Cypriot Decorative Objects

Ca. 2500 BC. A large vessel formed from terracotta, exhibits a distinctive form characterised by a flat base, a bulbous main body that gracefully tapers towards its neck, culminating...

This mysterious Ancient Cypriot Ceramic Sculpture of a Horse on Wood Plinth Base originates from Cyprus, 4th Century BCE. Features a beautifully sculpted form with carefully graduate...

Cypriot Plank Idol Early Bronze Age III - Middle Bronze Age I, c. 2100 - 1850 BC. Low fired burnished earthenware pottery with lime-filled incisions A Cypriot plank idol, an iconic form of human representation from Bronze Age Cyprus...

Cyprus has a long history of gourd art, they were used to carry water and wine, here are two 19th century prime examples of the art form hand engraved with geometrics, animals, ships...

With slightly sloping sidewall and everted rim, narrow foot; painted geometric bands. This jar formed from terracotta, exhibits a distinctive form characterized by a flat base, that...

This Ancient Cypriot Ceramic Sculpture of a Horse on Wood Plinth Base originates from Cyprus during the 4th Century BCE. The sculpture has an alluring dynamic and many details remai...

This Marble Shabbat Candlestick from Cyprus made in 1948-49 holds important historical significance. During that period, Cyprus served as a significant transit point for Jewish immigrants en route to Israel, particularly after World War II and during the struggle for Israeli independence. During World War II the British enacted a policy known as the White Paper of 1939 that contained strict quotas for Jews who attempted to immigrate to Palestine. During the 1940s, camps were set up in Cyprus by the British government for the internment of Jews who violated this policy. Repeated requests to lift the immigration restrictions to save European Jews from certain death were ignored, and untold lives were lost. After the war ended, the British still enforced the White Paper, and Cyprus became home to thousands of Holocaust survivors caught trying to enter Palestine. Once again, Jews were kept under armed guard and behind barbed wire Life was not easy for the Jews held in Cyprus, living conditions were below that of German prisoners of war, as standards for POWs were set by the Geneva Conventions. Since there were no precepts for civilian prisoners, these European Jews were treated worse than their captured German oppressors. During the years the camps of Cyprus were in operation, approximately 50,000 people were imprisoned and thousands of children were born. Between 1948 and 1949, artistic detainees developed a unique genre of Judaica. From the local stone found on the grounds of the camp, a range of objects was carved, sometimes bearing motifs of tents, symbolizing the life of the interned. These objects were usually inscribed in Hebrew with the word "Kafrisin" (Cyprus) This marble candlestick is one of those items. "Shabbat Shalom" flanks a Star of David with "Kafrisin" in its center, with two holes at the top for wicks and oil. The candlestick itself symbolizes resilience and continuity amidst upheaval. Marble, a durable and beautiful material, contrasts with the uncertainty and challenges faced by Jewish communities during that era. Even after the establishment of the State of Israel on May 14, 1948, the British government continued to hold 8,000 Jewish men of military age and 3,000 of their wives, in order to prevent them from joining the 1948 Arab-Israel War, known by Israelis as the War of Independence. In February 1949, the British government decided to recognize the State of Israel, and all prisoners in the Cyprus camps were released. Owning such an artifact connects one directly to the Jewish historical narrative of migration, survival, and the eventual establishment of Israel. It serves as a tangible reminder of the challenges faced and overcome by Jewish communities during one of the most pivotal periods in modern Jewish history. Literature taken from the Book, "Jewish Antiques...

‘Eye of Bravery’ is a unique sculpture by the Cypriot artist, Yorgos Papadopoulos, created from glass, silicone and fluorescent pigments with a hemati...

Large Cypriot Brown Ware Storage Jar – Early-Middle Bronze Age (circa 2700-1900 B.C.) This impressive Cypriot brown ware storage jar, dating back to the Early-Middle Bronze Age (circ...

Tall contemporary minimalist ceramic vase handmade in Cyprus. Unglazed exterior with handcarved incised relief stylized organic decor with caramel br...

‘Eye of Discovery’ is a unique sculpture by the Cypriot artist, Yorgos Papadopoulos, created from glass, silicone and pigments with a hematite patinated steel bezel and stand. Papadopoulos has reworked the iconic 'Evil Eye' amulet with his Stratified Jewels Collection. Taking this simple composition as a starting point, the scale is blown up and the colours completely reworked using resins and glass pigments. Using a pioneering technique he developed at the Royal College of Art. Yorgos combines pigments and shattered sheets of Industrial glass which he then re-laminates them to create architectural-scale artworks that look fragile but are extremely durable. Yorgos Papadopoulos initially studied as an interior designer at Middlesex University changing to a Ceramics Diploma at the City Lit in London. Whilst studying for his MA in ceramics at the RCA, Papadopoulos became drawn to the glass studios and after an incident where a sheet of Industrial glass was broken, he became seduced by the Material’s contradictory qualities. Excited by what is normally viewed as a bad outcome in the glass Community he spent the rest of his MA experimenting with and breaking glass. ‘Glass is my canvas, hammers are my brushes,’ says Papadopoulos. His ability to exploit and harness accident has informed his entire working practice. His architectural panels create a stunning focus in cool modern spaces, the contrast between the unpredictable movement of fracture and the clean lines of contemporary architecture excite the eye. Papadopoulos’ work is represented in private collections globally and public collections including; Eskishihir Glass Museum, Eskishihir (Turkey), Derix Glass Studio Taunusstein (Germany) and British Airways Art Collection - Heathrow T4 (UK). He is the author of the A&C Black book Glass Lamination...