Copper Inkwells

Art Déco english square shapped cut crystal inkwell with brass/bronze spherical top By: unknown Material: brass, bronze, cut glass, glass, metal, crystal, copper, zinc Technique: ca...

A fantastic quality beaten copper with turquoise finial arts and crafts inkwell signed by Edgar Simpson. A superb jewellery designer whose workmanship is of the very highest quality ...

James Deakin & Sons Ltd. Sheffield, England; ca. 1897-1935 Silver plated copper and glass Approximate size: 11 (w) x 6 (h) x 6 (d) in. This lovely silver-plated inkwell features an...

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

An English Art Nouveau copper inkwell. An Art & Crafts English yellow with red copper inkwell. A rectangular inkwell with a scene of an owl sit...

Late 19th century traveling inkwell in the shape of a leather hatbox with a copper interior and glass insert circa 1870 England. A very nice piece for a...

English Victorian mahogany and brass inlaid trim double inkwell with crystal wells having copper top lids and letter holder backrail.  

High quality Viking Folk Art. This all handcrafted, realistic and detailed Viking ship was undoubtedly designed and crafted by a Scandinavian artisan. This impressive table piece is...

Vintage Notre Dame De Lorette copper double inkwell, France 1930, H556 France 1930 Copper + Glass Central Monument Pair of pictured lids with glas...

A very stylish Arts & Crafts hand-beaten lidded copper inkwell by J F Poole Hayle dating from around 1895. Made in Cornwall the inkwell is of rounded cylindrical shape and stands rai...

Aesthetic mixed inkwell. Made by Tiffany & Co. in New York. Bell-form copper body with reeded silver foot rim. Applied silver ornament including flower-inset guilloche band and tendr...

C F A Voysey attributed. Made by Richard Rathbone, stamped maker to the base. An Arts & Crafts copper inkstand with domed top lid with upturned lip handle and a pen tray to the fron...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Antique coppered Japonais Revival inkstand with two ink pots and a stamp holder. The border of the base is in relief and abounds with flowers and birds while the pen rest has a quain...