Enamel More Desk Accessories

A travel clock designed by Cress Arrow Co. An incredible travel-desk clock, created in America during the art deco period by the jewelry and luxury watches makers Cress Arrow Co., back in the 1925. This fabulous flamboyant piece is a truly magnificent work of Art Deco jewelry art and has been crafted with very elegant Japonism patterns in solid yellow gold of 18 karats with accents in platinum for the setting of the diamonds. The piece is decorated in both sides with abstract images of the Japan national tree of the cherry blossom, entirely embellished with applications of blue, black and rose enamels. It is fitted with a slider mechanism to discover the dial and stand in the desk. The movement is Swiss, mechanical hand winding. The dial is silver with platinum arabic numbers and arrows, signed Swiss. Japonesque, Japonism or Japonaiserie are French terms that refers to the popularity and influence of Japanese art and design among a number of Western European artists during the late 19th century, the art nouveau and the art deco period. Diamonds: The platinum arabic numbers and the arrows are with 144 old European rose cut diamonds, 1.08 carats, E/F color, VS-1 clarity. Weight: 109.35 Grams, (70.09 Dwt). Measurements: 57 mm by 45 mm by 9 mm (2.24 x 1.77 x 0.35 Inches). Hallmarks: Stamped with the maker's mark monogram, the reference serial numbers, the gold assay marks and signed, "CRESSARROW 18K 63086-086". Cressarrow Company. The original firm was formed as a jewelry manufacturer in 1890 as N.E. Whiteside & Co and was succeeded by Whiteside and Blank in 1903. The firm manufactured 14 carat brooches, scarf pins, sleeve buttons, studs, and bracelets, accented with enamel. Later they produced high quality jewelry in platinum. The United States Patent and Trademark Office registration indicates that the C with the arrow through it was first used for brooches, cuff-buttons, pendants, necklaces and rings by the original firm beginning in 1890. In 1911, the company was awarded the exclusive licence to sell the expansion bracelet that had been invented in Germany. The venture became immediately successful and Whiteside and Blank devoted more and more time to the watch business, becoming the first in the United States to make wrist watches for ladies...

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI styles, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik post 1908 mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with his inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Other Hallmarks: Stamped in the outside border, with German importation marks; the German Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone animals...

A desk clock designed by Cartier. An impressive and beautiful desk clock, created in Paris France by the house of Cartier, during the art deco period, back in the 1920. This stunning rare piece has been designed with Chinoiserie patterns and carefully crafted up with parts in yellow gold of 18 karats and carved nephrite green jadeite jade. Accented with applications of navy blue enamel and fitted on top, with a hinged retractable handle. The movement is mechanical It is accompanied with the associated original key for the winding. The dial is silver with guilloche, Roman numerals with gold hands and inscribed, Cartier. Weight: 320.95 Grams, (205.74 Dwt). Measurements: 69 mm by 31 mm by 78 mm (2.72 x 1.22 x 3.07 Inches). Hallmarks: Stamped with French marks, five times with the head of the eagle for the assay and guaranty of the gold, two times with the maker's mark JM inside of a lozange cartouche and signed on the reverse, "CARTIER 1649". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional...

Belle epoque desk clock designed by Cartier. An impressive and magnificent "mignonette" desk clock, created in Paris France by the house of Cartier, during the Edwardian Belle Epoque period, back in the 1905. This stunning piece is very rare and has been designed with neoclassic French patterns and carefully crafted with parts made up in yellow gold of 18 karats, silver and platinum. It is mounted with four spherical parts, carved from green chrysoprase. The five sides are embellished with applications of vivid purple enamel over a sunburst and linear guilloche ground and the borders are accented with a linear frame of white champleve enamel. Fitted in the reverse with a system to open and close the three winding parts to manipulate. Movement: Mechanical 8 days, key winding and It is accompanied with the associated original key. Dial: White ceramic, with Arabic black numerals, with gold indexes batons for the seconds and gold hands with juxtaposed circles ending on arrowhead, inscribed, Cartier Paris-London. Diamonds: The platinum part on top is mount, with 60 calibrated Old European rose cuts diamonds, 0.30 carats, F color, VS-1 clarity Chrysoprase: Mounted with screws on the base, with 4 four spherical cabochon cuts carved from natural translucent green chrysoprase with a weight of 8 carats. Weight: 272.8 Grams, (174.87 Dwt). Measurements: 69 mm by 50 mm by 37 mm (2.72 x 1.97 x 1.46 Inches). Hallmarks: Stamped with French marks, the mark of the boar for the silver and the gold assay and warranty, the maker's mark for Eugène Bako inside a lozenge cartouche, the case numbers, the Cartier serial numbers and signed at the bottom, "CARTIER LONDON PARIS 2027,11290,11453,21". Literature: Olivier Bachet & Alain Cartier, Cartier Exceptional objects, Palais Royal 2021, Volume 1, Pp-117 and 128, for two similar Illustrated, see figures. Comparative Literature: Hans Nadelhoffer, Cartier, Jewelers Extraordinary, London, 1984, pl.18 Barracca, Negretti & Nencini, Le Temps de Cartier, Milan, 1989, p.34 A Cartier carriage clock of very closely related design was sold Antiquorum Geneva, The Magical Art of Cartier, 19 November 1996, lot 36 (illustrated in its travel case in Nadelhoffer). The dial design may be compared with other Cartier desk clocks of this period illustrated in Barracca et al. Publications: Published in the Vogue Art...

