Hand-Carved Busts

Top quality carved bust, signed by Cristoforo Vicari (Swiss-Italian, 1946-1913). This remarkable antique alabaster sculpture depicts a serene young woman dressed in a Florentine cos...

Antique Egyptian stone bust 19th century This sculpture was purchased at a wine-producing château in Bordeaux. Good condition with good patina due to age. Shipping: 14 / 12 / 15 c...

This painted limestone relief is an exquisite example of New Kingdom relief carving from the apogee of Egyptian artistic production. Carved in raised relief - a labour-intensive tech...

A striking pair of hand-carved solid ebony sculptural bookends depicting stylized male and female busts, executed in a refined African Modernist manner, circa 1970s. Carved from sin...

CARVED ALABASTER BUST OF "VENUS OF MILO" Probably Italian, first half of the 20th century unsigned raised on an original shaped plinth 18" H x 10 1/4" W x 5 1/4" D Carved in a s...

Fine antique (19th century) continental bust of a lovely female in curls and dress adorned with bows at the shoulder. Apparently unsigned.

Stunning classical style display column with a wonderful and warm patina. This marvelous piece of early 20th century workmanship is another fine example of the quality that was made in those days. All handcrafted out of oak and beautifully patinated from top to bottom this antique stand is a real eyecatcher and over the many decades the patina has only made this antique more attractive. This highly stylish, strong and very stable stand will easily take one of your heavier sculptures as well. The combination of the circular, heavy stem with its classical carvings and cannelures and the square base and table top make this stylish antique an absolute joy to own and look at. Apart from a few minor imperfections, this antique display stand...

An elegant, classically inspired sculptural bust carved from two-tone marble, highlighting the refined contrast between the polished black marble of the face and the veined beige mar...

Vintage fine bust depicts a beautiful young woman, hand carved in solid fruitwood. The woman is depicted with her eyes slightly downcast, as if she's looking at something at her fee...

Spectacular and very decorative piece. Large carved wooden reliquary bust of a Madonna. Beautiful traces of color. Small losses and without the relics. Silver/silvered central piece ...

A wonderful 16th century draped female torso in classical style. Made in France under Italian Renaissance influence this female torso is finely sculpted with great detail to the stol...

Here is a wonderful pair of carved horse busts/heads dating from the mid-century and measuring an impressive 16.5" high and 12" wide. Although the country of origin and wood species ...

Museum quality sculpture of a serene possibly Saint Catherine of Siena. This exquisite Italian alabaster bust, carved circa 1890 and set upon a dark, polished marble base, emanates ...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Bla...

18th century Italian carved giltwood head of an angel. Hand carved with a vivid expression and just amazing hair. A peg on the reverse for attachment to a larger relief or group scul...

Sculpture Bust Roman in solid hand carved marble lightly red tinted and grey tinted. Exceptional piece. Available now on stock.

A Large European Carved Limestone Celtic Votive Head of a Male Warrior Wearing a Typical Flowing Moustache Small Beard and Curling Locks of Hair Stiffened with Lime Wash the Slit Mouth Open as if in Command Circa 1st Century BC - 1st Century AD Size: 31cm high, 22cm wide, 25cm deep - 12¼ ins high, 8¾ ins wide, 9¾ ins deep / 42cm high - 16½ ins high (with base) From about 500 BC, first Greek and later Roman historians mention peoples living in a large area of non-mediterranean Europe as Celts. These classical chroniclers seem to have recognised these communities as having sufficient shared cultural traditions to justify their being given a common name, ‘Keltoi’ by the Greeks, and ‘Celtae’ or ‘Galli’ by the Romans. The earliest allusions to Celts by such Greek historians as Herodotus (485 - 425 BC) were followed by Polybius (200 - 118 BC) and Livy (59 BC - AD 17) who discuss the expansion of the Celts from their central European homelands during the 4th and 3rd centuries BC. They document the presence of Celts in Spain, France, Italy, Greece and Asia Minor, specifically central Turkey. They testify to the successful Roman resistance to the Celts in Italy, after the ignominy of the sacking of Rome by them in 387 BC, and describe the huge defeat suffered by the Celts at the battle of Telemon in northern Italy in 225 BC. The Celts in Greece who sacked the sacred site of Delphi in 279 BC were defeated by King Antigonos Gonatas of Macedon in 278 - 277 BC and in Turkey by Altalus of Pergamon in 240 BC. The Celts in Spain fell under the shadow of Rome from 2nd Century BC and the Celtic heartland known by the Romans as ‘Gaul’ was conquered by the Romans under Julius Caesar in the mid 1st Century BC. Britain was not referred to as Celtic by the ancient historians, but Caesar recognised the close similarities between Britain and Gaul especially in their political organisation. Tacitus (55 - 120 AD) and others chronicled the conquest of Britain between 43 and 84 AD some mentioning the fierce nature of the Celts who went into battle naked. Celtic art therefore belongs to an artistic tradition in the early history of Europe which is no less important than that of the classical world. Art was central to Celtic identity and was closely related to the objects which it decorated. The Celts were used to seeing art as an integral part of their everyday lives. Provenance: Ex Finch and Co...

