Emile Müller Furniture

An exceptional and highly decorative collection of 10 antique church organ facade pipes, dating from the late 19th century. This striking set reta...

Antique bust from France made circa 1900. The sculpture is crafted in terracotta with a beautiful original patina. It showcases the bust of famed German composer, Beethoven including...

An antique Baroque period European Medieval style six piece collection of rare and most unusual hand carved giltwood architectural elements with beautiful rich patina. circa 1700s ...

Baroque supraporte / decorative elements, gilded wood, 18th century. Richly carved solid wood supraporte. Gilded. (V-142).

“La Suite Catalane” Complete set of 6 painted and glazed ceramic tiles after paintings by Salvador Dali´ (1904-1989) Spain, 1954. Stamped 1954 verso ...

American terra-cotta Beaux Arts architectural block tile. The academic architectural style taught at the Ecole des Beaux Arts incorporates French Neo-classicism with Renaissance and Baroque elements. This architectural piece is made of cast white glazed terra-cotta. Exquisitely detailed scroll and leaf pattern that can function incorporated into a building facade or a garden element. Good overall condition with some chips and overall crazing to the glaze, but structurally sound and sturdy. No structural cracks to compromise the integrity of the block tile. One of two architectural tiles offered here. This piece was found in the garden of a mansion in Poughkeepsie, NY. The tile came off of a building in downtown NYC...

Baroque ornamental elements gilded wood, 18th century Solid wood hand-carved and gilded. Very old and rare. (V-134).

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

A Stupa-shaped architectural detail from Thailand, mid-to-late 20th century, handcrafted in traditional Thai earthenware, with a natural flat glazed finish. Symbolizing enlightenme...

A very handsome pair of matching ormolu appliques, both panels cast in openwork detail and showing neoclassical inspired motifs of palmettes, swags an...

Rare Contortionist Car Mascot / Sculpture by Emile Carlier, French, circa 1910. A Nude 'Contortionist' Car Mascot / Hood Ornament / Desk Paperweight Sculpture. Sculpture depicting ...

Stunning early Art Nouveau threaded iridescent art glass inkwell, circa 1900s. The piece features a gorgeous array of rainbow iridescence from pinks to ...