Rock Crystal Mounted Objects

18th century Italian hand-carved gold-leaf angel holding a torch with a Himalayan diamond flame and a coordinating naturally formed baroque pearl. The Himalayan diamond takes the place of a candle, which originally would have lit a great room or alter of a historic church in Italy. Despite the similar sparkling brightness and clarity, these "diamonds" are actually found as doubly-terminated crystals from the foothills of the Himalayan mountains near the borderlines of Tibet and Nepal. Interi transforms European...

Sculptural 18th century Italian crucifix mounted on emerald in matrix on a reflective mica base. The crucifix artifact is originally hand carved wood with silver leaf from a church ...

17th century Italian 'Florence Fragment' mounted with fossil agate coral and adorned with red phantom quartz crystals, and chalcedony rosettes on polished agate base. This fragment is originally from a historical church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of a very important and rare collection called The Florence Fragment Collection which previously exhibited with Museo de’ Medici in Florence, Italy. This is a collection of historical fragment artifacts found and saved from the infamous Florence flooding of the Arno River in 1966 which was the worst flood the city had faced since the Renaissance. Fossil agate coral is mounted on top of the artifact. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when prehistoric coral is gradually replaced with agate. It is adorned with coordinating red phantom crystals and chalcedony rosettes that resemble the color and texture of the piece. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 17th century. The story and history of this piece and Interi's collection of Florence fragments...

Ruler Selenite with gold leaf on a Lucite base. Selenite logs are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean br...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Ruler selenite adorned with an 18th century Italian gilded fragment and natural forming baroque pearls and mounted on a lucite base. Ruler selenite or "selenite logs" are single, pri...

Sculptural 18th century Italian fragment with elestial quartz and mounted on an agate slice. The fragment was originally from a historical Italian church. It is mounted with the ele...

Large naturally forming selenite crystal slab with a coordinating tangerine crystal cluster and mounted on a lucite base. The piece is put together by Jean O'Reilly Barlow, the arti...

Complete conch shell mounted on a large crystal quartz cluster and adorned with two crystal points, highlighting the neutral and warm hues of the shell. The piece was collected and ...

Sculptural 17th century hand-carved Florence Fragment mounted with a fossil shell with barnacles and adorned with crystals. This fragment is from a church in Florence. It was found ...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Large blue agate slab mounted on a stand. Agate is characterized by its fineness of grain and brightness of color. These slabs are classically assoc...

Calcite crystal cluster adorned with natural forming gold baroque pearls in its matrix. Calcite is the most abundant carbonate on Earth and commonly forms in caves, hot springs, an...

Beautiful Atlantic sea shell with decorative stripe professionally mounted on genuine coral base, artistically hand embeded with fantastic crystal quartz citrine stones, to make exce...

Ruler Selenite with an 18th century Italian gold leaf fragment. Mica, and natural forming baroque pearls on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spar. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece but the Italian fragment is originally 18th century. Interi transforms Italian artifacts...

18th century Italian sunray with baroque pearls mounted on an aragonite crystal base. The 18th century gold leaf sunray originally part of a halo or sunburst motif in an artistic depiction in a historic church. It is mounted onto the white aragonite...

Pair of 19th century Italian hand-carved and gilded angel wings on calcite crystal points in matrix. The pair hand-carved gilded and gilded angel wings are originally from a histor...

Beautiful Atlantic trumpet sea shell professionally mounted on genuine coral base, artistically hand embeded with fantastic crystal quartz stones, to make exceptional piece of art fo...

18th century Italian bronze-gold crucifix with coordinating gold leaf shells and crystal points mounted on a crystal geode. The gold leaf shells adorn the crucifix and the base of th...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Polished-face free-forming calcite with a mix of cotton ball and zebra design. This piece is a recent find from a mine in Mexico. The piece is an organic modern work of art that woul...

Ruler Selenite with an 18th century Italian gold leaf molding and a natural forming baroque pearl on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spare. It is then adorned with gold leaf wood molding and the baroque pearl which coordinate beautifully with the sleek selenite. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece but the Italian fragment sunray is originally 18th century. Interi transforms Italian artifacts...

A set of three coordinating 17th century Italian 'Florence Fragments' all topped with varying collections of selenite rock crystal and naturally free-forming copper. These fragment...

A single selenite log with natural-forming baroque pearls on a custom hammered metal stand. Ruler selenite or "selenite logs" are single, prismatic seleni...

18th century Italian fragment with a calcite crystal cluster in matrix mounted on a Italian glass bobeche base. The fragment is from a church in Florence. It was found and saved f...

18th century Italian gold leaf sunray mounted on pyrophyllite with titanium quartz. The 18th century gold leaf sunray was once a halo motif as part ...

18th century Italian station of the cross on calcite crystals in matrix with a natural-forming baroque pearl. This is the second station of the cross in a group of 14 and originall...

A pair of ruler selenite on lucite bases. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is a crystallized form of gypsum and is characterized by a silky, pearly luster called satin spare. Interi transforms Italian artifacts...

18th century Italian fragment topped with natural forming clusters of fossil shells and barnacles. This fragment is from a church in Florence. It was found and saved from the histori...

18th century Italian "Florence fragment" vase with an elestial quartz point, chalcedony rosettes, and ecphora shells on a petrified wood base. The elestial quartz has an additional c...

Beautiful spider sea shell professionally mounted on a natural coral base. Artistically embedded with citrine and Quartz crystal pieces that make a beautiful object of art for displa...

