half of 18th century Dimensions: H x W x D: 251 x 48 x 24 cm Description: Beautiful and very unusual grandfather clock with elaborate complications and a very decorative dial. The walnut veneered case stands on a plinth with maple and ebony inlays. The elaborately designed head with round arch and multi-level structure is glazed on the side and provides an unobstructed view of the clock and barrel movement. The interestingly designed dial shows Roman hour numerals and Arabic 5-minute increments in a large silver-plated ring. In addition, there are five smaller sub-dials for the seconds, the days of the week and the months, as well as for starting and stopping the striking mechanism and the musical movement. The date is displayed in a small window below the centre winding hole. At the top of the round arch we see the beautifully painted moon phase, the age of the moon and a scale for setting the musical movement. There are 12 different melodies to choose from: Mars van Generaa - Niewe Gavott - Mars van P Eugeen - Menuet - Niewe Merliton - Menuet - Hollanse Vrouw - Oude Merliton - Morgen Liedt - Air - In den Vorst - Mars van K Georgie. The blued steel hands stand out cleanly against the fire-gilt, relief background and the black lettering on a silver background. In the case, the brass pendulum swings behind the three weights that drive the movement, striking train and musical train. When fully wound, the clock runs for about 8 days. The barrel movement is triggered every half hour and strikes 14 bells with 26 hammers. The hammers are operated by the pins driven into the cylinder, which can be moved axially into 12 different positions according to the 12 melodies. Two additional large bells strike on the half and full hour. Worth knowing: It can be assumed that the clock was made in London and was intended for export to the Dutch market. This is evidenced not only by the English-style subdials, some of which are engraved in English, and the roughened, gold-plated backgrounds, but also by the fact that all minute numerals are aligned towards the centre, that there is no alarm clock and no quarter-hour strike, and by the way in which the roller of the music mechanism is mounted. At the time this clock was made, it was not unusual for English clockmakers to be apprenticed in the Netherlands and vice versa. As a result, a number of clocks are known today that are stylistically located in the Netherlands but bear an English signature - and the opposite is also possible: English clocks with a Dutch signature. The clocks built in England for export were more or less adapted to Dutch taste and the day and month discs were often engraved in Dutch in England. What is particularly curious is that some of these clocks apparently never left England. In his book De Nederlandse Staande Klok Jan Zeeman shows a dial signed "Allen Walker - London" on page 436, on which all kinds of Dutch features can be seen. For example, the names of the days and months are engraved in Dutch, the minute numerals from 20 to 40 are turned and the musical movement is also very similar to the clock on offer here. A clock adapted for the English market in typical Dutch style but with English lettering was made by Audouin in London in 1735(see Derek Roberts - Die englische Standuhr p.144). An example of another clock with a musical movement, this time for the German-speaking market, was made by Henry Smith around 1770, also in London (see John Robey - The Longcase Clock Reference Book Vol. 1 p.331). In general, it is interesting to see how the international trade in clockmaking was far ahead of its time. In England, France and the Netherlands, there were regular suppliers of movement parts, bells and even entire clock faces. And even in the 18th and 19th centuries, there were producers of inexpensive clocks designed for international trade - think, for example, of the German Black Forest clocks and the French Comtoise clocks...

A very good 18th century early George III 8 day tall carved oak case grandfather clock, Gulielmus (William) Dickinson & George Brownless, of Staindrop Village, County Durham, England...

Chinoiserie decorated with a nice Chinese red painted case. Maker Thomas Dawes, Northampton England. Includes weights, pendulum, key. Provence; Stair and Company , New York.

Antique 18th Century English enamel table clock, exuding charm, its delicate white enamel adorned with floral motifs and romantic scenes. Made in a miniature form of a grandfather cl...

Large Louis XVI period gilt and chased bronze wall clock, signed Jacques PANIER in Paris. The body of this clock is in the form of an architectural cartouche...

By Joseph Head from Wotton Surrey. Flat top over a glazed door opening to a brass clock works all redone and ready for install. The case with a beautiful subtle green and gilt chinoi...

Blue-painted Swedish tall case clock, circa 1775. Swedish Gustavian tall case clock dating to late 18th century. At some point in the past, c...

A stunning George II 8 Day Striking Japanned Longcase Clock by James Tregent, Leicester Square, London James Tregent was Clock and Watchmaker ...

Movement: Adam Léchopié à Paris (1724/ from 1758 Master - 1795), signed on the dial and on the back of the plate. Marble and gilded bronze. The bronzes are probably from the workshop of Robert Osmond...

A very rare mahogany-cased grandfather clock by London maker Thomas Grignion, (1713-1784). The eight-day movement striking on the hour and with ‘silent...

18th century mahogany long case clock by Thomas Elliott of London, it has an arch dial with a brass face and silvered chapter ring, the hood has turn...