Magnificent hand-carved marble bust depicting an African gentleman in traditional attire and a detailed headdress. The work stands out for its use of two-tone marble, with a contrast...

Well it does not look much like what we know about the Roman Emperor Gajus Julius Caesar's facial appearance. But given the inscription to its back Julius - 44 (Caesar died in 44 bef...

Unique and antique bronze sculpture, bust of a Satyr (“Satan”) by Jef Lambeaux.. A striking and expressive life-size bronze bust by the celebrated Belgian sculptor Jef Lambeaux, dat...

Marble Busts of Roman on pedestal. Early 19th Century

Grey Marble Socle From our Sculpture collection, we are delighted to offer this exceptional Antique Italian Marble Bust Augustus Caesar. The bust...

Introducing a mesmerizing alabaster bust by renowned sculptor Georges Morin (1874-1950). This exquisite piece, dating from the end of 19th century, showcases a young woman in a del...

Monumental Signed Adolfo Cipriani Italian Carved Alabaster Bust with Pedestal, circa 1900 A monumental and exquisitely carved alabaster bust by Adolfo Cipriani (Italian, 1857–1941),...

Add a piece of history to your collection with this exquisite bust of Marcus Aurelus, sculpted in pure white marble and iridescent orange onyx. This bust is a classic depiction of on...

Italian sculpture " Venere Medici" Head Begin 20th century Marble Measure: H: 41cm including the base Perfect condition.

Masterfully carved Italian Vanitas / Memento Mori bust in solid marble from late 19th century. White Carrara marble skull combined with masterfully...

An Italian Early 20th Century Carved Marble and Patinated Bronze Bust of a Greco-Roman Young Male. The brown patinated bronze head with a straight stare and curly hair, fitted in a c...

A striking late 18th-early 19th century bust of the Roman Emperor Titus Domitian. The head is made from hand carved white Carrara marble, the tunic and t...

Italian sculpture "Lisippea Apoxiomenos" Head Begin 20th century Marble Measure: H: 46cm including the base Perfect condition.

7 Stunning Italian Marble Sculptures Representing "The Baths of Apollo" H: 220cm early 20th Century France. Versailles. Palace. Gardens. Grove of the Baths of Apollo. Hubert Robert....

Psyche of Capua. White marble bust of Venus, after antique. Italy, late 19th century. Inscribed, 'Chiurazzi.' Measures: 21 in. (53.3 cm) height.

An impressive pair of hand-carved hardwood African busts, circa 1970s. The pair are made out of some type of exotic hardwood (zebra wood? very heavy a...

