Kinetic Abstract Sculptures

Exceptional abstract kinetic metal table top sculpture by Jerome Kirk. Dancing figures, signed and dated 1995. Sculpture base measures 8" square. Works Held: San Francisco Museum of Modern Art, San Francisco, CA., Storm King Art Center, Mountainville, NY., Albright-Knox Gallery, Buffalo, NY., Sheldon Art Gallery, University of Nebraska, Lincoln, NE., Phoenix Museum of Art, Phoenix, AZ., University of California, Berkeley Galleries, Santa Barbara, CA. Jerome Kirk, (1923- ) was born in Detroit. After serving in World War II, he received his B.S. degree in mechanical engineering from MIT in 1951. Influenced initially by Alexander Calder, David Smith and Harry Bertoia, Kirk's work has set new standards in kinetic sculpture. Other pieces of his in Southern California can be seen at TRW in Redondo Beach...

Decorative Steel Sculpture - Mirror Polished Steel Sphere - Space Age Decorative Unusual, attractive and highly decorative abstract sculpture from the 1980s - a stainless steel ball...

1960s Bowie Brutalist work composed of patinated steel rods and braze welded masonry nails with gilt decoration which fan out to create a free-form / moving sculpture...

Kinetic wall sculpture designed by Curtis Jere for Artisan House in the United States in 1983. This astonishing sculpture is made with a solid brass curved rod which holds several “V...

Abraham Palatnik (1928-2020) Bird Sculpture, circa 1960 Polyester resin and pigments. Measures: (21.5 x 9.5 x 2.5 cm) This Polyester resin sculpture representing a bird, in the colors yellow and black It is part of the series of animal sculptures that Abraham Palatnik made from the 1960s, in small format, they are small jewels of kinetic art, a movement that Palatnik was one of the pioneers. "Born in Natal, Rio Grande do Norte, Brazil, in 1928 to a family of Russian Jews, Palatnik moved with his family to Tel Aviv (then Palestine) when he was four years old. He attended Montefiori Technical School, where he specialized in internal combustion engines, and studied art under the tutelage of the painter Haaron Avni and the sculptor Sternshus at the Municipal Institute of Art. When he returned to Brazil in 1948, his output consisted mainly of figurative and landscape paintings and charcoal drawings. However, his encounters with the complex works made by schizophrenic patients at the Pedro II Psychiatric Hospital, where he taught painting workshops alongside Almir Mavignier...

Great movement on this kinetic Brutalist sculpture Signed.    

This elegant suspension piece by Arnaud Bazille, known as BAZ, blends minimalist design with sculptural expression. Mobile lunaire features a delicate arrangement of rods and tension...

FLUX rare beauty in everyday objects Numerous experiments with materials and shapes resulted in a new form and material language “Flux” Flexible steel tubes are shaped by hand ...

Sculptures in hand-hammered aluminum by Jacques Jarrige. Jacques Jarrige has always explored the relationship between line and space, material and void to its very limit in his sc...

MARCEL-ANDRÉ BOURAINE French, active 1918-1935 "Playtime" Lost-wax cast and verde patinated bronze signed in cast "M. BOURAINE", the base edge "Susse Frs. Edts Paris", "cire purdu...

Abraham Palatnik (1928-2020) Sculpture "Elephant", c. 1960 Vintage label (made in Brazil). Polyester resin and pigment in black. Kinetic art - Beautiful and rare polyester resin sculpture from the HOME AND FARM collection representing an elephant signed in the base. This sculpture is part of the series of animal sculptures that Abraham Palatnik made from the 1960s, in small format, they are small jewels of kinetic art, a movement of which he was one of the pioneers. "Born in Natal, Rio Grande do Norte, Brazil, in 1928 to a family of Russian Jews, Palatnik moved with his family to Tel Aviv (then Palestine) when he was four years old. He attended Montefiori Technical School, where he specialized in internal combustion engines, and studied art under the tutelage of the painter Haaron Avni and the sculptor Sternshus at the Municipal Institute of Art. When he returned to Brazil in 1948, his output consisted mainly of figurative and landscape paintings and charcoal drawings. However, his encounters with the complex works made by schizophrenic patients at the Pedro II Psychiatric Hospital, where he taught painting workshops alongside Almir Mavignier and Ivan Serpa, caused him to abandon his early approach to traditional image-making: “I decided to start all over from scratch,” Palatnik said. “The discipline from the school, the studio, was no longer of any use.” Freed from the perceived restrictions of his training, Palatnik became closely associated with Grupo Frente, a movement started by Serpa and rooted in geometric abstraction. He used his knowledge of engineering and mechanics as well as his interest in natural forces to build his first Kinechromatic work. Titled Azul e roxo em seu primeiro movimento (Blue and Purple in First Movement), 1949, the piece debuted at the inaugural São Paulo Bienal in 1951. “In reality, it was luck that got me into the biennial,” Palatnik said in a 1986 interview. “At first, my machine was rejected, because it wasn’t a painting, a sculpture, a drawing, or a print.” The piece, which eventually gained entry, shocked the biennial’s grand prize jury, who gave Palatnik an honorable mention, calling his work an “important manifestation of modern art.” By 1969, he had participated in seven more editions of the international exhibition. Palatnik would also present work in the 1964 Venice Biennale, the 1966 Biennial of Córdoba, and the 1997 and 2005 editions of the Mercosul Biennial. His art was featured in significant exhibitions on kinetic art, including “Mouvement 2” (1964) at Denise René gallery in Paris; “Lumière, Mouvement et Optique” (1965) at the Brussels Palace of Fine Arts; “Kinetic Art” (1966) at the Museum of San Francisco; and, more recently, “Delirious: Art at the Limits of Reason, 1950–1980” (2017) at the Metropolitan Museum of Art in New York and “The Other Trans-Atlantic: Kinetic & Op Art in Central & Eastern Europe and Latin America 1950s–1970s” (2018) at Sesc Pinheiros in São Paulo. A major retrospective, “Abraham Palatnik—The Reinvention of Painting,” was staged at several venues across Brazil, including the Centro Cultural Banco do Brasil Rio de Janeiro (2017); the Fundação Iberê...

Wonderful enameled metal kinetic sculpture by Joseph Meerbott. In two pieces, some minor loss to enamel.