Siena Marble Table Clocks and Desk Clocks

Beautifully carved figural giltwood pocket watch stand.

A magnificent large gilded and patinated bronze period French Empire mantle clock depicting Urania the Greek Muse of Astronomy standing on a stepped rectangular gilded bronze base her left elbow resting on a large gilded globe of the heavens with a central band showing the signs of the zodiac...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

This elegant 19th-century French mantel clock is a refined example of Neoclassical design. Crafted from white marble with exquisite gilt bronze accents, it features intricate details...

An impressive 19th Century Meissen porcelain mantle clock on stand. Depicting seated lovers with a garland of flowers. The white enamel clock face ...

A captivating three-piece mantel clock, from 19th century France, crafted in Siena marble and gilt bronze, with multiple stylistic reference points from the Grand Tour of Europe. The...

A very good quality French late 19th century gilded ormolu and champleve enamel mantel (fireplace) clock. Having urns and a cherub above the eight day clock that chimes...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A fine Egyptian Revival mantel clock retailed by D. Munsey of Cambridge, circa 1880s, black marble and slate clock case with elaborate bronze mounts. The architectural case is surmo...

Egyptian revival mantel clock & garniture set, early 20th century. Circular white sunken dial with black Arabic numerals and brass sunburst with two train movement set in a polished black slate and stepped rouge marble case...

Empire period portico clock in white marble and gilt bronze, 19th century This Empire period clock (circa 1800-1810) is composed of a marble terrace topped by two flat columns decor...

Mid-19th century French slate & marble mantle clock. Drum head form. Black slate & green, black & white marble. Made by P. Marti et Cie. 8-day movement. History of clock repairs on b...