Earthenware Desk Accessories

Charming 19th century Delft inkwell, hand-painted with stylized yellow blossoms and delicate green accents on a creamy glazed surface. The stepped design features two inkwell opening...

A charming antique French provincial faience Quimper style inkwell from the French province of Saint-Quay-Portrieux, circa 1900. Signed on reverse. Thi...

19th C. Antique Writing Stand Desk office Inkwell Center Piece Faience Porcelain . This beautiful garniture on a desk a table or a console will a...

An extremely rare, so-called, Rotterdammer tile, with the decoration of a sailboat. Country: The Netherlands Place: Rotterdam Date: circa 1615 - 1620 Workshop: Claes Wijtmans This tile comes from one of the most rare and sought after tile series...

The Netherlands Circa 1630 - 1660 A fine painted blue and white tile with a decoration of a bird on a piece of fruit. With so-called oxheads as corner decoration. A genuine c...

The Netherlands Circa 1700 A fine blue and white Dutch tile with a still life painting of a vase with leaves and grapes and an apple on the sides. The scene is painted without corn...

Handmade stoneware table lectern manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, str...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch or Spanish soldier from the period of the 80 Years War. The decoration of this t...

The Netherlands Circa 1620 – 1640 A blue and white Dutch tile with the decoration of a vase with flowers. The scene is painted within a cartouche with a Wanli corner design, inspire...

Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...

The Netherlands Rotterdam Circa 1720 - 1740 An unusually fine painted religious 'open air' tile with deep shades of blue and a shining glaze, decorated with the story of the lost sheep...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch soldier from the period of the 80 Years War. This soldier could be a member of t...

Set of four 18th Century Blue and White Delft Tiles Framed in Custom Iron Frame

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This lovely French “service fumeur en faïence”, or earthenware smoking service, has five pieces: a tray, and four pots of various sizes. Although every smoking set is unique, we presume theses pots are a tobacco pot to store the dried leaves, an ash receptacle, a pot for holding papers to hand roll cigarettes and/or cigars and a pot for keeping matches. Our set was produced in Nevers, France in the 19th century by Montagnon, the oldest earthenware factory in France. Originally called manufacture du Bout du monde (“End of the World factory”), the factory was founded in 1648. By 1875, the factory had fallen on hard times and was bought by Antoine Montagnon. Within the five years, it was the only faïencerie left in Nevers. Montagnon was successful for over a century but eventually ceased operations in 2015. The production date of our smoking service set is from the late 1800s. Glazed earthenware was introduced from Italy to Nevers in the mid-16th century. The town already had existing porcelain factories and the area was flush with clay deposits that could be used in pottery. This allowed the influx of Italian potters in Nevers to begin producing Faience pieces. For the next 300 years, Nevers was the center for French Faience manufacturing. This smoking set has been decorated with painted birds, rinceaux of flowers and ornamental motifs. The blue background color is called Persian blue, and was extensively used as a ground color on Nevers Faience...

The Netherlands Rotterdam Circa 1725 – 1775 A manganese tile panel of two tiles, probably the base of a pillar, with the decoration of a liquor seller, and by the look on his face h...

Early 20th century Arts & Crafts Majolica art pottery jug, made by the Swiss factory Thun/Thoune, circa 1910s. This jug, entirely handcrafted and hand-painted, is decorated with a modern Eastern accent...

Beautiful heart shaped faience inkwell by the french artist Henri Delcourt. Monogrammed at the bottom " HDV". One tint cup and three holes for feather pens. Faiences are open-pored ...

Hand-painted faience inkwell with an octagonal form, featuring vivid red, blue, yellow, and green floral decoration over a white ground. The central opening is surrounded by four pen...

Colorful faience inkwell featuring hand-painted floral motifs in red, green, and blue, with finely detailed gilt brass lids topped by fleur-de-lis finials. The inkwell includes remov...

A charming antique French faience Quimper double inkwell and pen tray desk set, circa 1900. This gorgeous inkwell is hand painted with a traditional Breton man surrounded by bagpipes...

This uniquely shaped ceramic inkwell was sculpted in France, circa 1880. The cartouche-shaped desk essential features a hand painted black and white center medallion with sailboats, ...

Rare Antique Mid-19th C Veuve Perrin French France Pottery Inkwell

Handmade stoneware table lectern manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, str...

Handmade stoneware table lectern manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, str...

Strasbourg chinoiserie inkwell. Antique double-pot faience handled encrier with quill pot and removeable ink pot and cover and sand pot, both wi...

Rare Danish blue and white faience ink stand by Johan Ernst Pfau for Store Kongensgade Faience Manufactory, Copenhagen Denmark circa 1740. This inkwell retain with its original ink a...

Early 20th century Arts & Crafts Majolica art pottery rare note/match holder, made by the Swiss factory Thun / Thoune, circa 1910s. This note/match holder, entirely handcrafted and hand-painted, is decorated with a modern Eastern accent...

The form of this rare encrier is based on the model of the known faience master Johann Georg Buchwald, who produced it first in the manufacture of Marieberg, later also in Eckernförd...

19th century group of two faience ink wells, circa 1875 Desvres with Fourmentraux Frères Mark, circular, decorated in the Rouen style, faience inkwell (5" diameter), circa 1898. Henr...

The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and vibes. Sun-blessed pure volumes, shapes mar...