Ruler Selenite with natural forming baroque pearls on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spare. It is then adorned with the baroque pearls which coordinate beautifully with the sleek selenite. Interi transforms Italian artifacts...

A rare carved Hawk's Eye agate tiger on a 14k gold mounted rock crystal base, circa 1960. "A Jeweled Sculpture" An incredible carved tiger made...

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

Sculptural 18th century Italian mecca fragment candlestick with a fossil shell and wulfenite on a polished calcite base. The fragment was originally p...

Polished agate cathedral with a tangerine crystal point. Agate is characterized by its fineness of grain and brightness of color. These slabs are clas...

A pair of 18th century gilded Italian fragments adorned with golden quartz crystals and baroque pearls. The pair are free-standing or can be modified to be hung on a wall upon reques...

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

Lemon quartz crystal cluster with coordinating natural forming Baroque pearls and geode on a Lucite stand. Lemon Quartz is known for its vibrant color that naturally forms in its mat...

Sculptural 18th century Italian crucifix with selenite in matrix and adorned with gem beading around the cross. The selenite in matrix creates the sunrays around the crucifix. The pi...

Sculptural 18th century Italian candlestick with a fossil clam shell and gold leaf barnacles mounted on a cut rock coral base. The hand-carved, 18th century candlestick originally came from a church in Tuscany. It is mounted on a cut and fossilized rock coral base. The mounted fossil...

Pair of 18th century Italian gold leaf candlestick tops with polished fossil agate coral and a natural forming baroque pearl. The 18th century fragments come from Tuscany and have th...

17th century Italian vase with a crystal quartz cluster on a crystal quartz cluster base. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftsmanship, and history of fragment. The crystal quartz clusters are applied to the piece to create a sculptural work. The story and history of this piece and Interi's collection of Florence fragments...

Sculptural 18th century Italian fragment decorated with mica and crystal quartz points on a polished agate base. The 18th century fragment originally came from a candlestick in a his...

18th century Italian gold sunray fragment with tangerine crystal quartz points on a polished optical calcite base. The hand-carved, hand-painted wood fragment sunray was once part of...

Ruler Selenite with an 18th century Italian gold leaf fragment and natural forming baroque pearls on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spar. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 18th century. Interi transforms Italian artifacts...

18th Century Italian candlestick fragment with unpolished crystals and rare marine fossil (Siliquaria Cumingii) collected from the coast of Minabe from the Honshu island in Japan. Th...

18th century Italian sliver leaf and mecca cross adorned with gold and silver plated crystal points and mica mounted on a mica and tourmaline in calcite matrix base. The crucifix originally came from a church in Tuscany. The gold and silver plated crystal points replicate the original sunrays or halo around the cross. The piece is mounted on a mica and tourmaline cluster that is in a matrix of calcite. The mica holds a shimmery appearance that can reflect light - like nature's disco ball. It perfectly coordinates with the silver leaf and mecca painted cross...

18th century Italian crucifix adorned with tourmaline and mounted on tourmaline in a crystal matrix from Brazil. The piece is put together by Jean O'Reilly Barlow, the artist and c...

18th century Italian "Florence Fragment" candlestick base mounted and adorned with quartz crystals and topped with an ammonite. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of the The Florence Fragment Collection which is exhibiting with Museo de’ Medici in Florence, Italy this fall. This is a collection of historical fragment...

18th century Italian "Florence Fragment" vase adorned with calcite crystals and mounted with calcite crystals in a zinc matrix. The calcite crystals are from the famous Elmwood Mine ...

18th century Italian sunray adorned with tangerine crystal quartz points on an angle plated quartz. Angle-plated quartz is an extremely rare form of quartz and is only found in the u...

Pair of 17th century Italian 'Florence Fragment' bases from Tuscany topped with polished ammonites and adorned with citron crystal quartz points. These fragments are from a church in...

18th century Italian fragment with fossil agate coral and Herkimer diamonds on a lucite base. Fossil agate coral is mounted on top of the artifact. Fossil agate coral is Florida's s...

18th century Italian "Florence Fragment" candlestick base with fossil coral and coordinating shells on a rock coral base. This fragment is from a church in Florence. It was found an...

18th century Italian gold leaf angel wing mounted on tourmaline in crystal quartz. The large, gold leaf and painted angel wing originally came from a church in Tuscany. It was onc...

Sculptural 18th century Italian candlestick mounted with chalcopyrite and calcite crystals in matrix. The gilded fragment was originally part of a candlestick in a historical Italia...

18th century Italian gold leaf angel wing with rutilated quartz crystals on natural-forming aragonite crystal cluster. The hand-carved angel wing was once part of a heavenly, angelic depiction in a historic church in Italy. The aragonite is from Morocco and is known for this particular type of crystalized formations. The mineral emulates a cloud which is compliments the 18th century Italian gilded angel wing. The rutile quartz crystals are adorned on the base and aspects of the wing and the gold of the rutile perfectly matches the original gilded 18th century Italian artifact...

17th century Italian (Tuscan) figure of Christ decorated with calcite crystals on a barite and calcite crystal specimen with chalcopyrite. The hand carved figure of Christ is from a ...

17th century Italian vase mounted and encrusted with chalcedony rosettes on a petrified wood base. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftmanship, and history of sculptural fragment. The chalcedony rosettes perfectly emulate the color and texture of the piece. The story and history of this piece and Interi's collection of Florence fragments...