JEF LAMBEAUX (1852-1908) "Bust of a Young Woman" in bronze. Jef Lambeaux's "Bust of a Young Woman" with bared breasts is a striking work of art that embodies both beauty and controversy. Created by the eminent Belgian sculptor Jef Lambeaux (1852-1908), this bronze sculpture reveals exceptional technical mastery and extraordinary artistic sensitivity. The young woman depicted, with her hair flowing freely and her face imbued with serenity, embodies the quintessence of feminine beauty. This work is part of the Romantic Realism...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

Ferdinando Vichi (Italian, 1875-1945) A fine and lifesize Italian white Carrara marble Greco-Roman figure of the Belvedere Apollo, after the original, now in the Vatican Museum, the Belvedere Apollo has defined the Greek aesthetic ideals of harmony, noble simplicity and quiet grandeur. Apollo is depicted as an archer, having just killed the Python of Delphi. The carved figure displays the tension lingering as if the arrow has just left his bow. Standing on an oval base inscribed: F. Vichi, Firenze, Made in Italy. Florence, circa 1895-1900. Measures: Height 68 inches (192 cm) Width 47 1/4 inches (120 cm) Depth 38 1/2 inches (97.8 cm) Width of base 25 inches (63.5 cm) Former Property of Adolph Henrich Joseph Sutro's famous Cliff House and indoor public swimming establishment, The Sutro Baths...

A monumental deconstructed ceramic male torso, signed by artist, 20th century. In tones of burnt pêche, apricot, and sienna, this stunning sculpture epitomizes cubism in three dimens...

A pair of Italian alabaster busts of Amorini By Galleria Lapini, Florence, Late 19th Century One inscribed to the reverse C. Lapini, Firenze...

An antique statuary by L. Hollot French Sculpturor ( 1836 – 1897 ) representing a standing noble man with umbrella, in good condition. Created of Zamak with a very detailed craftsmenship and details. The sculpture is positioned onto a hand carved limestone pedestal...

This sculpture is in solid wood. Hand carved by a french artist in the 1950's It is signed P.Leclerc.

Medusa's gaze meets timeless elegance in this massive and beautiful statement piece of art. This Female Sculpture is an intricately Carved Stone masterpiece a large Bust of a Woman, Signed by Artist Charles Cutler. Charles Gordon Cutler...

Plaster bust of a man in the style of Swedish designer Nils Sjogren. The sculpture features a man with a moustache and curly hair mounted on a freeform wood base. Dimensions 5" widt...

This masterfully carved and lacquered Italian wooden female bust exemplifies the exquisite artistry of 18th-century religious artistry. Crafted with exceptional skill and precision, ...

Rare Carved Limestone.Art Deco. W P A, cubist sculpture by William Slattery Included original printed brochure from exhibit,, see photo of sculptu...

An Impressive 19th Century Italian Hand-Carved Carrara Marble Model of The Three Graces, Originally by Antonio Canova. The carving on this piece is exceptionally well done. The faces, hair, hands and draped clothing...

Rare pair Of 18th century Venetian Rococo period polychromed antique carved wood sculptures in the form of nubian heads. Each with substantial traces of original polychrome, portray...

Classical hand carved white marble bust of a woman wearing Greek period dress and a laurel wreath.  

A pair of hand carved and parcel painted carved busts.

1990s bust of a Roman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga, where the white veins give movement and realism to the cloth.  

19th Century Antique Anatomical Model, Anatomical Plaster Bust Sculpture - After Jean-Antoine Houdon's L'Écorché. Rare 19th Century life-size anatomical plaster bust after Jean-Anto...

A fabulously hand carved antique neoclassical style Italian Carrara marble bust of Daphne. This bust is of immaculate quality and craftsmanship. Daphne's hair is beautifully hand car...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

A circa 19th century Vietnamese carved wooden and polychromed seated Buddha with original patina. Measurements: Height: 31" Width: 22" Depth: 17"

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Academy of Brussels and with the sc...

Masterfully carved Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a red Rosso Imperiale marble Ro...

Art Nouveau Carved Wood Portrait of a Russian Maiden with Kokoshnik Headdress, Attributed to Russian School, Circa Late 19th to Early 20th Century Presenting an exquisite carved woo...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

A plaster bust depicting a young man, signed at the bottom by Stina Edman

A 19th Century carved alabaster bust sculpture of a young girl with a frilled bonnet peeling an orange. After a work by Italian sculptor Pietro Giorgi. There is an old repaired crack...

This expressive 18th century marble portrait bust is of Marie-Madeleine Guimard (1743-1816), a successful dancer and one of the most famous courtesans of pre-Revolutionary France. The bust is unsigned, but identical to one in the collection of London's V&A museum carved...