Gothic Desk Accessories

Wooden coffret, call minnekästchen, engraved with a dog, a hare and foliage with polychromy remains. During the Middle Age, the hare is a symbol of fertility, joy and represents the Christ...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

An exquisite blend of elegance and functionality, this tortoiseshell double inkwell is a true collector's delight. With its stunning glass inkwells, brass accents, and convenient sto...

A handsome French 18th century balance scale in iron and brass. The balance mechanism is in iron. The foot and the plates are in brass. The...

Vintage brass four leaf clover paperweight with inscription, circa 1970s. The piece is in very good vintage condition and measures 4.5"W x 4.5"D x .25"H. A very cool and unique piec...

Egyptian Revival Bronze Scarab Paperweight with Hieroglyphic Inscription, Early 20th Century A finely cast Egyptian Revival scarab paperweight in p...

Of rectangular shape, decorated with gothic cathedral arcades, with two wells and two pen holders, raised on a Siena marble base raised on scrolled feet. Between the twelfth and six...

A gorgeous set of four antique Art Deco or Arts & Crafts period bronze blotter corners featuring symbols of the Zodiac, with a custom brown leather desk blotter. By Tiffany Studios ...

Circa 1870s English Gothic Revival writing slope desk box. A letter box is flanked by the original brass collared & hinged inkwells in brass surrounds (the hinges now a bit loose fro...

Antique Victorian Hand Crafted Desktop Writing And Reading Stand. The Stand Is Fitted Additionally With One Brass Inkwell Pivotable Pen Stand Brass Perpetual Calendar. Sold With A...

Figural lion inkwell boasting original paint with hinged lion's head concealing the well, circa late 1800s Patina / paint loss consistent with age / use.

A fine French Empire ormolu desk standish. Set upon a circular base with top and bottom mouldings cast with leaf and dart decoration. The space be...