A desk clock designed by Tiffany & Co. A beautiful and elegant easel back desk clock, created in New York city by the Tiffany & Co. studios, during the art deco period back in the early 1920. This rare piece has been designed in a squared curvilinear shape and carefully crafted up in solid sterling silver .935/.999 . The watch is gilded and is fully embellished with applications of purple-violet and white enamels over a geometric guilloche patterns. It is fitted at the reverse, with an easel back retractable hinged stand. Movement: Is Swiss mechanical wingding, 8 days. The dial is creme-white with arabic golden numerals and with black hands and inscribed, Tiffany & Co. Swiss. Weight: 180.95 Grams, (1115.99 Dwt). Measurements: 80 mm by 80 mm by 16.5 mm (3.15 x 3.15 x 0.65 Inches). Clocks Hallmarks: Stamped with the maker's mark and signed, "TIFFANY & CO. 8 DAYS SWISS". Case Hallmarks: Stamped with the maker's mark monogram, the Swiss mark of the standing Bear for the silver assay, and signed, "CONCORD WATCH CO. STERLING SILVER ARGENT 0.935 CONCORD W. CO SWISS 1608". Concord Watch Co, was founded in Biel, Switzerland in 1908. From the start, the company had its sights set on the American market. Concord produced luxury watches for several jewelry companies, including Tiffany & Co. and Cartier. During peace talks in the Second World War, President Harry Truman gave Concord watches as a gifts to Joseph Stalin and Winston Churchill. The North American Watch Company...

French etui sealing wax case. Exquisite objet d'art, created in Paris France in the late 19th century, circa 1890. This is a etui sealing wax case, mast...

Presentation picture frame from the imperial Russia. Beautiful neo classic picture desk frame, created in Moscow Russia, back in the 1910's. It was carefully crafted in the Russia...

A Deluxe desk lighter designed by Ronson. This extremely rare Ronson Deluxe Classic Touch-Tip lighter was made in 1938 by the Ronson Art Metal Works Inc. located in Newark, New Jersey in the United States. This lighter began a very successful era for Ronson Touch Tip...

A classic and handsome pair of Staffordshire Lions from the mid 19th century. This pair has full and separated legs that are highly detaile...

Desk clock designed by Kienzle Uhren. Beautiful desk-table clock, created in Germany by the clocks makers house of Kienzle Uhren, back in the 1930. This clock has been crafted with art deco and bauhaus patterns in solid chromed steel and blackened wood. Embellished with black and cream enameled parts and mount in a pedestal base. Fitted with a round convex transparent glass. A great looking desk clock in exceptional condition. Dial: Original round in blackened wood, analog with black enameled Arabic numbers. Steel hands. Movement: Manual winding, 8 days, Lever escapement. Weight: 1,700.4 Grams, (3.75 Pounds). Measurements: 203.2 by 222.25 mm by 69.85 mm (8 x 8.75x 2.75 Inches). Hallmarks: Stamped in the reverse in a bronze plaque, with the maker's mark and signed, "ORIGINAL KIENZLE". Kienzle Uhren They are Germany's oldest watchmakers. The company was founded by Johannes Schlenker in 1822 in Schwenningen, Germany. Since 2002, the company's headquarters have been in Hamburg, Germany. In 1883, Jakob Kienzle married into the Schlenker family, and became a partner in the company. The company was renamed to Schlenker & Kienzle from 1883 until 1922, when it became a stockholder corporation under the name Kienzle Uhrenfabrik, A.G. (Kienzle Clock Factories, A.G.). When the company introduced the "American System" of production in 1894, standardized individual components, and perforated plates, the cost of alarm clocks and wall clocks was significantly reduced. In 1897, Jakob Kienzle became the sole owner, and the name of the company was eventually changed to Kienzle. In the following years branches in Milan, Paris, and London were established. In 1899, the company was producing 162,000 watches and alarm clocks per year. In 1902, Kienzle launched the time stamp clock on the market and the first clocks for automobiles. The "Strapazier-Armbanduhr" was presented in 1931, and 25 million were sold. At the end of the 1930s, Kienzle started the manufacture of two table clocks in the upper price segment: the Zodiac Clock...

A miniature travel clock designed by Zenith. Gorgeous miniature travel-carriage clock, made in Geneva Switzerland by Zenith. This little antique clock...

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...