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Silvered Clocks

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Technique: Silvered
French 19th Century Belle Epoque Period Bronze And Ormolu Annual Clock
French 19th Century Belle Epoque Period Bronze And Ormolu Annual Clock

French 19th Century Belle Epoque Period Bronze And Ormolu Annual Clock

Located in West Palm Beach, FL

A high quality and very unique French 19th century Belle Epoque period patinated Bronze, Ormolu and silvered Bronze annular clock. This rare model annular clock is raised on a circul...

Category

19th Century French Belle Époque Antique Silvered Clocks

Materials

Bronze, Ormolu

Antique French Porcelain, Gilt and Silvered Brass Clock Set
Antique French Porcelain, Gilt and Silvered Brass Clock Set

Antique French Porcelain, Gilt and Silvered Brass Clock Set

Located in London, GB

This wonderful clock set, which is comprised of a mantel clock and pair of flanking vases, is designed in a fanciful French ‘Oriental’ style. The set is crafted from brass which has been silvered, parcel gilt and painted. The clock is also mounted with porcelain plaques which are beautifully painted with colourful depictions of birds and flowers. The mantel clock is composed of a tall rectangular body with a break arch top which is crowned by a covered twin-handled urn. The urn features a parcel gilt pointed finial on its cover and a silvered body painted with pink cherry blossoms. The urn stands on the arched top of the clock, which is decorated with a sculptural gilt scrollwork band and a gilt foliate border. The arch contains a circular porcelain dial which features a central painting of a pair of birds, encircled by black Roman Numerals within white cartouches. This dial is framed by a gilt beaded bezel. The shoulders of the clock body are mounted with parcel gilt and silvered elephant heads holding ring handles. Porcelain panels decorate the front and sides of the silvered clock body. These panels are beautifully decorated with paintings of colourful birds, butterflies and cherry blossom trees, set within gilt stiff-leaf frames. The clock body is set on a silvered rectangular base which is edged with a parcel gilt foliate band. The front of the base is mounted with a silvered and parcel gilt lion's head mask and flanking painted porcelain plaques. The clock stands on four parcel gilt silvered feet, which are geometric and scrolled in form. The pair of silvered vases...

Category

Late 19th Century French Chinese Export Antique Silvered Clocks

Materials

Brass

Restauration Era French Bronze Clock Depicting a Woman in Prayer
Restauration Era French Bronze Clock Depicting a Woman in Prayer

Restauration Era French Bronze Clock Depicting a Woman in Prayer

Located in 263-0031, JP

A French patinated and fire-gilt clock depicting a woman in prayer, Restauration Era, 1815-1830. The dial is silvered-bronze. The silk-thread mechanism is in good working condition w...

Category

Early 19th Century Restauration Antique Silvered Clocks

Materials

Bronze

Impressive Antique Austrian Champlevé Enamel, Silver-Gilt and Lapis Lazuli Clock
Impressive Antique Austrian Champlevé Enamel, Silver-Gilt and Lapis Lazuli Clock

Impressive Antique Austrian Champlevé Enamel, Silver-Gilt and Lapis Lazuli Clock

Located in London, GB

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

Category

Late 19th Century Austrian Antique Silvered Clocks

Materials

Lapis Lazuli, Silver, Bronze, Enamel