Padouk Decorative Objects

Memphis style mixed wood triangular trinket box by Russ Keil, circa 1990s. The box measures 4.5"W x 4.5"D x 5.75"H and is made of a padouk, walnut and sugar maple hardwood . There is...

Memphis style mixed wood triangular trinket box by Russ Keil, circa 1990s. The box measures 4.5"W x 4.5"D x 5.75"H and is made of a padouk and sugar maple hardwood . There is a small...

A Very Rare 18th Century Padouk Wood Rectangular Tea Caddy Of Rectangular Form, Having Original Brass Handle To Hinged Top Enclosing Divisions, Raised On Elegant Original Brass Claw ...

Wonderful hand produced pot with lid. Turned from Padauk, the colour has mellowed with age, dates from the 1970s. Green baize to the base. Lid removes. In good over all condition.

PRESENTING AN ABSOLUTELY STUNNING AND EXCEPTIONAL 19C Anglo Indian Highly Carved Padouk Sadeli Mosaic Scroll Box of Hindu Gods from circa 1870-80. The box case is made from sandalwood with highly hand-carved padouk wood reliefs on all sides and banded and edged in fabulous ‘Sadeli Mosaic’, made from faux ivory/bone, ebony, silver, semi-precious green stone, etc., in various geometric patterns. The carved lid of this box is EXCEPTIONAL! It is HIGHLY HAND-CARVED and depicts 13 Hindu Gods: Vishnu, Shiva, Harihara, etc., in 9 oval shaped reliefs, surrounded by foliage etc. The sides and rear have highly carved foliage relief panels. The lid opens to reveal the original red velvet lining (also on the base) in SUPERB CONDITION throughout. The QUALITY of the ‘sadeli mosaic’ work is EXCEPTIONAL all over. It has its key and working lock. It sits on it’s 4 original brass turned ball feet. THIS IS A HIGH QUALITY & VERY RARE AND DESIRABLE BOX! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Wall or table clock by Gustave Serrurier-Bovy, Belgian Art Nouveau, African padouk wood, polished brass, Loetz-glass inlays, circa 1907 Gustave Serrurier-Bovy, a Belgian designer ...

Hand carved abstract wooden sculpture. Carved from a solid piece of Padauk wood, everyone sees something different in this piece. Michael, the sales director sees a face. Jason, DEN’...

Wonderful hand produced wooden bowl produced from one piece of solid Padouk. Padouk is naturally vibrant orange in color which mellows over time. The lighter area shown is sap wood w...

Very fine George II metal mounted padouk tea caddy with finely etched and wrought hardware and vivid grain, the interior with three compartments, the whole with pleasing color and pa...

Gorgeous 19th century Anglo-Indian double tea caddy, from circa 1880. The caddy is made from sandalwood encased in highly carved Padouk wood with deep reliefs and fretwork on the lid. It is edged in faux ivory, ebony and sadeli mosaic. Made in Bombay, India, noted for its sadeli mosaic. The carved panels depict temples and sacred animals in deep foliage setting. The interior of the caddy opens to reveal 2 re-moveable caddy chests...

Lovely Anglo-Indian carved Padouk wood, faux ivory and sadeli mosaic stationary box. Made in Bombay, India in the 19th century, circa 1880. The box is constructed of sandalwood...

Stunning and rare Mid-Century Modern firewood box. Solid padouk with original wrought iron lining and handles. Striking Dutch design from the 1950s. In...